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Farewell Blues

R I P Terry Shannon - November 5, 1929 - October 29, 2022
R I P Oliver Soden - ? - November 6, 2022
R I P Top Cat Daphne - ? - November 24, 2022.
R I P Louise Tobin - November 11, 1918 - November 26, 2022

Bebop Spoken There

Kenny Barron: "During the pandemic I got to do a lot more cooking. As long as you can read you can cook." - (DownBeat December, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14845 (and counting) posts since we started blogging 14 years ago. 1094 of them this year alone and, so far, 93 this month (Nov. 30).

From This Moment On ...

November

December
Mon 05: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 05: Sia Ahmad & Raymond MacDonald @ Blank Studios, Newcastle. 8:00pm. Tickets: £5.00. from www.seetickets.com. Live recording session - note no late admissions. BYOB.

Tue 06: Paul Skerritt @ The Rabbit Hole, Durham. 7:00pm. Free (table reservations 0191 386 5556). Feat. Johnny Murphy (keyboards).

Wed 07: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 07: Jam session @ Prohibition Bar, Newcastle. 12 noon-3:00pm.Free. New!
Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 07: 4B @ The Exchange, North Shields. 7:00pm.
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 08: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm. Last one of the year, resuming Jan 26.
Thu 08: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 08: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm.
Thu 08: Christmas Crooners @ Alnwick Playhouse. 7:30pm.
Thu 08: Musicians Unlimited @ Dorman’s Club, Middlesbrough. 8:30pm. £5.00. on the door.

Fri 09: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £25.00. 'Afternoon Jazz with Festive Lunch'.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 09: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 09: Jason Isaacs @ Northern Rugby Club, Gosforth, Newcastle. 7:00pm. £25.00 (inc. two course Xmas meal). Isaacs performing with backing tapes.

Sat 10: Lindsay Hannon & Martin Douglas: Life Drawing & Improvised Music @ Cobalt Studios, Newcastle. 2:00-4:00pm. TBC.
Sat 10: Alan Barnes Octet: A Jazz Xmas Carol @ Black Swan, Newcastle. 8:00pm. £20.00. All-star band!

Sun 11: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 11: Spanish City Rollers @ Northumberland Square, North Shields. 12:30pm. Free. Community band inc. Graham Hardy.
Sun 11: Am Jam @ Prohibition Bar, Newcastle. 3:00pm. Free. Jam session, all welcome.
Sun 11: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm. Xmas party feat. Mick Donnelly Quartet. 4:00pm. Tickets: £6.00 (admission from 12 noon).
Sun 11: Paul Skerritt @ Liberty Brown's, Sunderland. 1:00pm.
Sun 11: Tees Valley Jazzmen @ Hammer & Pincers, Preston le Skerne. 1:00pm. £5.00.
Sun 11: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 11: DC Blues Band @ Tyne Bar, Newcastle. 4:00pm. Free. Blues Band.
Sun 11: Jason Isaacs @ Hoochie Coochie, Newcastle. 5:30pm. SOLD OUT!
Sun 11: Boys of Brass @ Stack, Seaburn. 6:00pm. Free.
Sun 11: Elda with Faye MacCalman + John Pope & John Garner @ The Globe, Newcastle. 8:00pm.

Friday, December 08, 2017

The Improvisers' Workshop Ensemble - “Magic Mirrors" @ The Jazz Café - December 1

Nigel of Coalburns (Voice & Toys) / Gabriele Heller (Voice & Objects) / John Harrison (Saxophone) / Thomas Dixon (Saxophone) / Karen Rann (Saxophone) / Crispian Heath (Acoustic Guitar) / Martin Donkin (Electric Guitar) / Paul Taylor (Keyboards) Tobias lllingworth (Keyboards and other instrumentation) / Wesley Stephenson (Drums and Percussion)
(Review/photo by Ken Drew).
“Gathering monthly for sessions at The Bridge Hotel 'The Improvisers' Workshop' is a space where people interested in sound and improvisation gather to play, discuss and explore the nature and mysteries of improvisation. These sessions often result in different games and strategies used as vehicles for the improvisation that takes place. "Magic Mirrors" was such an idea that was conceived for a performance by the ensemble.
As a durational piece “Magic Mirrors” explores the space where a large group ensemble works in unison, and the way that unity dissolves and breaks into smaller groupings of players or soloists, which may also be symbolised by silence. Through mirroring and a Chinese whispers style of communication, the growth of the music is shaped by the decisions of the players and the way they choose to mirror, this could be rhythmically, tonally, texturally, emotionally or any such inspiration of their own choosing.”
Part 1:    A quiet start, building on individual notes & timbres, nicely demonstrating the use of voices as instruments, then building to include all performers. The rhythm of the piece changing many times, from steady to percussive single beats. Then it slowed to a more contemplative section, with the sounds of wafted paper ('other devices') taking over from voice. Then into a longer section of disparate sounds including vocal utterances from Coalburns, and wailing saxes. The piece continued to develop around the group where you could detect the flow of ideas being passed around. Pleasantly quiet ending, with keys (lllingworth) and small bells gently struck by Coalburns.

Part 2: This was a longer piece, introduced by shimmering notes on the keys (Taylor this time) and gentle sax (Harrison initially, then Dixon). Initially more meandering, but developing with the addition of voices and soprano sax. In fact getting quite heated as more voicings joined in, Heller in particular becoming quite frantic with vocal exclamations. The small bells rang and brought in a quiet section which heralded the introduction of a wide range of pitches and timbres from all. Then to close, the keys brought in a mellow flute-like tone to gracefully fade. This piece certainly explored the sonorous nature of a range of instruments, and their interaction, whilst still flowing as a single improvised piece.

Part 3:  Starting with a profound drum beat initiated by Stephenson, with saxes and voices joining in, this quickly became quite an energetic piece with all contributing. At one point it took on an almost marching-band funky rhythm, but only fleetingly. Then back to a quiet section, with Coalburns adding vocal effects sounding as if the wind were gusting outside, or maybe you were overhearing just the bass tones of a distant conversation.  No matter, a distinctly odd sound, but one which held the piece together as the others continued to exchange and interpret sonic ideas.  Heller and Rann then struck up such a conversation, taken further by Rann and Harrison to close the piece.

Overall, this was a good demonstration of live improvisation. Of the 3 pieces, I had no particular favourite, as they each flowed differently, yet each stood alone in their own right. I was actually struck by how different these pieces were, given the short pause between them giving time to ‘regroup’ their thoughts and start again from pure silence.   This performance was appreciated by the assembled audience, and a good advert for the output of the monthly Improv Workshops held by JNE at the Bridge.
Ken

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