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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16382 (and counting) posts since we started blogging 16 years ago. 262 of them this year alone and, so far, 59 this month (April 20).

From This Moment On ...

April

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 23: Vieux Carre Hot 4 @ Victoria & Albert Inn, Seaton Delaval. 12:30-3:30pm. £12.00. ‘St George’s Day Afternoon Tea’. Gig with ‘Lashings of Victoria Sponge Cake, along with sandwiches & scones’.
Tue 23: Jalen Ngonda @ Newcastle University Students’ Union. POSTPONED!

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: Sinatra: Raw @ Darlington Hippodrome. 7:30pm. Richard Shelton.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 24: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.

Thu 25: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 25: Jim Jams @ King’s Hall, Newcastle University. 1:15pm. Jim Jams’ funk collective.
Thu 25: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 25: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.
Thu 25: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm.
Thu 25: Kate O’Neill, Alan Law & Paul Grainger @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 25: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Neil Brodie (trumpet); Adrian Beadnell (bass); Garry Hadfield (keys).

Fri 26: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 26: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 26: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 26: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 26: Paul Skerritt with the Danny Miller Big Band @ Glasshouse, Gateshead. 8:00pm.
Fri 26: Abbie Finn’s Finntet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.

Sat 27: Abbie Finn Trio @ The Vault, Darlington. 6:00pm. Free.
Sat 27: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 28: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 28: More Jam Festival Special @ The Globe, Newcastle. 2:00pm. Free. A ’10 Years a Co-op’ festival event.
Sun 28: Swing Dance workshop @ The Globe, Newcastle. 2:00-4:00pm. Free (registration required). A ’10 Years a Co-op’ festival event.
Sun 28: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 28: Scott Bradlee's Postmodern Jukebox: The '10' Tour @ Glasshouse International Centre for Music, Gateshead. 7:30pm. £41.30 t0 £76.50.
Sun 28: Alligator Gumbo @ The Globe, Newcastle. 8:00pm. A ’10 Years a Co-op’ festival event.
Sun 28: Jerron Paxton @ The Cluny, Newcastle. Blues, jazz etc.

Monday, January 22, 2018

Bradley Johnston @ The Fire Station, Sunderland - Jan 21

Bradley Johnston (guitar)
(Review by Russell).
Snow, a non-weather related disruption to the Metro network, the half-hour journey from Newcastle to Sunderland promised to be fraught with difficulties. Oh, ye of little faith! A convenient train pulled into the station…all aboard! And off to Sunderland we go! The Fire Station the destination, and the reason for making the trip? Bradley Johnston, jazz guitarist in residence.
The Fire Station, a recently renovated building adjacent to Sunderland Empire, has reopened as a place to meet, eat, drink and, on a Sunday evening, listen to Bradley Johnston play jazz guitar. The High St West site is developing into a cultural hub with dance, theatre and music on the agenda. At present, the bar and kitchen are open for business with all parts of the building scheduled to be fully operational by 2019. In advance of Johnston’s arrival, the bar manager cordoned-off a raised corner section to enable the Wearside-based guitarist to set up without disturbance or delay.
Professional, looking the part for this sort of engagement, Brad started on time – we expect nothing less from our well-schooled musician ‘taking care of business.’ Three leisurely sets, the intervals an opportunity to catch up with friends, the repertoire spot on for the occasion, BJ has ‘got a gig going’ albeit on Wearside rather than the West Coast! It was a GASbook list of composers; Duke, Antonio Carlos Jobim, Harold Arlen, Ray Noble, Rodgers and Hart, Gershwin and more. The running order,  was, more or less, as follows – Wave, My Funny Valentine, They Can’t Take That Away From Me, an extra helping of Jobim with The Girl from Ipanema, Have You Met Miss Jones? All of this and many  more, the patrons for the most part not listening (what’s new?), although, credit where it’s due, one or two did listen perhaps wondering ‘How does he do that?’ Indeed, how does Brad do it? Masterful playing, one number running into another, an ‘on the fly’ medley. Joe Pass did it, and Martin Taylor does it, so too Bradley Johnston.

A switch to six string acoustic for a couple of numbers which included Lennon and McCartney’s In My Life worked well, but it wasn’t long before Brad took up his Ibanez once more to play The Very Thought of You, A Nightingale Sang in Berkeley Square, a return to ACJ with One Note Samba, a few bars of Georgia, I’m Beginning to See the Light and Over the Rainbow – it’s easy when you know how and Bradley Johnston definitely knows how it’s done.

The Fire Station’s cask beers are likely to attract the attention of members of CAMRA and foodies should take a look at the menu which is available until seven o’clock. Brad chatted to friends, said hello to fellow musician Alan Marshall and he appears to have struck up a good relationship with the Sunday evening staff.

Brad played through the house PA which was more than adequate, his sound projecting easily to all parts of the spacious room. Many features from the building’s days as a fire station have been retained – buckets and helmets adorning the (original) tiled walls, but sadly no fireman’s pole! The prospect of musicians arriving on stage in a most unconventional manner would have been worth turning up for! No matter, we turned up to hear jazz guitar. Another acoustic guitar interlude – the  Lennon and McCartney songbook offers up endless riches – as Brad played And I Love Her.

Joe Pass aka Bradley Johnston played You Turned the Tables on Me – oh, for Ella to walk in. Ray Noble’s Cherokee did several laps of the room, Rollin’s Doxy overtaking on the blind side, Duke’s Satin Doll, you’d pay good money to hear this stuff and here in Sunderland it’s for free. Farmer’s Trust (comp. Pat Metheny) closed a third and final set exactly on time at nine o’clock. Do support Brad’s residency, it’s about time Wearsiders had a regular jazz gig to go to. 
Russell.   

1 comment :

Anonymous said...

[They're] probably gonna spin you some line about jazz
How [they love] Dizzy and Chet
But John and Paul hanging up on [their] wall
That's about as jazz as [they get].
Paul Heaton.

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