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Bebop Spoken There

YolanDa Brown: "Ron Dennis (former McLaren Formula 1 chairman) introduced me as 'the Lewis Hamilton of the jazz world'. I thought, 'I'll take that'." - (i newspaper July 17, 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Until July 21

Today Thursday July 18

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden. - See above.

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Jeremy McMurray & the Pocket Jazz Orchestra - Arc, Dovecot St., Stockton on Tees TS18 1LL. Tel: 01642 525199. 7:00pm. £12.00. + £0.10. bf. ‘Jazz & Tapas’ (booking essential).

Alan Barnes & Sue Ferris w Paul Edis Trio - St James' & St Basil's Church, Fenham Hall Drive, Fenham, Newcastle NE4 9EJ. 7:30pm. £12.00.

Dulcie May Moreno Quintet - The Globe, Railway Street, Newcastle NE4 7AD. 8:00pm (doors 7:30pm). £6.00. (£3.00. student).

Tees Hot Club w. Richie Emmerson, Noel Dennis, Ted Pierce, Mark Hawkins - Tees Hot Club, Dormans Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 8:30pm. Free.

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NA. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, December 17, 2017

Digital Download Review: Ella Fitzgerald - Ella @ Zardi's.

Ella Fitzgerald (vocal); Don Abney (piano); Vernon Alley (bass); Frank Capp (drums).
(Review by Lance).
It's been well recorded on Bebop Spoken Here the effect that hearing Ella Fitzgerald live, for the very first time, at Newcastle City Hall in March 1955 had on me and, although I heard her many more times over the ensuing years, great as they were, nothing ever topped that first impression and, I was convinced that nothing ever would.
Until today that is when I listened to Ella at Zardi's.
Just under a year after that magical night in Newcastle, Ella recorded this session at Zardi's - a Hollywood nightspot.
Norman Granz had taken over her representation and this was intended to be the initial album under his supervision. However, The first of the great Verve Songbook albums - Cole Porter - was released and quickly became so successful that other songbooks followed and Zardi's was filed away and forgotten.
Until now.
Now, I'm back at Newcastle City Hall, sitting within a few yards of Ella (I doubt if I could have afforded a table at Zardi's) and hearing her as I did then. Her voice had yet to become totally Granzified and there was still a trace of Harlem in her take on 21 of the GASbook's best.
As he was in Newcastle, Abney is the accompanist par excellence providing the lead-ins, feeding the chords and following Ella wherever she wandered. My one reservation being that he had little solo exposure of his own. This wasn't as noticeable at Newcastle as Oscar Peterson had had a set to himself before Ella but it would have been nice to hear more of Don.
Our local concert had Sammy Stokes and Tony Kinsey on bass and drums which, unfairly, drew some snide remarks from the British critics. I'm sure those 'pundits' would have had little to complain about at Zardi's.
Whether you were at City Hall, Zardi's or wish you'd been to either, the solution is here. Maybe it's nostalgia, but, for me, this is the definitive Ella. I'm 16 again!

It All Depends on You; Tenderly; Why Don't You do Right?; Cry me a River; In a Mellow Tone; Joe Williams' Blues; A Fine Romance; How High the Moon*: Gone With the Wind; Bernie's Tune; S'Wonderful; Glad to be Unhappy; Lullaby of Birdland; Tender Trap; And the Angels Sing; I  Can't Give You Anything But Love*; Little Boy; A-Tisket-Tasket*; My Heart Belongs to Daddy; Airmail Special; I've Got a Crush on You*.
* Ella also sang these numbers at City Hall.
Lance.
20. Airmail Special
21. I
ve Got A Crush On You

1 comment :

Liz said...

Aah Hollywood Boulevard at Vine...I stood in exactly that spot when I visited West Hollywood last Spring. I remember the moment. The Capital building towering just along the road, The Hollywood sign visible across the valley, I threw out my arms...I was ecstatic to be there. Yes I also saw the gorgeous Miss Fitz, 1953-ish at Leeds Odeon, queued in the pouring rain with my Dad, she brought a new kind of magic to my life, the first lady of Jazz!

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance