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Bebop Spoken There

Steve Fishwick: “I can’t get behind the attitude that new is always somehow better than old”. (Jazz Journal, April 15, 2019).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16542 (and counting) posts since we started blogging 16 years ago. 422 of them this year alone and, so far, 29 this month (June 17).

From This Moment On ...

June

Sun 23: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm.
Sun 23: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 23: Matt Carmichael @ St Mary’s Church, Wooler. 3:00pm. Carmichael (saxophone), Fergus McCreadie (piano), Charlie Stewart (fiddle). ‘Scottish jazz, folk-roots & landscape’ Wooler Arts: Summer Concerts.
Sun 23: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 23: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 23: Bede Trio @ The Globe, Newcastle. 8:00pm.
Sun 23: Leeway @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 23: Jazz Jam @ Fabio’s Bar, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society event. All welcome.

Mon 24: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 24: Remy CB @ The Hoppings, Newcastle Town Moor NE2 3NH. 5:00-7:00pm.

Tue 25: Louise Dodds & Elchin Shirinov @ The Black Swan, Newcastle. 8:00pm.

Wed 26: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 27: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm.
Thu 27: The Joni Project @ The Globe, Newcastle. 8:00pm. Joni Mitchell.
Thu 27: Lindsay Hannon’s Tom Waits for No Man @ Harbour View, Roker, Sunderland. 8:00pm.
Thu 27: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 27: Loco House Band @ Bar Loco, Newcastle. 8:00pm. Free.
Thu 27: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Neil Brodie (trumpet); Garry Hadfield (keys); Adrian Beadnell (bass)

Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 28: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 28: Pete Tanton’s Chet Set @ Warkworth War Memorial Hall. 7:30pm. £10.00.
Fri 28: Paul Edis @ St Cuthbert’s Centre, Crook. 7:30pm.
Fri 28: Ant Law, Alex Hitchcock, Jasper Høiby & Sun-Mi Hong @ The Glasshouse, Gateshead. 8:00pm. £15.40., £13.20.

Sat 29: Spat’s Langham’s Hot Fingers @ St Augustine's Parish Centre, Darlington. 12:30pm. Darlington New Orleans Jazz Club.
Sat 29: Vermont Big Band @ Seahorse Pub, Whitley Bay Football Club. 7:30pm. £10.00. (inc. hot buffet).
Sat 29: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Saturday, January 27, 2018

CD Review: Leslie Pintchik - You Eat My Food, You Drink My Wine, You Steal My Girl!

Leslie Pintchik (pno/composer) Steve Wilson (alto) Ron Horton (tpt & flugel) Shoko Nagai (accordion) Scott Hardy (basses & guitars) Michael Sarin (dms) Satoshi Takeishi (percussion)
(Review by Dave Brownlow.)
This is Leslie Pintchik’s sixth album where she leads her piano/bass/drums trio augmented on some tracks either by trumpet and alto, accordion, guitar or percussion. Leslie is a prolific composer and the CD includes six of her original pieces together with two well-known standards. She plays piano in a calm, unhurried, thoughtful style with warmth, wit and drive veering emotionally from the poignant to the playful in depth
The title track You Eat My Food, You Drink My Wine, You Steal My Girl!  (What a great title!) has an infectious melody over a lively samba/funk/blues groove and features enthusiastic solos from piano, guitar (presumably through multi-tracking) and alto.
The first of two standards, I’m Glad There Is You by Jimmy Dorsey and Paul Madeira is played as a gentle bolero by the trio with clearly-developed solos from the piano and bass. The second, Smoke Gets In Your Eyes from Jerome Kern and Otto Harbach, is played in a samba rhythm just by the trio. The well-crafted piano and bass solos lead to a conclusion where the players work hard to achieve a final result.
The haunting ballad, Mortal was written to “express a sense of life’s fragility and especially shortness” and features sensitive one-chorus solos from piano, alto, trumpet and bass - a poignant effort from the whole group.
Another quirkily named original - Your Call Will Be Answered by Our Next Available Representative in the Order in Which It Was Received. Please Stay On The Line. Your Call Is Important To Us (the longest track-title I’ve ever come across!) - has Leslie and the trio humorously engaged in something which symbolises all our frustrations when we’re trapped in similar phone calls with blood-pressure rising! Full of stops and starts, the tune swings along with strong drive from the rhythm team – the bass solo is also particularly nimble and ear catching.
Hopperesque, inspired by the iconic artist Edward Hopper, features the keening sound of Shoko Nagai’s accordion in an evocative minor-keyed outing which fuels the “feeling of mystery”. Happy Dog has the accordion again and percussion of Takeishi to the fore in a cheerful piece played in a samba-based rhythm rollicking along with playful solos from the piano, guitar-like bass and chattering percussion. Finally, A Simpler Time has a lovely melody which could easily have come from the pen of Bill Evans or Fred Hersch in its construction. Leslie makes the piano “sing” in this performance with her graceful touch at the keyboard.
Overall, a simpatico album which grows on you after repeated listening and which further extends the career of this most musical artist in her quest for originality and beauty.
Dave. 

Available on Pintchard CD-004 from 23rd February 2018 at  www.lesliepintchik.com

2 comments :

Lance said...

Seems the album and the tune's title came from an exchange she overheard whilst crossing Canal Street and West Broadway in the SoHo section of Manhattan. One of those "only in New York" moments!

IR Cargill (on F.b) said...

That's life!!!

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