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Bebop Spoken There

James Carter: "We played around with 'Nuages' and FUNKED it up, basically." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Tuesday August 20

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Joe Reid - Band Room, Music Studios, Newcastle University NE1 7RU. 12 noon. Free. Reid (drums) Postgraduate Recital. ‘Progressive Drumming & Polyrhythms of the Modern Drummer’.

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Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. 0191 251 3677. 12:00pm - 2:00pm. Free.

NOTE EARLIER TIME THIS WEEK ONLY.

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Will Earl - Band Room, Music Studios, Newcastle University NE1 7RU. 1:40pm. Free. Earl (drums) Postgraduate Recital. ‘Solo and groove: innovation in contemporary drumming practices’.

Evening

Jazz

Jam session - Black Swan Bar, Newcastle Arts Centre, 59 Westgate Rd., Newcastle NE1 7RU. Tel: 0191 222 9882. 8:00pm. Free. House trio: Giles Strong (guitar), Paul Grainger (double bass), Paul Wight (drums).

River City Jazzmen - Block & Tackle, Blackthorn Way, Ashington NE63 8NW. Tel: 01670 819845. 8:30pm. £4.00.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, January 27, 2018

CD Review: Leslie Pintchik - You Eat My Food, You Drink My Wine, You Steal My Girl!

Leslie Pintchik (pno/composer) Steve Wilson (alto) Ron Horton (tpt & flugel) Shoko Nagai (accordion) Scott Hardy (basses & guitars) Michael Sarin (dms) Satoshi Takeishi (percussion)
(Review by Dave Brownlow.)
This is Leslie Pintchik’s sixth album where she leads her piano/bass/drums trio augmented on some tracks either by trumpet and alto, accordion, guitar or percussion. Leslie is a prolific composer and the CD includes six of her original pieces together with two well-known standards. She plays piano in a calm, unhurried, thoughtful style with warmth, wit and drive veering emotionally from the poignant to the playful in depth
The title track You Eat My Food, You Drink My Wine, You Steal My Girl!  (What a great title!) has an infectious melody over a lively samba/funk/blues groove and features enthusiastic solos from piano, guitar (presumably through multi-tracking) and alto.
The first of two standards, I’m Glad There Is You by Jimmy Dorsey and Paul Madeira is played as a gentle bolero by the trio with clearly-developed solos from the piano and bass. The second, Smoke Gets In Your Eyes from Jerome Kern and Otto Harbach, is played in a samba rhythm just by the trio. The well-crafted piano and bass solos lead to a conclusion where the players work hard to achieve a final result.
The haunting ballad, Mortal was written to “express a sense of life’s fragility and especially shortness” and features sensitive one-chorus solos from piano, alto, trumpet and bass - a poignant effort from the whole group.
Another quirkily named original - Your Call Will Be Answered by Our Next Available Representative in the Order in Which It Was Received. Please Stay On The Line. Your Call Is Important To Us (the longest track-title I’ve ever come across!) - has Leslie and the trio humorously engaged in something which symbolises all our frustrations when we’re trapped in similar phone calls with blood-pressure rising! Full of stops and starts, the tune swings along with strong drive from the rhythm team – the bass solo is also particularly nimble and ear catching.
Hopperesque, inspired by the iconic artist Edward Hopper, features the keening sound of Shoko Nagai’s accordion in an evocative minor-keyed outing which fuels the “feeling of mystery”. Happy Dog has the accordion again and percussion of Takeishi to the fore in a cheerful piece played in a samba-based rhythm rollicking along with playful solos from the piano, guitar-like bass and chattering percussion. Finally, A Simpler Time has a lovely melody which could easily have come from the pen of Bill Evans or Fred Hersch in its construction. Leslie makes the piano “sing” in this performance with her graceful touch at the keyboard.
Overall, a simpatico album which grows on you after repeated listening and which further extends the career of this most musical artist in her quest for originality and beauty.
Dave. 

Available on Pintchard CD-004 from 23rd February 2018 at  www.lesliepintchik.com

2 comments :

Lance said...

Seems the album and the tune's title came from an exchange she overheard whilst crossing Canal Street and West Broadway in the SoHo section of Manhattan. One of those "only in New York" moments!

IR Cargill (on F.b) said...

That's life!!!

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance