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Bebop Spoken There

Steve Fishwick: “I can’t get behind the attitude that new is always somehow better than old”. (Jazz Journal, April 15, 2019).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16527 (and counting) posts since we started blogging 16 years ago. 407 of them this year alone and, so far, 29 this month (June 12).

From This Moment On ...

June

Fri 14: Mark Williams Trio @ The Old Library, Auckland Castle, Bishop Auckland. 1:00pm. £8.00.
Fri 14: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 14: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 14: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 14: Strictly Smokin’ Big Band @ Queen’s Hall, Hexham. ‘Ella & Ellington’. 7:30pm. £18.00.
Fri 14: Customs House Big Band @ Customs House, South Shields. 7:30pm. Donations (online, min. £3.00.).

Sat 15: Keith Barrett & Andrew Porritt @ Cullercoats Crescent Club. 12 noon. Free. A Cullercoats Festival event.
Sat 15: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm.
Sat 15: James Birkett & Emma Fisk @ Sunderland Minster. 7:30pm. £15.00., £8.00. (u16s free). ‘The Great American Songbook’. A Bishopwearmouth Choral Society event, conductor David Murray.
Sat 15: Jude Murphy & Dan Stanley @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 16: Jason Isaacs @ Stack, Seaburn SR6 8AA. 1:00-2:45pm. Free.
Sun 16: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm.
Sun 16: Gaz Hughes Trio @ Queen’s Hall, Hexham. 3:00pm. £10.00.
Sun 16: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 16: Gaz Hughes Trio @ The Globe, Newcastle. 8:00pm.
Sun 16: Jazz Jam @ Fabio’s Bar, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society event. All welcome.

Mon 17: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 17: ‘Tower of Power’ @ The Library Bar, Saddler St., Durham . 7:30pm.Free. A Durham University Jazz Society event. All welcome.

Tue 18: Vieux Carré Jazzmen @ The Victoria & Albert Inn, Seaton Delaval. 12:30pm. £13.00. ‘Jazz, Sausage ‘n’ Mash’…’with Onion Gravy’!
Tue 18: Jam Session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Stu Collingwood, Paul Grainger, Tim Johnston.
Tue 18: Libby Goodridge & Ben Davies @ The Lost Wanderer, Leazes Park Road, Newcastle. 8:00pm. £6.00. Triple bill, inc. Goodridge & Davies (jazz).

Wed 19: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 19: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 19: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 20: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 20 Gateshead Jazz Appreciation Society @ Brunswick Methodist Church, Newcastle. 2:00pm. £4.00. Note new venue!
Thu 20: Karine Polwart & Dave Milligan @ The Fire Station, Sunderland. 7:30pm. £29.00., £23.00. Folk/jazz duo.
Thu 20: Richard Herdman & Ray Burns @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 20: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Josh Bentham (tenor sax); Donna Hewitt (alto sax); Dave Archbold (keys); Dave Harrison (trumpet); Ron Smith (bass).

Friday, December 29, 2017

Leroy Hutson @ Jazz Café, Camden, December 27.

(Review by Steve T)
Leroy Hutson is most famous as the man Curtis Mayfield hand-picked to replace him in The Impressions when he went solo. After a few years singing Curtis stuff live and an unremarkable album, mostly written by Curtis, he embarked on his own solo career but remained on Mayfield's Curtom label. He had a run of albums which became highly sought after by soul fans, particularly in the UK, though to these ears none of them are particularly great, though each has one or two mind-bogglingly good tracks.
The last time I saw him was a Personal Appearance (PA) at a Soul Weekender in Fleetwood I was heavily involved in almost thirty years ago. At the time a PA meant a singer singing over backing tracks and this was the second best I ever heard, with a knee-buckling moment when he went into Lucky Fellow. In fairness to him, Sam Dees set the bar impossibly high but I spotted how incredible he could be with a band, so this has been a priority ever since. I've had tickets to see him twice since but both events ended up being cancelled so this threatened to be an emotional affair. 
Percussion, drums, guitar, bass, keys as well as his own centre stage. I spotted a bone, so a horn section which turned out to include trumpet and reeds also, and with one male and one female backing singer, all crammed on the Jazz Café stage, this was serious stuff.
A short intro turned into Cool Out, a jazzy instrumental which opens the latest compilation and the man entered the stage to rapturous applause and Lovers Holiday proved too much too soon. It's Different and Classy Lady afforded a window of opportunity to recover before All Because of You reopened the ducts.
By my reckoning, there's seven masterpieces in his repertoire and about the same slightly behind. He only managed four though in fairness I featured him at a recent DJ event and also only managed four.
The next hour featured mostly just behinders, including major just behinder So in Love with You, but with an interlude when he sat at his piano with a tambourine while the female backing singer took two songs he wrote for other people: Trying to get Next to You for Arnold Blair, which began fetching £75 to £90 on the modern soul scene about thirty years ago, and Cashing in for the Voices of East Harlem, a perennial Blackpool Mecca monster which will have every northern soul fan in the land kicking themselves for not going.
Just before he finished he gave us another masterpiece in Think I'm Falling in Love (one I didn't get to) and another, Lucky Fellow as part of the encore, right down to its keyboard coda. He returned to the stage but had nothing more to give us, so no Love oh Love (which has become a Mrs T favourite), no Heaven Right Here on Earth (the definitive version of an achingly beautiful ballad he wrote for the Natural Four) and no Get to This (a song many of the lesser DJs played because it was the only one they could find or afford, which I was never fussed about until I grew to love the wonderful crisp horns and positive feel).
So an ever so slightly disappointing end to a night which must rank amongst the very best of my life in the world ever.
Steve T.

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