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Bebop Spoken There

Pat Thomas: “He’s definitely one to watch, he's going to be a breath of fresh air for the jazz scene. What I like is he [Xhosa Cole] plays like Dexter Gordon and Sonny Rollins - you don't hear anybody come from that. He knows tunes like "Fried Bananas" by Dexter Gordon and he can play free as well." - (The Wire September 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,685 (and counting) posts since we started blogging 13 years ago. 1102 of them this year alone and, so far, 46 this month (Sept. 13).

From This Moment On ...

September

Fri 17: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 17: Rendezvous Jazz @ Monkseaton Arms, Monkseaton. 1:00pm.
Fri 17: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 17: Abbie Finn's Finntet @ Traveller's Rest, Cockerton, Darlington. 8:00pm.

Sat 18: Baghdaddies @ The Globe, Newcastle. 8:00pm.
Sat 18: David Gray Trio @ Prohibition Bar, Newcastle. 8:00pm.

Sun 19: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 19: Musicians Unlimited @ South Durham Social Club, Westbourne Road, Hartlepool TS25 5RB. 1:00pm. South Durham Social Club aka Steelworks or Steelies. New venue for Teesside's premier big band.
Sun 19: Hand to Mouth: Lindsay Hannon & Bradley Johnston @ St James' & St Basil's Church, Newcastle. 3:00pm.
Sun 19: Green Tangerines + Knats @ Punch Bowl Hotel, Newcastle. 3:30pm.
Sun 19: Alice Grace Quartet @ The Globe, Newcastle. 8:00pm.

Mon 20: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 22: Darlington Big Band @ Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public)
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 8:00pm. Celebrating TITTB's 20th anniversary & Dave Weisser's forthcoming birthday! Limited gig tickets (£1.00.). Free live stream. www.jazz.coop.

Thu 23: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 23: Jeremy McMurray & the Jazz Pocket Orchestra @ Middlesbrough Town Hall 8:00pm. .
Thu 23: Maine Street Jazzmen @ Sunniside Social Club, Sunniside, Gateshead. 8:30pm. .

Fri 24: Sue Ferris Quintet @ Gala Theatre, Durham. 1:00pm.
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 24: Rendezvous Jazz @ Monkseaton Arms, Monkseaton. 1:00pm.
Fri 24: New Orleans Preservation Jazz Band, Stockton. 1:00pm.
Fri 24: FILM: Jazz on a Summer's Day + Swing Bridge Trio (in the bar) @ Forum Cinema, Hexham. 7:00pm.

Sunday, December 03, 2017

Baby it’s Cold INside! Alan Barnes – Jazz Christmas Carol @ Ushaw College, Fri. Dec 1

Alan Barnes (sax, clarinet and bass clarinet); Bruce Adams (trumpet); Mark Nightingale (trombone); Robert Fowler (saxes and clarinet); Karen Sharp (saxes and clarinet); David Newton (piano); Simon Thorpe (bass); Clark Tracey (drums).
(Review by Jerry)
Alan Barnes entered, resplendent with lighted candlestick, nightcap, nightshirt (looking well slept-in) and socks and slippers presumably loaned by Nora Batty! Resplendent is perhaps the wrong word but it certainly was an entrance!
God Rest Ye Merry Gentlemen, with Paul Edis depping on piano for David Newton (stuck in traffic), set the mood and gave hints of the musical riches to come. As the applause was dying down, the pianist arrived –“a visitation from the ghost of gigs past”, according to the band-leader!

Being unfamiliar with this suite of music (I was abroad when it came to Ushaw last year) I was uncertain how the jazz would be tied into the carefully selected and dramatically read extracts from Dickens: the next few tunes set the pattern. After The Start of It we had (my favourite Christmas saying) Bah Humbug, on which Scrooge was “voiced” by some brilliant baritone sax from Karen Sharp. Marley’s Ghost ascending the stairs was represented by Clark Tracey’s drumming and a suitably spooky crescendo of sound. Marley’s attire – tights, boots, tassels and chains – drew a typical interjection from our narrator: “sounds like he’d been to Ann Summers”!
And that was the pattern – a mix of brilliant music, Dickens and one-liners from Alan Barnes who, should anyone ever steal his reeds, could make a living doing stand-up!
After A Portrait of Belle the audience were thanked for getting into the spirit of things by looking parched with the cold (Ushaw had heating problems) and later were promised a Christmas medley to include Baby it’s Cold Inside! The description of The Ghost of Christmas Present was prefaced with a warning to any vegetarians or vegans in the audience that Dickens’s prose might include references to meat….and fish….and fowl. Worse appeared to be coming as Barnes threatened to lift his night-shirt when the ghost revealed the starving children, Want and Ignorance! “That’s why they charge more for the front-row seats!” Fortunately, we were spared that and the music resumed. The apparition’s music was delightfully Caribbean in tone (yet another brilliant variation in style and mood within this suite)  a Rastafarian Jolly Green Giant until piercing trumpet (Scrooge) led up to a reading about Tiny Tim.
The music for The Ghost of Christmas Yet to Come featured the rarely used bass clarinet, described by its owner as a “rejected E-pipe”! Blown into at face level, the notes, like honeyed Guinness, emerged round about Nora Batty’s stockings and lent an impressively sombre tone for us to visualise the demise of Tim and the unattended funeral of Scrooge himself. Then, in a total mood-switch, we had The End of It (the reformed Scrooge capering) followed by the closing number, God Bless Us Everyone.
We never did get Baby It’s Cold Inside, but the Christmas mood was reinforced instead by a reading of one of my favourite poems – The Oxen, by Thomas Hardy – and three seasonal favourites: Tormé’s Christmas Song, featuring Mark Nightingale’s trombone, a jazz version of We Three Kings and (somehow via Blue Monk) Santa Claus is Coming to Town Cue massive applause!
By my own admission, I am no expert, but I would say this has to rank among the best live music (ANY GENRE) I have ever seen and heard!
Jerry

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