Total Pageviews

Bebop Spoken There

Mark Turner: "Practice should never be mindless or careless. You will sound like that on the gig!" - (DownBeat May 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,204 (and counting) posts since we started blogging 13 years ago. 623 of them this year alone and, so far, 31 this month (May 8).

2021 APPJAG (All Party Parliamentary Jazz Appreciation Group)

Coming soon ...



May 6: Vieux Carré Jazzmen at The Holystone. (CANCELLED!).

May 13: Vieux Carré Jazzmen at The Holystone (weather permitting).
May 20 Maine Street Jazzmen are back at Sunniside Social Club.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 21: Jazz in the Afternoon are back at Cullercoats Crescent Club. (Revised date).
June 23: Vieux Carré Jazzmen are back at Cullercoats Crescent Club. (Revised date).

Sunday, October 22, 2017

CD Review: Michael Messer’s Mitra - Call of the Blues

Michael Messer (guitar & vocals), Manish Pingle (Mohan veena) & Gurdain Rayatt (tabla) + Richard Causon (piano & organ)
(Review by Russell)
British bluesman Michael Messer has played in numerous line-ups during a thirty plus year career.   
In 2013 Messer was invited to perform at a festival in Mumbai. It was during his visit he met Manish Pingle. They jammed together and Messer resolved that one day they would perform together on a stage in front of an audience. Messer recruited London-based Gurdain Rayatt and, in September of that year, the trio played a gig at the Troubadour Club in London. Mitra was born.
Call of the Blues opens with the first of two songs written by Mississippi Fred McDowell. You Got to Move will be familiar to blues fans and, on first hearing, suggests the CD’s ten tracks will more than likely be comprised of readily identifiable American country blues. And, to a degree, this is the case with Michael Messer’s slide and lap steel guitars prominent in the mix. Delta bluesmen, South Side  Chicago blues, Americana – they’re all present on this album recorded in April 2015. The thing that sets this album apart is Messer’s dream project of working with classical Hindustani musicians.

Manish Pingle plays the Mohan veena, an Indian string instrument similar to Messer’s slide guitars, and Gurdain Rayatt is regarded as one of his generation’s foremost tabla players. Call of the Blues seeks to integrate Eastern and Western musical cultures. The extent to which this aim succeeds is, perhaps, down to the ears of the listener. Two Muddy Waters’ classics – Rollin’ and Tumblin’ and I Cant’ be Satisfied are inescapably the blues. Pingle and Rayatt were largely unfamiliar with Messer and his country blues repertoire and it is to their credit that they quickly assimilated the form prior to going into the recording studio. Bhupali Blues is listed as ‘Trad. Raga arranged by Messer, Pingle, Rayatt’. This is Messer gaining insight to the Eastern, Hindustani musical form – the tables turned!

JJ Cale’s Anyway the Wind Blows veers into Americana territory with the trio once again acquitting themselves – Cale’s laid back beat appears to be to the liking of all concerned. Sweetheart Darling closes the album (playing time a little over 53 minutes). Michael Messer’s Mitra is currently touring  and the itinerary includes an appearance this Friday (October 27) at Newcastle’s Jazz Café.               
Russell           
Call of the Blues by Michael Messer’s Mitra is available on Knife Edge Records (KER CD001). 

No comments :

Blog archive