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Bebop Spoken There

Tineke Postma: “ I had a huge crush on him [Sting] when I was a teenager ". Jazzwise, June 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16476 (and counting) posts since we started blogging 16 years ago. 356 of them this year alone and, so far, 68 this month (May 24).

From This Moment On ...

May

Sun 26: Tyne Valley Youth Big Band @ The Sele, Hexham. 12:30pm. Free. A Northumberland Jazz Festival event.
Sun 26: Bellavana @ Spanish City Plaza, Whitley Bay. 1:00pm. Whitley Bay Carnival (outdoor stage).
Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Alice Grace @ The Sele, Hexham. 1:30pm. Free. Alice Grace w. Joe Steels, Paul Susans & John Hirst.
Sun 26: Bryony Jarman-Pinto @ Queen’s Hall, Hexham. 3:00pm. A Northumberland Jazz Festival event.
Sun 26: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Clark Tracey Quintet @ Queen’s Hall, Hexham. 6:00pm. A Northumberland Jazz Festival event.
Sun 26: Saltburn Big Band @ Saltburn Community Hall. 7:30pm.
Sun 26: Ruth Lambert Quartet @ The Globe, Newcastle. 8:00pm.
Sun 26: SARÃB @ The Glasshouse, Gateshead. 8:00pm.

Mon 27: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 28: Bold Big Band @ The Black Swan, Newcastle. 8:00pm.

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 29: Jazz Night @ The Tannery, Hexham. 7:00-9:00pm. Free. The first night of a new jam session!
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 30: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 30: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 30: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests Josh Bentham (sax); Neil Brodie (trumpet); Garry Hadfield (keys); Adrian Beadnell (bass);

Fri 31: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 31: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 31: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 31: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Fri 31: Borealis @ The Witham, Barnard Castle. 7:30pm. CANCELLED!
Fri 31: Redwell @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

June

Sat 01: Enrico Tomasso’s Swing Company @ St Augustine's Parish Centre, Darlington. 12:30pm. Darlington New Orleans Jazz Club.
Sat 01: Play More Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: Steve Glendinning.
Sat 01: Hop, Skiffle & Jump: The Story of Skiffle @ 1719, Hendon, Sunderland. 6:00-9:00pm.
Sat 01: Lindsay Hannon’s Tom Waits for No Man @ Dry Water Arts, Amble. 7:00pm. £15.00.
Sat 01: John Garner & John Pope @ Victoria Tunnel, Ouseburn, Newcastle. 7:00pm.
Sat 01: Milne-Glendinning Band @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Monday, January 29, 2018

CD Review: Matthew Read Trio - Anecdotes II

Benedict Wood (guitar), Matthew Read (double bass) & Arthur Newell (drums)
(Review by Russell) 
Three recent Guildhall graduates, the Matthew Read Trio is shortly to release a second album, a second volume, titled Anecdotes II. All bar one of the eleven tracks were written by bassist Read with one other contributed by guitarist Benedict Wood. Drummer Arthur Newell doesn’t contribute a
composition to the album but his sensitive playing is first-rate from start to finish.           

A press release states that the trio draws influence from ‘jazz, folk, country, hip-hop, dance music, spirituals and both European and American church music…’ Listening to the album (twice), one or two questions arise: Are these influences evident? Should one read this blurb in advance of sitting down to listen to the recording? Bebop Spoken Here’s CD and gig reviewer Steve H said recently that he listens to a review album three times. Perhaps all BST contributors could/should follow suit. First impressions are important and further listening invariably reveals something missed the first time around. A firm conclusion about Matthew Read’s Anecdotes II is that it is the work of three top class young musicians. Another conclusion is that the album purposely doesn’t set out to blow away the listener by dint of coruscating pyrotechnics. Thoughtful, measured, beautifully recorded (by Owain Fleetwood Jenkins), Anecdotes II is an album of contemporary jazz referencing the small combos noted for their abilities as composers in addition to their intimate and immaculate performances in the studio and on stage. Perhaps In Motian refers to Paul Motian. Benedict Wood’s guitar playing would have been appreciated by the likes of Jim Hall, perhaps Barney Kessel, and then there is a contemporary giant, Pat Metheny. Influences? Perhaps.

The press release imagines Kendrick Lamar (2018 Grammy award-winning ‘Best Rap Album’) and Kurt Rosenwinkel playing together would result in something like the track K. This track, more than any other, has a distinctive hook with its retro ’60s tv series theme tune feel and it is more uptempo than the other ten cuts on the album. In the era of the digital download Read’s Revolutions laments the loss of the physical product – ie the 33 rpm album (and its artwork). The track’s waltz-time feel and subtle swing make this one of two or three standout compositions. Bandleader bassist Read was the 2016 recipient of the prestigious Dankworth Prize for Big Band composition and arranging. Anecdotes II is a testament to Read’s abilities and, what’s more, he doesn’t seek the limelight, the trio form being his primary concern.                              

The Matthew Read Trio will launch the new CD Anecdotes II* on Thursday 15 February at Kansas Smitty’s in London. The trio’s British tour is underway, tonight (29 January) it’s Manchester at the Peer Hat, tomorrow it’s Liverpool (Parr Jazz), continuing throughout February into April. The Jazz Café, Newcastle welcomes the trio on Friday (2 February), 9:00pm. Advance tickets can be obtained by telephoning the venue from noon tomorrow (Tuesday) on 0191 222 9882.
Russell.
* The CD cover doesn’t identify a record label. The catalogue number is BOD002. For further info visit: www.matthewread.co.uk  or see Matthew Read at a gig as he’s sure to have copies with him.

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