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Bebop Spoken There

Barry Harris (in 1981): "There is not one place in the world that you can find more jazz musicians from than Detroit." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday August 19

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see centre column).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, January 27, 2018

BABMUS @ The Jazz Café - Jan 25

Bearpark: Tom Bearpark (Hammond organ); Jamie Jingles (guitar); Stephen Hall (bass) & Adam Watson (drums)
(Review by Russell)
Tom Bearpark knew it, he said he wasn’t surprised. Late January is a difficult time of year to ask people to come out and support live music. Bandleader Bearpark thanked those who turned out, and, with his BABMus colleagues ready to go, fired-up the Hammond.




The Jazz Café’s upstairs room reverberated to the sound of Bearpark’s SK2. We’ve heard him at the Pink Lane upright, we’ve heard him at the house Nord, tonight, Bearpark would tussle with the big beast. The monthly BABMUS session is a platform for students on Sage Gateshead’s BA and BMus music degree courses to escape the white wall rehearsal room and play a gig in front of the paying public. Tom Bearpark isn’t Jimmy – McGriff or Smith, more like a Bearpark with a manic, at times, prog rock sound. Whatever the tune, it got the Bearpark treatment. His bandmates, guitarist Jamie Jingles (Jingles aka…that would be telling!), the assured bassist Stephen Hall and drummer Adam Watson, were up for the challenge responding to Bearpark’s signals – hand or eye – when a change in tempo was required or to return to the head.

Numbers ranged from an accomplished Tom Bearpark composition titled Sergeant Bird to a Gothic take on My Favorite Things, to, at times, a demented version of In a Sentimental Mood (if ever the musicians’ jokey alternative title applied – In a Semi-Mental Mood – this was the occasion!). Jamie Jingles shared solo spots with Bearpark. Interestingly, Jamie J doesn’t use a pick, and he certainly has a distinctive sound playing his Telecaster. The Hammond lends itself to a bossa and Bearpark duly dipped into the bag marked ‘Bossa.’ The evening’s closing number featured Adam Watson on Take Five. The 5/4 to 7/8 time signatures didn’t inhibit our drummer, this was his opportunity to let us hear what he could do, and he did just that.


Bearpark is a student band, it’s come on leaps and bounds over the last year and it’ll be interesting to see which direction these young musicians take next. 
Russell.           

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance