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Bebop Spoken There

Andrew Hadro: "It seems to me that everybody just puts out an album, they go through the motions, spend the money and they just sort of throw it out there into the sea of CDs and hope something comes back" - (DownBeat June 2018).

Jonnathan Blake (Blindfold Test): “Maybe it's someone from New Orleans who has lived in New York for a minute.” (DownBeat June 2018).

Today Monday May 21

Afternoon.

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Evening

Jazz FM - a Paul Edis track to be played between 6-7pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, January 18, 2018

CD Review: David Series - Meerkat Parade.

David Series (guitar), Huw Rees (keyboards), James Lindsay (double bass), Max Popp (drums).
(Review by Steve T)
A short album by modern standards, which is no bad thing in my view. I generally try to play albums three times to allow any idiosyncrasies to emerge on the basis that the greatest music sneaks up on you. This is one that I kept putting on thinking this time I'm going to concentrate, only for it to recede into the background. This may or may not be a problem for the listener. Right, here we go - last time.
Double bass intro before a guitar slides in and I'm left bemused that we haven't had a glut of this over the last twenty odd years. An interesting keyboard solo before it's back to slide guitar and now I'm thinking Hawaii.
Drums proper appear on track two Mr Frisbee - there may have been something on track one Herzog but I'm not going back to it - and there's some fabulous straight guitar from Series. Popp on drums gets to briefly drum up a storm as the others continue behind him to take it out. This is a recurring motif on several tracks, culminating on the final tack Scoobie Snack (great titles) for a longer solo before Rees comes back on Fender Rhodes with Series suitably rocking it up.
In between, Oink features the band building up behind the leader as he gets some tasteful effects from his use of pedals on perhaps the highlight of the album.
For the most part, it's fairly straight guitar, acoustic piano and the acoustic bass works wonderfully, resisting the tug to smooth-jazz. However, as someone who doesn't automatically hate smooth-jazz, if it ain't swingin', rockin' or funkin', it's kinda gonna happen on this sort of thing. 
A perfectly good album but don't expect it to change your world. 
Steve T.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
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Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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