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Bebop Spoken There

Sullivan Fortner: ''I always judge it by the bass player: If the bass player is happy, it's going to be a good night". (DownBeat, February 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17805 (and counting) posts since we started blogging 17 years ago. 126 of them this year alone and, so far, 51 this month (Feb.16).

From This Moment On ...

February 2025

Sat 22: Jason Isaacs @ St. James’ STACK, Newcastle. 12:30-2:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 22: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30pm-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 22: Abbie Finn Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 22: Mississippi MacDonald @ Claypath Deli, Durham. 7:00pm. Blues.
Sat 22: Lindsay Hannon: Tom Waits for No Man @ Old Cinema Laundrette, Durham. 7:45pm. £16.50. SOLD OUT!
Sat 22: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sun 23: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 23: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 23: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 23: Mark Williams Trio @ Queen’s Hall, Hexham. 3:00pm.
Sun 23: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 23: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 23: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 23: Mississippi MacDonald @ Georgian Theatre, Stockton. 3:00pm. Blues.
Sun 23: Mu Quintet @ The Globe, Newcastle. 8:00pm.
Sun 23: Jazz Jam @ Fabio’s, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society promotion. All welcome.

Mon 24: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 24: Michael Young Trio @ The Engine Room, Sunderland. 6:30pm. Free.

Tue 25: ?

Wed 26: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Jamie McCredie @ The Globe, Newcastle. 8:00pm.

Fri 28: Luis Verde Quartet @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 28: Spilt Milk @ St. James’ STACK, Newcastle. 7:00-9:00pm. Free. Nolan Brothers (vocal harmonies).
Fri 28: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. 7:30pm (doors). £8.00.
Fri 28: Knats @ Lubber Fiend, Newcastle. 7:30pm. £11.50. (inc bf.). Album launch gig. Support act TBC.
Fri 28: Black is the Color of My Voice @ The Gala, Durham. 7:30pm. Apphia Campbell’s one-woman show inspired by the life of Nina Simone, performed by Florence Odumosu.
Fri 28: Great North Big Band Jazz Festival: Musicians Unlimited @ Park View Community Centre, Chester-le-Street. 8:00pm. £10.00. (Weekend ticket £20.00., available on the door). Day 1/3. Musicians Unlimited in concert.
Fri 28: Redwell @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, January 22, 2018

CD Review: Melody Gardot - Live In Europe

(Review by Ann Alex)
An album of live recordings which our singer and her band did in various cities in Europe, during the period 2012-2016. Ms Gardot explains that she originally thought she would choose the best tracks she could find, but then she decided it should rather be ‘a postcard from our tours of Europe’ giving ‘the feeling, the nostalgia, the memory’ of performances, and be a gift to herself as well as to the listener.
The information is taken from the website, www.melodygardot.co.uk.  and there are no lists of musicians. The songs appear to be originals, except for Over the Rainbow, mostly love songs, and Ms Gardot’s style leans towards cabaret, with something subtly French about the singing, which is often quiet, intimate, breathless, almost muttered. Listeners need to hear the songs a few times to fully appreciate the artistry. I estimate the instruments involved to be guitar, keys, saxes, (some tracks) strings, clarinet, flute, drums, and some delightful cello and very skilled double bass, which often introduces each song.
The cities visited include Paris, Bergen, Lisbon, London, Zurich, Frankfurt, Amsterdam, Barcelona, and Utrecht. The Rain (Bergen) is highly descriptive, with long, lowering guitar chords, crashing piano chords, a strong jazz tune from saxes, and a bass solo, signifying ‘goodbye’ to a lover. Our Love Is Easy is a flowing tune, sung with breathless intimacy. Deep Within the Corners of My Mind is a song of longing with string accompaniment. From Lisbon, we hear a Latin number with percussion, clarinet and flute, and singing in Portuguese (I think). Other titles include Baby I’m A Fool; So Long; My One and Only Thrill; Les Etoiles; Goodbye. The album is rounded off with a long track, March for Mingus, which includes most of the instruments giving us a strong jazz tune, saxes in harmony, eastern type vocals, then a final band mash up with a gospel song.
I found this to be a quite listenable CD but maybe something of an acquired taste, and I’m not sure whether I would eventually acquire that taste or not. It is available as a double CD or a triple vinyl LP.
Ann Alex
PS: It’s almost 10 years since the start of BSH, so it seems like a good time to acknowledge a debt that I owe to Lance. I first met Lance when we were both members of a writers’ group in South Shields, in about 2003. (Lance writes a mean crime story, did you know?)  And since I’ve been encouraged to do reviews, it’s made me a bit more fluent with other writing, as writing is like a muscle, use it or lose it. So I’m grateful to Lance that I’m writing other stuff besides reviews, such as a few folk influenced songs. And then there’s the other debt to Lance, the £20 I owe him from when we recently shared a taxi from the Globe. Coming up soon Lance!
(In a perfect world I’d say ‘Forget the £20’ … in a perfect world - Lance)

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