Bebop Spoken There

Melissa Aldana: ''Having to play a ballads album, which is something very revealing for a saxophone player, would help me to question some new aspects of how to go deeper into sound." (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18656 (and counting) posts since we started blogging 18 years ago. 520 of them this year alone and, so far this month (June 25) 72

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

June

Mon 29: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 30: Alan Law Trio @ The Ticket Office, Whitley Bay. 2:00pm. Free.
Tue 30: Eva Fox & the Sound Hounds @ The Black Swan, Newcastle. 7:30pm. Free.

July

Wed 01: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 02: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 02: De’Sean Jones & Blaque Dynamite feat. Urban Art Orchestra @ Cluny 2, Newcastle. 7:30pm (doors). De’Sean Jones (MD, tenor sax); Blaque Dynamite (Mike Mitchell, drums); Jamie Murray (drums) with UAO horns & strings.
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.
Thu 02: Howlin’ Mat @ Newcastle Arts centre. 7:30pm. Free. Acoustic

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: Paul Donnelly Quartet @ Saltburn Community Hall. 7:30pm.
Fri 03: Martin Taylor @ Arc, Stockton. 8:00pm. Taylor (solo guitar).

Sat 04: Spats Langham’s Hot Fingers @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 04: Michael Woods @ Cycle Hub, Quayside, Ouseburn. 1:30-2:30pm & 3:00-4:00pm. Free. Acoustic blues guitar. An Ouseburn Festival event.
Sat 04: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Steve Glendinning. Take the ‘A’ Train to Summertime: From Melody to Masterclass. Enrol at: learning@jazz.coop.
Sat 04: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 05: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 05: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Feat. guest TBC.
Sun 05: Michael Woods @ Cycle Hub, Quayside, Ouseburn. 1:30-2:30pm & 3:15-4:00pm. Free. Acoustic blues guitar. An Ouseburn Festival event.
Sun 05: Lydia Rae Quintet @ Central Bar, Gateshead. 2:00pm. £10.00. Rae (vocals); Sam Lightwing (alto sax, tenor sax); Ben Lawrence (piano); Andy Champion (double bass); John Bradford (drums).
Sun 05: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 05: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 05: Storytellers Street Band @ Ouseburn Woodland, Ouseburn. 5:00-6:00pm. Free. An Ouseburn Festival event.
Sun 05: Gerry Richardson’s Big Idea @ The Globe, Newcastle. 8:00pm.
Sun 05: Jambone @ Glasshouse, Gateshead. 8:15-9:45pm. Free but ticketed.

Monday, October 09, 2017

Preview: The Maltings Jazz Weekend - October 13-15

(By Russell)
Berwick upon Tweed is the place to be this weekend. The Maltings’ inaugural ‘jazz weekend’ is a welcome addition to the region’s buoyant jazz scene. Bebop Spoken Here defines ‘the region’ as anything and everything jazz between Berwick in the north to Saltburn by the Sea in the south of the region and way out west to Haltwhistle.
Berwick Maltings presents occasional, high-quality jazz concerts and this new venture is nothing if not a top quality programme. Five events over three days, beginning on Friday evening (Oct 13th) with Don Paterson’s all-star Situation and concluding with a gumbo jazz brunch on Sunday (15th). Three concerts – Don Paterson’s Situation, Geoff Eales’ entertaining and informative ‘The History of Jazz Piano’ and an evening of Pat Metheny by way of Fred Thelonious Baker – plus a workshop with Baker and a farewell brunch make for a busy weekend up on the border.
The Don Paterson Situation (8:00pm Friday), formed last year by award-winning poet Paterson, is a quartet worth seeing any time and a fine way to launch this new venture at the Maltings. A guitar player from his youth, Paterson has found fame, if not fortune, as a poet. His first collection Nil Nil was awarded the Forward Poetry Prize for Best First Collection in 1993 and it was at this time that Lammas, the jazz-folk ensemble he formed with Tim Garland, was recording and touring regularly. Last year Paterson put together the ‘Situation’ featuring three of Scotland’s finest; Steve Hamilton, piano, Euan Burton, bass, and pocket dynamo, drummer Alyn Cosker. The concert takes place in the Henry Travers Studio starting at eight o’clock. Tickets £12.50. Further information and to book online www.maltingsberwick.co.uk

Saturday morning (11:30am) in the Stage Two Bar of the Maltings is an opportunity for jazz guitar enthusiasts to learn from one of the most respected tutors working in jazz education. Fred Baker,  widely known as Fred Thelonious Baker, will be conducting a guitar workshop for the intermediate to advanced guitarist examining the harmonic construction and modal aspects of improvisation. A rare opportunity to learn from a master craftsman. Tickets £8.00. Advance booking recommended.    

At two o’clock on Saturday afternoon (Oct 14th) Geoff Eales presents his ambitious ‘The History of Jazz Piano’ in which the Welsh-born pianist will survey the kaleidoscopic breadth of styles during a century or more of jazz from ragtime to Jelly Roll Morton, Art Tatum to Oscar Peterson, Bill Evans to Keith Jarrett and, of course, Eales himself. The performance will take place in the Henry Travers Studio, tickets £11.00.

American Dreams: The Music of Pat Metheny (at 8:00pm in the Henry Travers Studio) promises to attract a full house. Following his workshop earlier in the day, Fred Thelonious Baker will perform an affectionate set inspired by the great American guitarist Pat Metheny. Early career Matheny albums American Garage and Offramp will feature during the concert, and if anyone with a passing interest in jazz guitar is within striking distance of Berwick on Saturday evening, the Maltings is the place to be. The venue’s own publicity states: Sublime contemporary jazz of the highest quality. Tickets are £15.00. A sellout is likely, so, to avoid disappointment, telephone the box office: 01289 330999.

Berwick Maltings’ inaugural ‘Jazz Weekend’ concludes with a late Sunday morning (11:30am) New Orleans Jazz Brunch in the informal surroundings of the bar. Sunday newspapers, a Creole gumbo jambalaya and a ‘melting pot of jazz and blues’ is on offer for £25.00.
A three concert ticket package is available for £32.00. offering admission to Don Paterson’s Friday evening performance, Geoff Eales’ Saturday afternoon piano concert and Fred Thelonious Baker’s American Dreams: The Music of Pat Metheny. This first Maltings’ ‘Jazz Weekend’ is full of promise. To be sure of your tickets visit www.maltingsberwick.co.uk  or telephone 01289 330999.  
Russell.                       

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