Bebop Spoken There

Donovan Haffner ('Best Newcomer' 2025 Parliamentary Jazz Awards): ''I got into jazz the first time I picked up a saxophone!" - Jazzwise Dec 25/Jan 26

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18146 (and counting) posts since we started blogging 17 years ago. 24 of them this year alone and, so far this month (Jan. 7), 24

From This Moment On ...

JANUARY 2026

Thu 08: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Jazz Milestones of 1976.

Fri 09: The House Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00.
Fri 09: Nauta @ Jesmond Library, Newcastle. 1:00pm. £5.00. Trio: Jacob Egglestone, Jamie Watkins, Bailey Rudd.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Warren James & the Lonesome Travellers @ Saltburn Community Hall. 7:30pm. £15.00.
Fri 09: The Blue Kings @ The Globe, Newcastle. 8:00pm. £10.00. (£8.00. adv.). All-star band.

Sat 10: Mark Toomey Quintet @ St Peter’s Church, Stockton-on-Tees. 7:30pm. £12.00. (inc. pie & peas). Tickets from: 07749 255038.

Sun 11: New ’58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Eva Fox & the Sound Hounds @ The Globe, Newcastle. 8:00pm.

Mon 12: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 12: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free.

Tue 13: Milne Glendinning Band @ Newcastle House Hotel, Rothbury. 7:30pm. £11.00. Coquetdale Jazz.
Tue 13: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 14: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 14: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 14: Jam Session @ The Tannery, Hexham. 7:00pm. Free.
Wed 14: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Wednesday, December 06, 2017

CD Review: Tony Tixier - Life of Sensitive Creatures

Tony Tixier (piano/comp.); Karl McComas-Reichl (bass); Tommy Crane (drums).
(Review by Lance).
A collection of Tixier compositions interspersed with a few 'sweeteners' that are sufficiently stirred to be almost originals in their own right. Tight Like This is nothing like the Armstrong tune although it purports to be the same and is actually none the worse for that. French-born, NYC based, Tixier is described as being as much inspired by Ravel and Tatum as Hancock, Jarrett or Ayden Esin. Either way is good enough for me.
Darn That Dream brings to mind Bill Evans and McComas-Reichl's bass solo is fit to stand alongside any of the great bassists past and present - an absolute gem.
As the title implies, Blind Jealousy of a Paranoid is frantic with mood swings and an abrupt ending - was it homicide or un crime passionnel? Stevie Wonder's Isn't She Lovely?, the third of the three standards, is given a fascinating take reminding us that Stevie himself can cut it in jazz circles (it is said that he warms up by playing Giant Steps) and Tixier does both tune and tunesmith justice without losing his own identity.
Tixier sums it up when he refers to McComas-Reichl and Crane: "My music needs more than solo piano, so they shape it, provide space and move it in different directions".
Amen.
Lance

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