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Bebop Spoken There

Maurice J. Summerfield: "Over dinner one night Barney [Kessel] told me about his seminar The Effective Guitarist, and in 1972 my company presented the first of twelve annual UK seminars in Newcastle upon Tyne." - (Just Jazz Guitar, September 1997)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15087 (and counting) posts since we started blogging 15 years ago. 106 of them this year alone and, so far, 4 this month (Feb. 1).

From This Moment On ...

February

Sat 04: Alligator Gumbo @ St Augustine's Parish Centre, Darlington. 12:30pm.
Sat 04: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: John Pope - Up Your Rhythm Game. £25.00. Enrol at: www.jazz.coop.
Sat 04: King Bees @ Grainger Market, Newcastle. 6:30pm (doors). Live music, comedy, DJs, food stalls. £10.00. advance, £15.00. on the door. Blues band King Bees on stage 9:45-11:15pm. A Great Market Caper event.
Sat 04: Jives Aces @ The Witham, Barnard Castle. 7:30pm.
Sat 04: Renegade Brass Band @ The Cluny, Newcastle. 7:30pm (doors).
Sat 04: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. £3.00.

Sun 05 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 05: Rivkala @ Cumberland Arms, Newcastle. 6:00pm.
Sun 05: Jive Aces @ Fire Station, Sunderland. 7:30pm.
Sun 05: Dale Storr @ The Globe, Newcastle. 8:00pm.

Sun 05: Jam No.13 @ Fabio's, Saddler St., Durham. Free. Durham University Jazz Society jam session. All welcome (students & non-students alike).

Mon 06: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.

Tue 07: Jam session @ Black Swan, Newcastle Arts Centre. 7:30pm. House trio: Alan Law (piano); Paul Grainger (double bass); Rob Walker (drums). Jam session reverts to a first & third Tuesday in the month schedule.

Wed 08: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 08: Jam session @ Prohibition Bar, Newcastle. 1:00pm. Free. TBC.
Wed 08: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 08: 4B @ The Exchange, North Shields. 7:00pm.
Wed 08: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 09: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 4:00pm (this week only). Free.
Thu 09: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm. £5.00.
Thu 09: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 10: Alan Barnes w Dean Stockdale Trio @ Bishop Auckland Town Hall. 1:00pm. £7.00. SOLD OUT!
Fri 10: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 10: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 10: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 10: Alan Barnes w Dean Stockdale Trio @ Traveller's Rest, Darlington. 8:00pm. £12.00.

Friday, December 08, 2017

The Zoë Gilby University Group - “Constellation Jam" @ Jazz Café - December 1

Zoë Gilby (Mentor and Vocals) / Grace Alexander (Keyboard) / Ross Barnes (Bass) / Oliver Cobb (Guitar) / Amber Cox (Vocals) / Will Earl (Drums & Percussion) / Chris McMahon (Drums & Percussion)
 (Review/photos by Ken Drew)
“For the past four weeks, vocalist and songwriter Zoë Gilby has been running a series of workshops for the postgraduate music students of Newcastle University, culminating in this final performance for the students "History of Jazz" module.  Also, as part of Jazz North East’s ‘Women Make Music' series, this composition Constellation Jam illustrates the evolving nature of jazz.  Accepting no boundaries, the constant progression of this particular genre of music has entertained and inspired modern popular music and beyond.  The concept of this piece highlights the importance and integral need for jazz to be always changing. Often not to everyone’s taste, but never compromising, always a curious adventure.”
Not only was this the first performance of this piece, they were being videoed too. Also, the young performers were being assessed as part of their degree course as they played!   Over four workshop sessions with Gilby, in as many weeks, they wrote this piece about the history and evolution of Jazz.  Starting straight in with a song led by Cox which developed nicely with Earl and McMahon providing the rhythm and Barnes solidly on bass.  This was an intriguingly catchy tune, simple but very effective, giving quite a powerful start.  Then into a slower section of improvised vocalese with Gilby leading and bringing out the improvised nature of the piece. It soon became apparent that there were several sections to this single piece, so, many segues ensued, including some vocalese from Gilby.

Then a long section of keys (Alexander) and guitar (Cobb) followed by percussion, building to a crescendo with all, then onto a gentle, quiet song eventually building to its own crescendo. This then segued into a sole percussion section (notwithstanding the vocal contributions from Gilby and Cox). The final section was a good combination of improvisation including spoken word which gave quite a contemporary urban feel to the piece, slowing down and finally fading to a close.

Overall, there seemed to be a good level of improvisation during the piece, with a well-composed structure, and a nice ‘feel’ to it throughout.  The six music students worked hard, concentrating even harder and working well together as the piece progressed. Their leader/mentor was always there to guide, occasionally leading, but always inspirational. It would have been interesting to have been at the four workshop sessions which led to this performance just to see how the individuals, the group overall and the final composition had developed. But their live performance was fine and well appreciated by the audience.  Possibly two small things to comment on. The sound balance across the band could have been a little better, although I don’t think we missed anything. And maybe each performer could, in general, have given a bit more dynamic expression to give a bigger impact to their contribution and to the overall sound of the piece.  Maybe this translates to playing to the audience rather than across the stage.  Still, what a terrific 45-minute uninterrupted piece, and all their own work!!!

Afterthought:   This long piece made a big impact, and is worthy of being heard again. Hopefully, it will. And given that these young players are still on their Uni music course, this could perhaps be quickly followed by a day in the recording studio to give them the experience too of producing their very own CD. Just sayin’.  Hopefully, it could happen!
Ken

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