Bebop Spoken There

David Bailey (photographer): ''When I was 16 I wanted to look like Chet Baker. He was my idol - him and James Dean.'' (Talking Pictures documentary : Four beats to the bar and no cheating April, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18429 (and counting) posts since we started blogging 18 years ago. 293 of them this year alone and, so far this month (April 13 ) 27,

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

April

Thu 16: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Jewish Musicians/Composers/Vocalists.
Thu 16: Sleep Suppressor + Silk Road + So Anne So @ The Globe, Newcastle. 7:00pm. £10.00., £8.00., £6.00.
Thu 16: Fourpenny Rabbits @ The Black Swan, Newcastle. 7:30pm. Free.

Fri 17: Russ Morgan Quartet @ The Lit & Phil, Newcastle. 1:00pm. £8.00. SOLD OUT!
Fri 17: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 17: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 17: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 17: Ben Crosland Quartet @ Sunderland Minster. 7:30pm. £12.96 (inc. bf) online; £15.00 on the door. Old Black Cat Jazz Club.

Sat 18: Bright Street Big Band @ Washington Arts Centre. 6:30pm. £12.00. Swing dance sessions + Bright Street Big Band 7:30-8:15pm & 8:45-9:30pm.
Sat 18: Glenn Miller & Big Band Spectacular @ The Phoenix Theatre, Blyth. 7:30pm. £27.00 (inc. bf).

Sun 19: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Trio + Lara Hopper.
Sun 19: Pete Tanton’s Chet Set @ Queen’s Hall, Hexham. 3:00pm. £12.00., £10.00.
Sun 19: Straight to Tape @ The Tyne Bar, Newcastle. 4:00pm. Free. Edd Carr, Jonathan Proud, John Hirst. Blues trio.
Sun 19: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 19: Graham Hardy’s Eclectic Quartet @ The Globe, Newcastle. 8:00pm. £12.00., £10.00., £7.00.

Mon 20: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 20: Dean Stockdale Trio @ The Black Bull, Blaydon. 8:00pm. £10.00. Stockdale, Mick Shoulder, Abbie Finn.

Tue 21: Vieux Carré Hot 4 @ The Victoria & Albert Inn, Seaton Delaval NE25 0AT. Tel: 0191 237 3697. Tickets: £14.00. ‘Pie & Pea Lunch’.
Tue 21: Neil Cowley Trio @ The Fire Station, Sunderland. 7:30pm. £29.00., £26.00., £23.00.
Tue 21: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Joe Steels (guitar); Paul Grainger (double bass); Jack Littlewood (drums).

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Nubiyan Twist @ Digital, Newcastle. 7:00pm. £28.75 (inc. bf).
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Daniel John Martin w. Swing Manouche @ Bishop Auckland Methodist Church. 7:30pm. Date, time & admission TBC.
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Sunday, January 28, 2018

Women Play Jazz! Workshops @ The Globe, Saturdays - January 6 -27

Four workshops led by Cumbrian Jilly Jarman -  composer, singer, arts organiser - resulted in several of us having a great time, playing and learning, rounded off with a gathering where we performed for each other and had a feast of food to indulge in. I suppose about 20 women, in all. were involved, though not everyone was able to attend every session. And what a good- humoured lot we were – there were certainly plenty of laughs.
I don’t know where all these capable musicians have been hiding – we had a good steady bass guitarist, a drummer, a pianist (who doubles on euphonium!), 3 or 4 alto saxes, a tenor or two,  2 or 3 flutes, and about 5 of us vocalists. Oh, and the drummer sings too. 
Jilly got us to do as much as possible by ear, which is challenging but so useful to get the real ‘feel’ of the music, and a good preparation for doing one’s bit in jam sessions. One of the aims of the course was to get more used to jam sessions, so we worked on a wide variety of material such as Willow Weep For Me (ballad); Trouble In Mind (bluesy); Evil Ways (Santana’s Latin number); and tricky numbers like Stolen Moments and Coltrane’s  Equinox. We learned about the various hand signals used in jams, some of which I’d never seen before, and possibly won’t again, but it does no harm to know anyway. We all tried the percussion instruments from Jilly’s bag of goodies, and I tried the Globe’s set of hand drums, which I love to play, but which may not be so enjoyable for the listeners!
Our final gathering and feast included music and songs such as Put It Where You Want It; Frim Fram Sauce; Work Song; Black Coffee; Unchain My Heart and Summertime (Sorry Lance!)  We discussed the differences between playing music with men and playing in all- women groups. We all enjoy mixed groups but we thought that it’s much harder for men to admit it if they make a mistake, which leads to all sorts of problems for both genders. We are still considering about whether to continue this project in some form. But what fun we had!
Thank you so much to Jilly, and also to Sheila Herrick for organising, and to Jenny Lingham for doing the till and the sound system.  

Ann Alex

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