Bebop Spoken There

Gary Bartz: ''Charlie Parker was my introduction to the religion of music. And so he's always with me .'' - Downbeat November 2025.

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17927 (and counting) posts since we started blogging 17 years ago. 891 of them this year alone and, so far, 104 this month (Oct. 31).

From This Moment On ...

November

Fri 07: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 07: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 07: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 07: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Fri 07: Hejira @ Alnwick Playhouse. 7:30pm. Celebrating Joni Mitchell.

Sat 08: Milne Glendinning Band @ The Vault, Darlington. 7:00pm. Free.
Sat 08: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm.

Sun 09: New ’58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 09: Salty Dog @ The Cluny, Newcastle. 12:30pm (doors). Jazz, blues, Americana.
Sun 09: Graham Hardy’s Eclectic Quartet @ Central Bar, Gateshead. 2:00pm. £10.00.
Sun 09: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 09: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 09: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm.
Sun 09: David Gray’s Flextet @ The Globe, Newcastle. 8:00pm.

Mon 10: Harmony Brass @ Cullercoats Crescent Club (1:00pm). Free.

Tue 11: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.
Tue 11: Laura Jurd @ The Cumberland Arms, Byker, Newcastle. 8:00pm. JNE.

Wed 12: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 12: Tannery Jam Session @ The Tannery, Hexham. 7:00pm. Free.
Wed 12: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 12: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 13: Thu 04: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Seasonal/Festive Music & Songs - autumn into winter.
Thu 13: Awen Ensemble @ Pilgrim, Newcastle. 7:30pm (doors). £5.00. Jazz-folk.
Thu 13: SwanNek + Ellen Beth Adbi + Phantom Bagman @ Glasshouse, Gateshead. 8:00pm. A BBC Introducing event.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, December 03, 2017

Jambone @ Ushaw College - Dec 1

Paul Edis (MD); Emily McDermott (vocal); Alex Thompson (clarinet); James Metcalf, Lucien Guest (trumpet); Ben Lawrence (piano); Ryan Da Silva (baritone); Matthew Downey (guitar); Alex Shipsey (bass); Dylan Thompson (drums); ? (trombone); ??? (saxes)
(Review by Jerry)
Kicking off a great evening of jazz at Ushaw we had a “mini-set” from tomorrow’s stars, Jambone, featuring three originals from MD, Paul Edis, plus a new arrangement of a favourite standard – My Funny Valentine.
It Ain’t Broke (Don’t Fix It) was the philosophical opener and featured solos from clarinet, trumpet and piano (Alex Thompson, James Metcalf and Ben Lawrence – all known to me from Early Bird gigs) plus vocals from Emily McDermott (whom I had not seen before).
Next up was the Newcastle Metro inspired The Wrong Way Round, never before heard with lyrics, apparently! Emily Mc Dermott held her nerve commendably through two full verses before the main band came in. The rhythm section laid a good foundation throughout and came into prominence in what seemed like a “rock” middle section to the piece. There were more solos too, including flute.
My Funny Valentine was by way of a request – a favourite of the vocalist who needed all her lung-power here to hold her own against a very brassy arrangement. She did, and, along with more solos (sax and trombone) earned enthusiastic applause from a good-sized audience.
The final Edis’ original whose title refers to something musical (therefore beyond me!) was Bite – a lively piece with much variation which provided a vehicle to showcase more of the band members. A series, not so much of solos as of “conversations”, featured trumpet and sax, trombone and baritone sax, flute and percussion, bass and drums. Great stuff!
Apologies to all those band members whose names I did not catch: reflecting my age and theirs (band members won’t remember Young Mr. Grace) I can only say, “You’ve all done very well!”
Jerry

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