Total Pageviews

Bebop Spoken There

Billy Boy Arnold: “As long as you don't think old you're good.” - DownBeat, December, 2023.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Postage

16051 (and counting) posts since we started blogging 15 years ago. 1058 of them this year alone and, so far, 12 this month (Dec. 6).

From This Moment On ...

December

Sat 09: Prudhoe Community Band @ Central Station, Newcastle. 10:00am - 12 noon. Charity fundraiser.
Sat 09: Durham Alumni Big Band @ Number One Bar, Skinnergate, Darlington. 1:00pm.
Sat 09: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 09: Hayley's Little Big Band @ Middleton & Todridge Village Hall, Morpeth. 7:30pm. £12.00., £6.00.
Sat 09: Paul Skerritt @ Slaley Hall, Hexham NE47 0BX. 7:30pm. From £42.00.

Sun 10: Musicians Unlimited’s Xmas Party with Zoë Gilby Quartet @ Park Inn, Hartlepool. MU 1:00-3:00pm; Zoë Gilby Quartet 4:00-6:00pm. Tickets: £7.50.
Sun 10: Alan Law, Paul Grainger & Abbie Finn @ Darlington Market, Market Square, Darlington. 1:00pm. Free. A ‘Christmas Market’ outdoor gig. Wrap up warm!
Sun 10: Am Jam @ The Globe, Newcastle. 2:00-4:00pm. Free.
Sun 10: Funk Soul Sista @ Stack, Seaburn. 5:00-7:00pm. Free.
Sun 10: Beth Clarke @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 10: Hayley's Little Big Band @ Whittingham Memorial Institute, Alnwick. 7:30pm. £12.00., £10.00.
Sun 10: Tele-Port @ The Globe, Newcastle. 8:00pm. Line-up inc. Zhenya Strigalev.

Mon 11: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 11: Interim Final Recitals @ Newcastle University. Details TBC.

Tue 12: Stu Collingwood Organ Trio @ Forum Music Centre, Darlington. 7:00pm. £10.00.

Wed 13: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 13: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 13: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 13: Bold Big Band @ Cluny 2, Newcastle. 7:30pm.
Wed 13: Giles Strong Quartet @ Alphabetti Theatre, Newcastle. 7:30pm.

Thu 14: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 14: Hot Fingers @ The Lubetkin Theatre, Peterlee. 7:00pm. £10.00.
Thu 14: After Hours Student Jazz Jam @ The Globe, Newcastle. 8:00pm. Free.
Thu 14: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. . Free. A ‘Jar on the Bar’ gig.
Thu 14: Niffi Osiyemi Trio @ Harbour View, Sunderland. 8:00pm. Free.
Thu 14: Mo Scott ‘Little Mo’s Festive Appearance’ @ The Schooner, Gateshead. 8:00pm. Free.
Thu 14: Tees Hot Club w. Kevin Eland, Josh Bentham, Garry Hadfield, Adrian Beadnell @ Dorman’s Club, Middlesbrough. 9:00pm.

Fri 15: Paul Edis @ Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 15: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 15: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 15: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm. Free.
Fri 15: Paul Skerritt @ Black Horse Inn, Crook. From 7:00pm.
Fri 15: Paul Edis: A Jazzy Christmas @ St Cuhtbert's Centre, Crook. 7:30pm. £15.00. SOLD OUT! Waiting list open.
Fri 15: Zoë Gilby Trio @ Seventeen Nineteen, Hendon, Sunderland. 7:30pm. £12.00. Fri 15: Strictly Smokin' Big Band @ Gosforth Civic Theatre, Newcastle. 8:00pm. First night of two.
Fri 15: Darlington Big Band @ Traveller’s Rest, Darlington. 8:00pm. £10.00. Opus 4 Jazz Club.
Fri 15: Baghdaddies @ Cobalt Studios, Newcastle. 8:00pm. £14.00.; £10.00.

