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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16382 (and counting) posts since we started blogging 16 years ago. 262 of them this year alone and, so far, 59 this month (April 20).

From This Moment On ...

April

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 23: Vieux Carre Hot 4 @ Victoria & Albert Inn, Seaton Delaval. 12:30-3:30pm. £12.00. ‘St George’s Day Afternoon Tea’. Gig with ‘Lashings of Victoria Sponge Cake, along with sandwiches & scones’.
Tue 23: Jalen Ngonda @ Newcastle University Students’ Union. POSTPONED!

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: Sinatra: Raw @ Darlington Hippodrome. 7:30pm. Richard Shelton.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 24: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.

Thu 25: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 25: Jim Jams @ King’s Hall, Newcastle University. 1:15pm. Jim Jams’ funk collective.
Thu 25: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 25: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.
Thu 25: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm.
Thu 25: Kate O’Neill, Alan Law & Paul Grainger @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 25: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Neil Brodie (trumpet); Adrian Beadnell (bass); Garry Hadfield (keys).

Fri 26: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 26: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 26: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 26: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 26: Paul Skerritt with the Danny Miller Big Band @ Glasshouse, Gateshead. 8:00pm.
Fri 26: Abbie Finn’s Finntet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.

Sat 27: Abbie Finn Trio @ The Vault, Darlington. 6:00pm. Free.
Sat 27: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 28: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 28: More Jam Festival Special @ The Globe, Newcastle. 2:00pm. Free. A ’10 Years a Co-op’ festival event.
Sun 28: Swing Dance workshop @ The Globe, Newcastle. 2:00-4:00pm. Free (registration required). A ’10 Years a Co-op’ festival event.
Sun 28: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 28: Scott Bradlee's Postmodern Jukebox: The '10' Tour @ Glasshouse International Centre for Music, Gateshead. 7:30pm. £41.30 t0 £76.50.
Sun 28: Alligator Gumbo @ The Globe, Newcastle. 8:00pm. A ’10 Years a Co-op’ festival event.
Sun 28: Jerron Paxton @ The Cluny, Newcastle. Blues, jazz etc.

Friday, January 12, 2018

The Mo Scott Band @ The Globe, January 11

Mo Scott (vocals); Gary Dunn (guitar); Neil Harland (bass guitar); Paul Smith (drums)
(Review by Ann Alex)
‘Tyneside’s First Lady of the Blues’ declared the Globe publicity, and last night’s performance showed that to be undoubtedly the truth. The First Lady strutted her stuff with all the stops out. Gary on guitar did stunning solo work, Neil was the steady and strong bass, and the drums played as if there was no tomorrow. And it wasn’t just blues from this band, but rock, jazz, country, and even a touch of ska.
 Let Your Hair Down Baby demanded Mo to start the show, followed by a gutsy You Ain’t Nothing But A Hound Dog, which was far, far better than the version by Elvis, complete with canine-like wails from the guitar. I thought the guitar couldn’t get better, but it did on Fever. Then a complete change to the tenderness of Billie Holiday’s God Bless the Child, soulfully sung. It was good to hear so many songs which were either written or made famous by women, such as Nina Simone’s Don’t Let Me Be Misunderstood, and sung to a ska beat as well.  Next came Lone Star, a country song by Norah Jones, with an easy, smooth, relaxing tune. Back to the men, with B.B. King’s Never Make Your Move Too Soon and then Love Letters, first sung by Nat King Cole.  Back to blues, with a new one to me, Son House’s Don’t Mind People Grinnin’ In Your Face, and also When The Sun Rose This Morning. This last number ended the first half, so no holds were barred, ending with a last impassioned chorus from Mo.

The second half opened with a real rocker You Never can Tell. (Such a versatile band, I wonder what they’d do to the National Anthem, just a thought!) The guitar teased some interesting sounds from the electronic box attached, an intriguing squelchy sound, and deep tones, during this number, followed by a long sequence of riffs and grooves from the drums and guitar. Back to the women for Cry Myself to Sleep, a country song written by mother and daughter band Judd. Yellow Moon was feelingly sung, with stirring effects on drums. Then came Otis Redding’s (Sitting on the)  Dock Of The Bay; Love Me Like A Man; Little Winged (from the band only); Ray Charles’s Unchain My Heart; then Mo told us I Won’t Go Down That Big Road By Myself, before the final number, Rock Me Baby, which brought a great evening’s music to a more than satisfactory end.

Ann Alex

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