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Bebop Spoken There

Stan Woodward: ''We're part of the British jazz scene, but we don't play London jazz. We play Newcastle jazz. The Knats album represents many things, but most importantly that Newcastle isn't overlooked". (DownBeat, April 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17923 (and counting) posts since we started blogging 17 years ago. 244 of them this year alone and, so far, 91 this month (March 31).

From This Moment On ...

April 2025.

Thu 03: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Women in Jazz.
Thu 03: Eva Fox & the Jazz Guys @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 03: New ’58 Jazz Collective @ Dorman’s Club, Middlesbrough. 8:30pm. Free. A Tees Hot Club promotion. First Thursday in the month.

Fri 04: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 04: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 04: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 04: Ruth Lambert Quartet @ Saltburn Community Hall. 7:30pm. £12.00.
Fri 04: Tom McGuire & the Brassholes @ Pilgrim, Newcastle. 7:30pm. £20.00.
Fri 04: Nicolas Meier’s Infinity Group + Spirit of Jeff Beck @ The Forum, Darlington. 7:30pm.

Sat 05: Tenement Jazz Band @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00.
Sat 05: Sleep Suppressor @ Head of Steam, Newcastle. 5:30-6:00pm.
Sat 05: King Bees @ Billy Bootlegger’s, Ouseburn, Newcastle. 6:00pm. Free.
Sat 05: Raymond MacDonald & Jer Reid @ Lubber Fiend, Newcastle. 6:00-9:30pm. £7.72., £1.00. (minimum donation). MacDonald & Reid + Objections + Yotuns.
Sat 05: Jeff Hewer Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 05: Kamasi Washington @ The Glasshouse, Gateshead. 7:30pm. £33.00.
Sat 05: Vermont Big Band @ The Seahorse, Whitley Bay. 7:30pm. Tickets: £10.00 (from the venue).
Sat 05: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. £3.00.

Sun 06: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £7.50.
Sun 06: Learning & Participation Showcase @ The Globe, Newcastle. 1:30pm (1:00pm doors). Free. Featuring participants from Play More Jazz! Play More Folk! Blue Jam Singers & more.
Sun 06: Joe Steels Group @ Central Bar, Gateshead. 2:00pm. £10.00. Ferg Kilsby, Joe Steels, Ben Lawrence, Paul Susans, John Hirst.
Sun 06: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 06: Paul Skerritt @ The Hooch, Quayside, Newcastle. 6:00pm.
Sun 06: Leeway @ The Globe, Newcastle. 8:00pm.

Mon 07: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 08: ???

Wed 09: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 09: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 09: Tannery jam session @ The Tannery, Hexham. 7:00pm.
Wed 09: Anatole Muster Trio @ Cluny 2, Newcastle. 7:30pm (doors). £17.50., £12.50. concs.
Wed 09: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free. CANCELLED?

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, December 03, 2017

Baby it’s Cold INside! Alan Barnes – Jazz Christmas Carol @ Ushaw College, Fri. Dec 1

Alan Barnes (sax, clarinet and bass clarinet); Bruce Adams (trumpet); Mark Nightingale (trombone); Robert Fowler (saxes and clarinet); Karen Sharp (saxes and clarinet); David Newton (piano); Simon Thorpe (bass); Clark Tracey (drums).
(Review by Jerry)
Alan Barnes entered, resplendent with lighted candlestick, nightcap, nightshirt (looking well slept-in) and socks and slippers presumably loaned by Nora Batty! Resplendent is perhaps the wrong word but it certainly was an entrance!
God Rest Ye Merry Gentlemen, with Paul Edis depping on piano for David Newton (stuck in traffic), set the mood and gave hints of the musical riches to come. As the applause was dying down, the pianist arrived –“a visitation from the ghost of gigs past”, according to the band-leader!

Being unfamiliar with this suite of music (I was abroad when it came to Ushaw last year) I was uncertain how the jazz would be tied into the carefully selected and dramatically read extracts from Dickens: the next few tunes set the pattern. After The Start of It we had (my favourite Christmas saying) Bah Humbug, on which Scrooge was “voiced” by some brilliant baritone sax from Karen Sharp. Marley’s Ghost ascending the stairs was represented by Clark Tracey’s drumming and a suitably spooky crescendo of sound. Marley’s attire – tights, boots, tassels and chains – drew a typical interjection from our narrator: “sounds like he’d been to Ann Summers”!
And that was the pattern – a mix of brilliant music, Dickens and one-liners from Alan Barnes who, should anyone ever steal his reeds, could make a living doing stand-up!
After A Portrait of Belle the audience were thanked for getting into the spirit of things by looking parched with the cold (Ushaw had heating problems) and later were promised a Christmas medley to include Baby it’s Cold Inside! The description of The Ghost of Christmas Present was prefaced with a warning to any vegetarians or vegans in the audience that Dickens’s prose might include references to meat….and fish….and fowl. Worse appeared to be coming as Barnes threatened to lift his night-shirt when the ghost revealed the starving children, Want and Ignorance! “That’s why they charge more for the front-row seats!” Fortunately, we were spared that and the music resumed. The apparition’s music was delightfully Caribbean in tone (yet another brilliant variation in style and mood within this suite)  a Rastafarian Jolly Green Giant until piercing trumpet (Scrooge) led up to a reading about Tiny Tim.
The music for The Ghost of Christmas Yet to Come featured the rarely used bass clarinet, described by its owner as a “rejected E-pipe”! Blown into at face level, the notes, like honeyed Guinness, emerged round about Nora Batty’s stockings and lent an impressively sombre tone for us to visualise the demise of Tim and the unattended funeral of Scrooge himself. Then, in a total mood-switch, we had The End of It (the reformed Scrooge capering) followed by the closing number, God Bless Us Everyone.
We never did get Baby It’s Cold Inside, but the Christmas mood was reinforced instead by a reading of one of my favourite poems – The Oxen, by Thomas Hardy – and three seasonal favourites: Tormé’s Christmas Song, featuring Mark Nightingale’s trombone, a jazz version of We Three Kings and (somehow via Blue Monk) Santa Claus is Coming to Town Cue massive applause!
By my own admission, I am no expert, but I would say this has to rank among the best live music (ANY GENRE) I have ever seen and heard!
Jerry

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