Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 12: Ray Stubbs R&B All Stars @ The Mill Tavern, Hebburn. 8:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: The ’58 Jazz Collective @ Hartlepool Cricket Club, West Park, 7:30pm. £7.00.
Wed 18: Brand New Heavies @ The Glasshouse, Gateshead. 7:30pm.
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, December 03, 2017

Jambone @ Ushaw College - Dec 1

Paul Edis (MD); Emily McDermott (vocal); Alex Thompson (clarinet); James Metcalf, Lucien Guest (trumpet); Ben Lawrence (piano); Ryan Da Silva (baritone); Matthew Downey (guitar); Alex Shipsey (bass); Dylan Thompson (drums); ? (trombone); ??? (saxes)
(Review by Jerry)
Kicking off a great evening of jazz at Ushaw we had a “mini-set” from tomorrow’s stars, Jambone, featuring three originals from MD, Paul Edis, plus a new arrangement of a favourite standard – My Funny Valentine.
It Ain’t Broke (Don’t Fix It) was the philosophical opener and featured solos from clarinet, trumpet and piano (Alex Thompson, James Metcalf and Ben Lawrence – all known to me from Early Bird gigs) plus vocals from Emily McDermott (whom I had not seen before).
Next up was the Newcastle Metro inspired The Wrong Way Round, never before heard with lyrics, apparently! Emily Mc Dermott held her nerve commendably through two full verses before the main band came in. The rhythm section laid a good foundation throughout and came into prominence in what seemed like a “rock” middle section to the piece. There were more solos too, including flute.
My Funny Valentine was by way of a request – a favourite of the vocalist who needed all her lung-power here to hold her own against a very brassy arrangement. She did, and, along with more solos (sax and trombone) earned enthusiastic applause from a good-sized audience.
The final Edis’ original whose title refers to something musical (therefore beyond me!) was Bite – a lively piece with much variation which provided a vehicle to showcase more of the band members. A series, not so much of solos as of “conversations”, featured trumpet and sax, trombone and baritone sax, flute and percussion, bass and drums. Great stuff!
Apologies to all those band members whose names I did not catch: reflecting my age and theirs (band members won’t remember Young Mr. Grace) I can only say, “You’ve all done very well!”
Jerry

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