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Bebop Spoken There

Andrew Hadro: "It seems to me that everybody just puts out an album, they go through the motions, spend the money and they just sort of throw it out there into the sea of CDs and hope something comes back" - (DownBeat June 2018).

Jonnathan Blake (Blindfold Test): “Maybe it's someone from New Orleans who has lived in New York for a minute.” (DownBeat June 2018).

Today Monday May 21

Afternoon.

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Evening

Jazz FM - a Paul Edis track to be played between 6-7pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, January 25, 2018

Chris Sharkey: In Progress @ The Jazz Café - Jan 24

Chris Sharkey (guitar, programming) & Matthew Bourne (Moog, keyboard)
(Review  by Russell
Gateshead born Chris Sharkey is working towards a commission which will be premiered in April at the Gateshead International Jazz Festival and reprised later in the year at the London Jazz Festival and this ‘In Progress’ event took the form of part performance, part workshop with a Q&A attached.
Guitarist Sharkey made the journey north with fellow Leeds based musician Matthew Bourne. State of the art computer programming, an array of pedals, a network of cables, a vintage, quite possibly priceless, Moog, this wasn’t going to be your regular jazz gig.
And it wasn’t!
Left-hander Chris Sharkey played a plastic body Eastwood Airline guitar. In the Q&A session, Sharkey explained that its wider neck made it more difficult to execute lines at speed. This, he explained, limited his options – as did a built-in random element in the programmed software – which is exactly what he was looking for. Far from a ‘conventional’ guitar sound, Sharkey’s ‘sound world’ interacted with Matt Bourne’s Moog and a recently purchased mini keyboard which, he said with no little self-deprecation ‘required no skill’ to play and was ideal when creating ‘a Ligeti smear’  which he duly demonstrated.Chris Sharkey’s inspiration for his current project came from multiple sources including the work of cultural theorist Mark Fisher and French philosophers of the 1970s. The ‘new’ is what Sharkey was interested in. This Newcastle Jazz Café ‘performance’ could, perhaps, question whether or not the stated objective to create something new actually succeeded. The second installment is scheduled for February 21 which will see Sharkey working with saxophonist James Mainwaring. Admission is a fiver with students getting in for free, eight o’clock start. Russell


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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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