Saturday, December 30, 2017

The "Real" J Hendricks

(By Frank Griffith)
With all due respect to Jimi Hendrix, an equally important and innovative icon of 20th-century American popular music, I would like to share my work with singer/lyricist Jon Hendricks in the wake of his recent passing.

As a saxophonist/arranger, resident in NYC from 1980-96 I first met Jon in December 1993 when an arranger colleague of mine, Mark Lopeman, asked me to assist him with some last minute orchestrations for Jon in anticipation of some gigs around Christmas of that year. Jon had been writing lyrics to several of Miles Davis’ solos from Gil Evans’ arrangements from their 1957 "Miles Ahead" LP on Columbia. These included "My Ship", "I Don't Wanna Be Kissed", "New Rhumba" and "The Maids of Cadiz". These were also performed the following year for Jon’s Christmas week-long engagement at NYC's Blue Note club. The band included such luminaries as Wynton Marsalis, Red Holloway, Benny Golson and Al Grey.
Without getting too technical, my task was to transcribe the original Gil orchestrations (no published scores existed then) and transpose them into Jon's key as his tenor voice was considerably lower than Miles' trumpet and to re-orchestrate them to a nonet with 5 horns. So, in the end, quite a few "plates to spin" concurrently but this was mitigated by the sheer enjoyment of getting to know this great music intimately by going through the process of transcribing and adapting it.

Jon's enthusiasm with this new and forward-looking project was so infectious and inspiring that only a fool would turn down this arranging opportunity. Hard work, yes, but well worth it in so many ways.

Later on, I adapted Gershwin's ""Bess Oh Where Are You Now" from the 1958 "Porgy and Bess" LP. After copying the chart by hand we discovered at rehearsal that its key of Db was not suitable due to one high note at the end being beyond Jon's reach and it had to be recopied into the key of C! Sadly, this was before computer music software allowed one to transpose a chart at the push of a button so I had to recopy the chart again. Oh well....all part of the fun.

I also did several gigs with Jon's nonet during this time which were all very enjoyable as his ebullience on stage with both the band and audience was infectious even if the music went awry, on occasion.  I can also remember ringing Jon to discuss his key for "The Maids of Cadiz" and I suggested Eb instead of E to which he asked, "Which one's higher?" Not sure if he was serious or not. 

In my visits to Jon and Judith's rather spartan 2 bedroom apartment in Lower Manhattan's Battery City, it would not be uncommon to find him still in his pyjamas at 2PM in the afternoon. The second bedroom was the office often full of staff tending to matters to do with publishing royalties and gig bookings etc. Lots going on in that place. Jon and Judith's lifestyle and work were inseparable - leaving no demarcating lines between them. I believe that this could have played a role (along with his good genes) in his longevity (96). He was naturally a good-natured and optimistic kind of guy and this certainly came through each time he picked up the microphone.

As many LJN (and BSH) readers will know, pianist, vocalist, choir leader and arranger (is there anything that he doesn't do?) Pete Churchill, had collaborated with Jon over the last ten years to adapt and orchestrate an entire programme's worth of Gil/Miles material for the twenty-five strong London Vocal Project choir (www.londonvocalproject.com). The LVP performed this material at St Peter's Church in NYC in February 2017 all to great acclaim. Jon did attend the event but did not perform. His presence would certainly have greatly imbued the event. The concert was documented in both audio and video formats and we all await the forthcoming release of this with great anticipation. I am also very pleased (and honoured) to have been involved in the beginnings of this project twenty-three years ago and never would have imagined that it would have reached the stages that it has through the efforts of my friend and colleague (and neighbour), Pete Churchill.

Maybe they should rename the NYC venue of the premiere St Peter's Churchill?
(Or maybe not...?)

The "Real" J. Hendricks was a truly inspirational and positive force in the world of vocal jazz. Long may he and his music live.
Frank Griffith.

1 comment :

Roly said...

A heartfelt and beautifully written tribute.

Blog Archive