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Bebop Spoken There

Dave Gelly: "I honestly think that Danish singer Sinne Eeg must be one of the best jazz vocalists alive today, although I confess I haven't heard them all." - (Observer, 28.11.21)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

14743 (and counting) posts since we started blogging 13 years ago. 1362 of them this year alone and, so far, 78 this month (Nov. 24).

From This Moment On ...

November

Mon 29: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

December

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 01: Jools Holland’s R & B Orchestra @ Newcastle City Hall. Doors: 6:30pm. 1st night.
Wed 01: Four @ The Exchange, North Shields. 7:00-9:30pm. In the bar.
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 01: Tom Ollendorff @ Café Cathedral, Owengate, Durham. 8:00pm. £5.00. A Durham Jazz Soc. event.

Thu 02: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £22.00. Xmas lunch. Tel: 0191 691 7090.
Thu 02: Jools Holland’s R & B Orchestra @ Newcastle City Hall. Doors: 6:30pm. 2nd night.
Thu 02: Jeremy McMurray & the Pocket Orchestra @ Billingham Catholic Club. 7:30pm. Fundraiser for SVP. Tickets: £5.00. from 07757 062798.
Thu 02: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 02: Tees Hot Club, Dorman’s Club, Middlesbrough. 9:00pm.

Fri 03: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £22.00. Xmas lunch. Tel: 0191 691 7090.
Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 03: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 03: Classic Swing @ Saltburn Community Theatre. 7:30pm.

Sat 04: Play Jazz! Workshop @ The Globe, Newcastle. 1:30pm. Tutor: Clark Tracey. £25.00., book at: www.jazz.coop. .
Sat 04: Hot Club du Nord @ St Cuthbert’s, Hebron, nr. Morpeth. 7:30pm. Festive Special! SOLD OUT!.
Sat 04: Tyne Valley Big Band @ Greenside Community Centre, Ryton. 7:30pm. £5.00..
Sat 04: Clark Tracey Quartet @ The Globe, Newcastle. 8:00pm. £15.00. .
Sat 04: Rendezvous Jazz @ The Red Lion, Earsdon, North Tyneside. 8:00pm. £3.00. Xmas party.

Sun 05 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 05: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm.
Sun 05: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 05: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 05: Glenn Miller Orchestra UK @ Stockton Globe. 3:00pm. Ray McVay & co.
Sun 05: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 7:00pm.
Sun 05: Knats @ The Globe, Newcastle. 8:00pm.

Mon 06: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Saturday, January 13, 2018

Paul Edis Trio @ The Jazz Café - Jan 12

Paul Edis (piano), Paul Susans (double bass) & Matthew MacKellar (drums)
(Review by Russell/Photo courtesy of Mike Tilley)
At short notice, drummer Matthew MacKellar stepped in to replace an ailing Rob Walker. Triptych would return at a later date with this evening’s concert rebranded as the ‘Paul Edis Trio’. The two Pauls – Edis, piano, Susans, double bass – switched their attention from the original composition project that is Triptych to the standards repertoire associated with the classic jazz piano trio.

Right on time Edis, Susans and MacKellar opened with Harold Arlen’s It’s Only a Paper Moon. As pianist Edis explained this evening’s two sets would take a look at the work of some of the all-time great jazz pianists. Opening with the great and influential Nat ‘King’ Cole was a good way to begin. The standard set, the trio played Moten Swing from Oscar Peterson’s Night Train album with Edis noting that the great Canadian pianist was more than a little impressed on first hearing Art Tatum. To the disappointment of the comfortably full upstairs room at the Jazz Café, our pianist chose not to play some Art Tatum – maybe next time!

As Edis introduced Bill Evans a phone bleeped. Disgracefully the culprit was none other than your correspondent. Quick as a flash Edis said: I hope that will be in the review! In mitigation, the bleep occurred due to a communication from BSH’s Editor in Chief making arrangements for a future gig review. There’s no rest for the wicked. The Evans’ number – My Romance – included Edis’ fleeting quote from Stevie Wonder’s Isn’t She Lovely? and a fine solo from our fine depping drummer, Matt MacKellar.

Paul Edis the composer peppered the set including Snakes and Ladders followed by Horace Silver. Our pianist observed that The Preacher bore similarity to The Bare Necessities. How true! So, from now on, Horace Silver will be seen and heard through the prism of The Jungle Book! To close out a fine first set a familiar 7/8 hand clap introduced Brubeck’s Unsquare Dance. Terrific!

A good number of music students turned up, and, encouragingly, stayed on, they were there for the duration. Edis’ Whiskers resumed matters with ‘blistering’ best describing the trio’s searing pace as Matt MacKellar knocked out another tremendous solo. Lullaby of Birdland, Bill Evans’ Very Early, a Paul Edis composition – The Long Way Round – sounding, to your correspondent’s untutored ear,  not unlike George Benson’s This Masquerade (what say Dr Edis?), and Billy Strayhorn’s Lush Life in the style of Phineas Newborn Jnr. A hugely entertaining, varied set list, Edis and Susans have a working knowledge of the numbers in the pad (bassist Susans, centrally positioned between piano and drums, undemonstrative yet demonstrably an A-lister) and the young man of the trio, drummer Matt MacKellar, knew most, if not all, of the charts in front of him, handling matters with ease, using brushes as and when required with a preparedness to take command and kick it along on uptempo numbers. Two Thelonius Monk compositions concluded matters, in so doing illustrating MacKellar’s versatility; Ba-Lue Bolivar Ba-Lues-are and the encore, a fabulous take on Rhythm-a-ning.

The Jazz Café’s first jam session of the year (Tuesday 16) just happens to feature pianist Edis and drummer MacKellar alongside the house trio’s main man, bassist Paul Grainger. Tomorrow Sunday at Darlington’s Quakerhouse MacKellar appears once again with the Francis Tulip Quartet. Oh yes!  
Russell    

2 comments :

Patti said...

Another jazzily excellent night at our very own Jazz Cafe - a welcome return after the Christmas and New Year hiatus. Just as Russell says ....... anyway, I've been pondering on the question of similarities between The Preacher and Bare Necessities. First, Horace Silver's was written about 1955 - and the Disney film didn't come out until the mid 1960's. To add an extra, The Preacher also sounds a bit like Show Me The Way To Go Home - this non musician, but keen jazz listener thinks. Any other views?

Lance said...

Show Me The Way To Go Home is the generally accepted source of The Preacher although Bare Necessities does seem to have a similar progression.

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