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Bebop Spoken There

Steve Fishwick: “I can’t get behind the attitude that new is always somehow better than old”. (Jazz Journal, April 15, 2019).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16542 (and counting) posts since we started blogging 16 years ago. 422 of them this year alone and, so far, 29 this month (June 17).

From This Moment On ...

June

Thu 20: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 20 Gateshead Jazz Appreciation Society @ Brunswick Methodist Church, Newcastle. 2:00pm. £4.00. Note new venue!
Thu 20: Karine Polwart & Dave Milligan @ The Fire Station, Sunderland. 7:30pm. £29.00., £23.00. Folk/jazz duo.
Thu 20: Richard Herdman & Ray Burns @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 20: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Josh Bentham (tenor sax); Donna Hewitt (alto sax); Dave Archbold (keys); Dave Harrison (trumpet); Ron Smith (bass).

Fri 21: Alan Barnes with Dean Stockdale Trio @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 21: Joe Steels’ Borealis @ The Gala, Durham. 1:00pm. £8.00.
Fri 21: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 21: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 21: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 21: Soznak @ The Bike Garden, Nunsmoor, Newcastle NE4 5NU. 5:00-9:00pm. Free.
Fri 21: Errol Linton + Michael Littlefield & Scott Taylor (King Bees) @ Gosforth Civic Theatre, Newcastle. 7:30pm. £20.00. Blues double bill.
Fri 21: Alan Barnes with the Dean Stockdale Trio @ Seventeen Nineteen, Sunderland. 7:30pm.
Fri 21: Strictly Smokin’ Big Band @ Alnwick Playhouse. 8:00pm. ‘Ella & Ellington’.
Fri 21: Mark Toomey Quartet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.

Sat 22: Jason Isaacs @ Stack, Seaburn SR6 8AA. 12:30-2:30pm. Free.
Sat 22: Abbie Finn Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 22: Hejira: Celebrating Joni Mitchell @ The Cluny, Newcastle. 7:30pm (doors). £22.50.
Sat 22: Rockin’ Turner Bros. @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 23: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm.
Sun 23: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 23: Matt Carmichael @ St Mary’s Church, Wooler. 3:00pm. Carmichael (saxophone), Fergus McCreadie (piano), Charlie Stewart (fiddle). ‘Scottish jazz, folk-roots & landscape’ Wooler Arts: Summer Concerts.
Sun 23: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 23: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 23: Bede Trio @ The Globe, Newcastle. 8:00pm.
Sun 23: Leeway @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 23: Jazz Jam @ Fabio’s Bar, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society event. All welcome.

Mon 24: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 24: Remy CB @ The Hoppings, Newcastle Town Moor NE2 3NH. 5:00-7:00pm.

Tue 25: Louise Dodds & Elchin Shirinov @ The Black Swan, Newcastle. 8:00pm.

Wed 26: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Wednesday, December 06, 2017

Sandrani @ the Jazz Café - November 24

Vanessa Rani (vocals);  Upneet Singh (tabla); Joe Harris (guitar)
(Review/Photos by Ken Drew) 
We saw Rani here last year as part of the Masala Festival in July, and the year before, with her band Manjula. Tonight was a different mix, a trio with tabla, guitar and voice. A stripped-down version of Manjula perhaps, but just as beguiling. Featuring musicians of Indian, English, and Mauritian heritages, this trio creates a progressive style of global music which fuses together classical Indian Raag and folk song with Western-style grooves and improvisations. Each of the players contributes to the mix so that experimentation and innovation are always present in a sound that is unique yet wholly accessible.
Vanessa Rani herself is still composing, and her voice was pitch perfect as before, occasionally soaring free in improvised passages over the established soundscape. She is fluent in a variety of verbal and musical languages, moving seamlessly across the spectrum, acting often as the prominent instrument in the ensemble, yet never overpowering.  Whilst she sings in many styles, there was one point where a certain run of blue notes made me contemplate her tackling a Latin-American style. I think it would work, her voice is more than capable, but not in this context.   Guitarist Joe Harris was playing classical guitar with this line-up and was the better for it. It sounded clean and distinct matching perfectly the style of songs played.  Tabla maestro Upneet Singh provided the South Asian feel and played constantly, with apparent ease, complementing both the style of tunes and the other performers. 
So, with the involvement of tabla player Singh, the music inclines rhythmically to the Indian classical and folk traditions, but there’s plenty of western style jazz improvisation in the mix, and Vanessa Rani herself with Portuguese inheritance but having studied extensively in India, moved seamlessly across linguistic and stylistic borders. Interestingly, the second set opened with a duo with just Singh and Harris, which itself proved that the style is flexible enough to work with only two instruments. In fact it worked very well, allowing some concentration on the two players, both individually, their interaction and their overall sound.

This is music that transcends categories, creating its own distinctive and utterly enthralling space. In fact, the review of Rani's last performance still holds true this time around:  "It’s difficult to put this music into a specific genre. In fact there’s little point – it delivers an easily accessible groove with a range of styles which are a good basis for the group to play together, take solos, enjoy what they do, entertain and intoxicate the audience.  A nice excursion for Jazz North East followers, and Gem Arts too!"  The bonus is that it was also a Women Makes Music presentation too. What's not to like?
Ken
Photos.

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