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Bebop Spoken There

Maurice J. Summerfield: "Over dinner one night Barney [Kessel] told me about his seminar The Effective Guitarist, and in 1972 my company presented the first of twelve annual UK seminars in Newcastle upon Tyne." - (Just Jazz Guitar, September 1997)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15087 (and counting) posts since we started blogging 15 years ago. 106 of them this year alone and, so far, 4 this month (Feb. 1).

From This Moment On ...

February

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 03: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 03: Abbie Finn Trio @ Saltburn Community Hall. 7:30pm.
Fri 03: Dilutey Juice @ Bobik's, Punch Bowl, Newcastle. 7:30pm.
Fri 03: Smoove & Turrell @ Hoochie Coochie, Newcastle. 7:30pm (doors). £25.00.
Fri 03: Struggle Buggy @ Prohibition Bar, Newcastle. 8:00pm. Blind Pig Blues Club.

Sat 04: Alligator Gumbo @ St Augustine's Parish Centre, Darlington. 12:30pm.
Sat 04: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: John Pope - Up Your Rhythm Game. £25.00. Enrol at: www.jazz.coop.
Sat 04: King Bees @ Grainger Market, Newcastle. 6:30pm (doors). Live music, comedy, DJs, food stalls. £10.00. advance, £15.00. on the door. Blues band King Bees on stage 9:45-11:15pm. A Great Market Caper event.
Sat 04: Jives Aces @ The Witham, Barnard Castle. 7:30pm.
Sat 04: Renegade Brass Band @ The Cluny, Newcastle. 7:30pm (doors).
Sat 04: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. £3.00.

Sun 05 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 05: Rivkala @ Cumberland Arms, Newcastle. 6:00pm.
Sun 05: Jive Aces @ Fire Station, Sunderland. 7:30pm.
Sun 05: Dale Storr @ The Globe, Newcastle. 8:00pm.

Sun 05: Jam No.13 @ Fabio's, Saddler St., Durham. Free. Durham University Jazz Society jam session. All welcome (students & non-students alike).

Mon 06: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.

Tue 07: Jam session @ Black Swan, Newcastle Arts Centre. 7:30pm. House trio: Alan Law (piano); Paul Grainger (double bass); Rob Walker (drums). Jam session reverts to a first & third Tuesday in the month schedule.

Wed 08: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 08: Jam session @ Prohibition Bar, Newcastle. 1:00pm. Free. TBC.
Wed 08: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 08: 4B @ The Exchange, North Shields. 7:00pm.
Wed 08: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 09: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 09: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm. £5.00.
Thu 09: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Thursday, December 14, 2017

Chris Biscoe; Roger Turner ; John Pope. A Jazz North East 'On the Outside' performance @ The Bridge Hotel, Newcastle - December 3

Chris Biscoe - tenor and alto sax, alto clarinet; Roger Turner - drums; John Pope – bass.  
(Review/photo courtesy of Ken Drew.)
Chris Biscoe & Roger Turner played their first duo gig in 1967 and this tour of five cities around the UK sees them working with local musicians, making each performance a unique event due to the differing range of instruments.  Biscoe and Turner, "The Collaborators" were joined tonight by John Pope with the aim of having open minds in the spirit of pure improvisation. This tremendous improvising threesome first came together four years ago after internationally acclaimed percussionist Roger Turner heard Newcastle bassist John Pope as part of a band, and was so impressed he suggested that they should play together. The brilliant reeds player Chris Biscoe was recruited to form a trio which made its debut at Sage Gateshead as part of a double bill with the Anglo-French quartet Sonsale.   And now, four years later, they share the stage again.
 Set 1 -  A blistering start from the off, quite high energy from the trio for a long while, until the pace slowed, with a bass solo from Pope followed by Turner reinforcing his presence. Then, with Biscoe included, all three once more turned up the heat. A longer, slow, meditative section ensued, Pope taking to the bow on occasion. Biscoe and Pope then quietly held back to let Turner take the focus with a short solo, but as the pace quickens, Pope reaches for a drum mallet (yes, he's still on bass!) and, along with Biscoe, joins in a lengthy rapid-fire section.  The energy of the trio was blistering.  Biscoe signalled a slowing down giving Turner the opportunity to take the lead in a very exploratory section, using 'other' devices to good percussive effect.  After some time, Biscoe breaks free, sax screaming, with Pope not far behind. Soon, the trio's frenzy returns, and in time it dissipates into a slowly fading end signalled by Biscoe and forcibly stopped by Turner with a final 'thump' on the drums. What an energetic first piece. Actually, it was the whole of the first set !! 

Set 2 began with a lively start from Biscoe on alto clarinet. Quickly the pace builds, Biscoe having swapped screaming sax for the strong overtones on the alto clarinet. After some time, the clarinet is swapped for a soprano sax bringing a different mood to the piece. By the next bass solo, Pope was pouring his energy into double bass, leading this section but not overly dominating it, Biscoe having swapped again back to bass clarinet to take off some of the heat from Pope.  Another fine extended piece of pure improvisation.

I presume it was quite a privilege for John Pope to be playing as part of this trio - he certainly stepped up to the plate and looked to be enjoying it. Notably, each member of the group played in equal measure - none were 'out in front'. Indeed, there was no significant leader, the group operating as a performer's co-operative, and worked very well on that basis.  Overall, Biscoe introduced many new ideas as the pieces progressed and developed, always making good use of his formidable technique and demonstrating his thoughtful approach, angular yet melodic, and unfailingly accessible.  Yet Biscoe never overpowered or stole the limelight, always leaving ample space for Pope and Turner to contribute, and for each to take the lead when the piece moved in their direction. Turner's dynamic contribution was everpresent, showing immense subtlety, and Pope gave his all with superbly inventive and energetic solo sections.  Not surprisingly, the audience's expectation was met - they had formed a cohesive, highly energised unit, but allowed themselves ample freedom to explore the material as it unfolded.  The visiting band members really enjoyed this venue and the performance. The decent sized audience were very appreciative too, snapping up CDs as they left.
Ken.

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