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Bebop Spoken There

Roseanna Vitro: "Have you ever tried singing a bridge to a Charlie Parker song? It just looks like the craziest thing in the world to me.'" - (DownBeat, January 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13848 (and counting) posts since we started blogging 13 years ago. 67 of them this year alone and, so far, 67 this month (Jan. 20).

From This Moment On ...

January 2022

Thu 20: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm. CANCELLED!
Thu 20: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 21: Emma Fisk & James Birkett @ The Lit & Phil, Newcastle. 1:00pm. POSTPONED!
Fri 21: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 21: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 21: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 21: John Law @ Durham Cathedral. 7:30pm. £20.00. POSTPONED!
Fri 21: Dean Stockdale Quartet @ Traveller’s Rest, Darlington. 8:00pm. £8.00. Opus 4 Jazz Club.
Fri 21: Jude Murphy & Dan Stanley @ Prohibition Bar, Newcastle. 8:00pm.

Sat 22: East Coast Swing Band @ East Bedlington Community Centre. 7:30pm. £5.00.
Sat 22: MGB @ Prohibition Bar, Newcastle. 8:00pm. The Milne-Glendinning Band.

Sun 23 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 23: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 23: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 23: More Jam @ The Globe, Newcastle. 3:00pm.
Sun 23: Anth Purdy: Swing Jazz Guitar @ Blues & Bourbon, Newcastle. 3:00pm.
Sun 23: Svarc Hanley Longhawn @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 24: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.
Mon 24: Vels Trio + Knats @ The Cluny, Newcastle. 8:00pm. POSTPONED!.

Tue 25: East Coast Swing Band @ East Bedlington Community Centre. 10:00am - 12 noon. Rehearsal session (open to the public). .
Tue 25: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Murray Wankling, Paul Grainger, King David Ike-Elechi.

Wed 26: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 26: Classic Swing @ Venue, Cramlington NE23 6UT. 1:00pm. .
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public). .
Wed 26: Four @ The Exchange, North Shields. 7:00pm. .
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 27: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm. .
Thu 27: Tobias Sarra & John Garner @ Cobalt Studios, Newcastle. 7:00pm. .
Thu 27: 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm. .
Thu 27: Knats’ Night @ Hoochie Coochie, Newcastle. 8:00pm. Free. Knats + guests. .
Thu 27: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm. CANCELLED! .
Thu 27: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Sunday, December 17, 2017

Christmas Jethro Tull @ Durham Cathedral - December 14

Ian Anderson (flute, 'voice', acoustic travel guitar and mandolin), Florian Opahle (electric guitar), John O'Hara (piano, organ, accordion), David Goodier (bass guitar), Scott Hammond (drums).
Durham Senior Choristers Choir, Jason Lowe (cathedral organ), Lloyd Grossman ('guitar', 'voice').
(Review by Steve T)
Some people don't think prog-rock qualifies for a Jazz blog and Ian Anderson defines Tull as progressive with a small p. Many think a more contemporary interpretation of Jazz is music which breaks the rules, takes chances and is more challenging, for musician and listener. 
I've seen them a number of times, at Bury, Newcastle, Lancaster, Sheffield and Gateshead, so we're all but Tulled out, but the lure of this most Christmassy of rock bands at the worlds greatest building was too great to resist.
They opened with a flute led God Rest ye Merry Gentleman and this would set the pace for the night and prove a blessing - I know from the last time I saw him his voice has clearly forsaken him but, fear not, anyone with tickets for the Sage in the spring, he's taken to having a stooge helping him out, leaving him the more talky bits. And his flute playing is better than ever.  
The chorister choir sang it in the middle and then did Gaudete as interpreted by Steelye Span, but speeded up and occasionally drowned out by the cathedral organ.
A Christmas Song was an early Tull piece, largely based on Once in Royal Davids City, but concerning itself with the Christmas spirit, and asking at the end where Santa's going with that bottle.
Ring on Solstice Bell was a much later piece and the first indication of just how poor his voice has become, though either the keyboardist or bass player was helping him out.
Various pieces with a Christmas flavour followed and it was quite remarkable how this was maintained through two sets.
At some point during set one Sid Grossman, or was it Lloyd Rotten, joined him for some serious lowering of the tone, boasting that he only does 4/4.
From Anderson's point of view, this may have been an exercising in giving your detractors a platform to hang himself, which he promptly did. I was thinking he shouldn't give up the day job and hoping he might have brought some mince pies. 
In a stroke of genius Tull followed it with one of the more bearable modern Christmas pop songs, from the recently deceased Greg Lake, and it's never sounded better. 
The set ended with a perennial Tull classic, JS Bachs Boure from 69s Stand Up, Anderson observing Bach would have approved of its Jazzy, improvisational qualities. It ended with the greatest testament I've ever heard of his debt to Roland Kirk, his main influence on flute, from whom he stole all the frantic breathing and moaning.
The second set would feature more Bach, from the cathedral organ followed by some serious heavy metal guitar, as Ian described him as a God and briefly worshipped him after his showpiece.
This was preceded by more by the chef de punk rock, who claimed he wasn't sure if he were more surprised playing in a cathedral or with Jethro Tull.
I see no inconsistencies in playing punk rock in a cathedral; a small number of people with power (the BBC) telling lots of people they want to control (us)that something ridiculous (punkrock) has some deeper meaning beyond what we are clever enough to perceive with our limited intelligence and ordinary sensory organs (ears). 
They followed this with one I felt sure Anderson would have been persuaded to drop, which I've never heard them play live and I don't believe it's on any of the live albums. My God is the most forthright condemnation of religion in the whole of Jethro Tull, with it's 'plastic crucifix.'
This was followed by a massively extended and jazzed up Aqualung, which has been the last one at every Tull/ Anderson gig for four and a half decades, with it's protagonist 'eyeing little girls with bad intent, snots running down his nose.'
Finally Locomotive Breath, which has been the encore for the same period, with references like 'in bed and having fun' and 'grab him by the b^!!$'.
For any punk rocker who wants to proclaim themselves rebels and pick fights with their biggers and betters, a lesson - know thine enemy.
A splendid night in perfect surroundings. His voice is in serious trouble, but he knows that and seems to be taking steps to make it matter as little as possible. He has wit, intelligence, opinions and integrity. If you haven't already done so, catch him before it's too late. 
Steve T.

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