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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16382 (and counting) posts since we started blogging 16 years ago. 262 of them this year alone and, so far, 59 this month (April 20).

From This Moment On ...

April

Tue 23: Vieux Carre Hot 4 @ Victoria & Albert Inn, Seaton Delaval. 12:30-3:30pm. £12.00. ‘St George’s Day Afternoon Tea’. Gig with ‘Lashings of Victoria Sponge Cake, along with sandwiches & scones’.
Tue 23: Jalen Ngonda @ Newcastle University Students’ Union. POSTPONED!

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: Sinatra: Raw @ Darlington Hippodrome. 7:30pm. Richard Shelton.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 24: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.

Thu 25: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 25: Jim Jams @ King’s Hall, Newcastle University. 1:15pm. Jim Jams’ funk collective.
Thu 25: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 25: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.
Thu 25: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm.
Thu 25: Kate O’Neill, Alan Law & Paul Grainger @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 25: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Neil Brodie (trumpet); Adrian Beadnell (bass); Garry Hadfield (keys).

Fri 26: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 26: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 26: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 26: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 26: East Coast Swing Band @ Morpeth Rugby Club. 7:30pm. £9.00. (£8.00 concs).
Fri 26: Paul Skerritt with the Danny Miller Big Band @ Glasshouse, Gateshead. 8:00pm.
Fri 26: Abbie Finn’s Finntet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.

Sat 27: Abbie Finn Trio @ The Vault, Darlington. 6:00pm. Free.
Sat 27: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 28: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 28: More Jam Festival Special @ The Globe, Newcastle. 2:00pm. Free. A ’10 Years a Co-op’ festival event.
Sun 28: Swing Dance workshop @ The Globe, Newcastle. 2:00-4:00pm. Free (registration required). A ’10 Years a Co-op’ festival event.
Sun 28: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 28: Scott Bradlee's Postmodern Jukebox: The '10' Tour @ Glasshouse International Centre for Music, Gateshead. 7:30pm. £41.30 t0 £76.50.
Sun 28: Alligator Gumbo @ The Globe, Newcastle. 8:00pm. A ’10 Years a Co-op’ festival event.
Sun 28: Jerron Paxton @ The Cluny, Newcastle. Blues, jazz etc.

Mon 29: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 29: Michael Young Trio @ The Engine Room, Sunderland. 6:30-8:30pm. Free. ‘Opus de Funk’ (a tribute to Horace Silver).

Monday, January 22, 2018

CD Review: Melody Gardot - Live In Europe

(Review by Ann Alex)
An album of live recordings which our singer and her band did in various cities in Europe, during the period 2012-2016. Ms Gardot explains that she originally thought she would choose the best tracks she could find, but then she decided it should rather be ‘a postcard from our tours of Europe’ giving ‘the feeling, the nostalgia, the memory’ of performances, and be a gift to herself as well as to the listener.
The information is taken from the website, www.melodygardot.co.uk.  and there are no lists of musicians. The songs appear to be originals, except for Over the Rainbow, mostly love songs, and Ms Gardot’s style leans towards cabaret, with something subtly French about the singing, which is often quiet, intimate, breathless, almost muttered. Listeners need to hear the songs a few times to fully appreciate the artistry. I estimate the instruments involved to be guitar, keys, saxes, (some tracks) strings, clarinet, flute, drums, and some delightful cello and very skilled double bass, which often introduces each song.
The cities visited include Paris, Bergen, Lisbon, London, Zurich, Frankfurt, Amsterdam, Barcelona, and Utrecht. The Rain (Bergen) is highly descriptive, with long, lowering guitar chords, crashing piano chords, a strong jazz tune from saxes, and a bass solo, signifying ‘goodbye’ to a lover. Our Love Is Easy is a flowing tune, sung with breathless intimacy. Deep Within the Corners of My Mind is a song of longing with string accompaniment. From Lisbon, we hear a Latin number with percussion, clarinet and flute, and singing in Portuguese (I think). Other titles include Baby I’m A Fool; So Long; My One and Only Thrill; Les Etoiles; Goodbye. The album is rounded off with a long track, March for Mingus, which includes most of the instruments giving us a strong jazz tune, saxes in harmony, eastern type vocals, then a final band mash up with a gospel song.
I found this to be a quite listenable CD but maybe something of an acquired taste, and I’m not sure whether I would eventually acquire that taste or not. It is available as a double CD or a triple vinyl LP.
Ann Alex
PS: It’s almost 10 years since the start of BSH, so it seems like a good time to acknowledge a debt that I owe to Lance. I first met Lance when we were both members of a writers’ group in South Shields, in about 2003. (Lance writes a mean crime story, did you know?)  And since I’ve been encouraged to do reviews, it’s made me a bit more fluent with other writing, as writing is like a muscle, use it or lose it. So I’m grateful to Lance that I’m writing other stuff besides reviews, such as a few folk influenced songs. And then there’s the other debt to Lance, the £20 I owe him from when we recently shared a taxi from the Globe. Coming up soon Lance!
(In a perfect world I’d say ‘Forget the £20’ … in a perfect world - Lance)

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