Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 12: Ray Stubbs R&B All Stars @ The Mill Tavern, Hebburn. 8:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: The ’58 Jazz Collective @ Hartlepool Cricket Club, West Park, 7:30pm. £7.00.
Wed 18: Brand New Heavies @ The Glasshouse, Gateshead. 7:30pm.
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, January 28, 2018

Women Play Jazz! Workshops @ The Globe, Saturdays - January 6 -27

Four workshops led by Cumbrian Jilly Jarman -  composer, singer, arts organiser - resulted in several of us having a great time, playing and learning, rounded off with a gathering where we performed for each other and had a feast of food to indulge in. I suppose about 20 women, in all. were involved, though not everyone was able to attend every session. And what a good- humoured lot we were – there were certainly plenty of laughs.
I don’t know where all these capable musicians have been hiding – we had a good steady bass guitarist, a drummer, a pianist (who doubles on euphonium!), 3 or 4 alto saxes, a tenor or two,  2 or 3 flutes, and about 5 of us vocalists. Oh, and the drummer sings too. 
Jilly got us to do as much as possible by ear, which is challenging but so useful to get the real ‘feel’ of the music, and a good preparation for doing one’s bit in jam sessions. One of the aims of the course was to get more used to jam sessions, so we worked on a wide variety of material such as Willow Weep For Me (ballad); Trouble In Mind (bluesy); Evil Ways (Santana’s Latin number); and tricky numbers like Stolen Moments and Coltrane’s  Equinox. We learned about the various hand signals used in jams, some of which I’d never seen before, and possibly won’t again, but it does no harm to know anyway. We all tried the percussion instruments from Jilly’s bag of goodies, and I tried the Globe’s set of hand drums, which I love to play, but which may not be so enjoyable for the listeners!
Our final gathering and feast included music and songs such as Put It Where You Want It; Frim Fram Sauce; Work Song; Black Coffee; Unchain My Heart and Summertime (Sorry Lance!)  We discussed the differences between playing music with men and playing in all- women groups. We all enjoy mixed groups but we thought that it’s much harder for men to admit it if they make a mistake, which leads to all sorts of problems for both genders. We are still considering about whether to continue this project in some form. But what fun we had!
Thank you so much to Jilly, and also to Sheila Herrick for organising, and to Jenny Lingham for doing the till and the sound system.  

Ann Alex

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