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Bebop Spoken There

George "Big Nick" Nicholas: "This band [George Adams-Don Pullen Quartet] is a bitch on roller skates, baby. They'll run you over if you ain't ready" (JazzTimes April, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

14264 (and counting) posts since we started blogging 14 years ago. 483 of them this year alone and, so far, 83 this month (May 26).

From This Moment On ...

May.

Thu 26: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 26: Deep Pope + Garner & Pope @ Cobalt Studios, Newcastle. 7:00pm. £7.00.
Thu 26: 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 26: Knats @ Hoochie Coochie, Newcastle. 8:00pm.
Thu 26: Jeremy McMurray & the Pocket Orchestra @ Arc, Stockton. 8:00pm.
Thu 26: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 26: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

Fri 27: Alice Grace Quartet @ The Gala, Durham. 1:00pm.
Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 27: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 27: Fergus McCreadie Trio @ The Witham, Barnard Castle. 7:30pm.

Sat 28: Whitley Bay Carnival: Northern Monkey Brass Band (1:00-1:45pm & 4:00-4:45pm); Baghdaddies (2:00-2:45pm & 5:00-5:45pm) @ Spanish City Plaza Arena, Whitley Bay. Northern Monkey Brass Band (2:30-2:45pm) @ Rainbow Corner (Marine Ave.), Whitley Bay.
Sat 28: Jack Logan & the Swing Section @ Prohibition Bar, Newcastle. 8:00pm.

Sun 29 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 29: Musicians Unlimited @ Hartlepool United Supporters’ Club, Hartlepool. 1:00pm.
Sun 29: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 29: Groovetrain @ Tyne Bar, Newcastle. 4:00pm. Free.
Sun 29: Zoë Gilby Quartet @ Allendale Village Hall, Northumberland. 7:30pm.
Sun 29: Two of a Mind: Sue Ferris-Steve Summers Quartet @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.
Sun 29: Jam session @ Fabio's Bar, Durham. 8:00pm. A Durham Uni Jazz Soc event. All welcome.
Sun 29: Cedric Burnside @ Cluny, Newcastle. Superb Mississippi hill country blues!

Mon 30: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 31: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Stu Collingwood, Paul Grainger, Rob Walker.

June

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 01: Four @ The Exchange, North Shields. 7:00pm.
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Sunday, October 01, 2017

Horace Silverman and the White Gardenias – Corner House, Heaton, September 30

Mike Ridley (guitar, mandolin, violin, clarinet, vocals); Josie McDonough (vocals, percussion); Karl Barlow (bass guitar, vocals); Lucy Falkenau (banjo, harmonica, recorders, vocals); George Snaith (drums, Percussion); Ann Ridley (ukelele, accordion, percussion, vocals).
(Review by Hugh C).
Shock news:  Horace Silverman (bandleader) does not exist!  Mike Ridley came up with the name in a moment of inspiration – any resemblance to Horace Silver is purely coincidental.  The White Gardenias are a reference to Billie's trademark accessory, the ladies wearing suitable hair decoration.  The six-piece band are dedicated to preserving the music of the 20s and 30s.  The band members come from diverse musical backgrounds and this influences their choice and style of repertoire.
A relatively small, but enthusiastic audience assembled in a somewhat chilly function room in Heaton's Corner House.  A small bar was situated at the back of the room with the usual range of keg beers on display.  Your correspondent sought out the more sophisticated draught, Wolf, from the acclaimed Allendale Brewery, which was available in the main bar.
Comfortably seated, coat on, pen, pint and notebook ready, the stage was set: the band assembled from various corners of the room, where they had been greeting audience members.  It Don't Mean a Thing started the evening with a swing, lead vocals by Josie McDonough with melodic interludes from Mike Ridley's Telecaster.  This pattern broadly followed throughout the evening, with no jazz-style “solos” as such.  Taking a Chance on Love followed, then a bass-led introduction to I Got Rhythm, lead vocals by Karl Barlow. 
Lead vocals now passed to Mike for Is You Is or Is You Ain't My Baby.  Mike extolled the benefits of streaming services such as Spotify for both discovering unfamiliar music and re-discovering the delights of listening to an entire album, rather than single tracks in the digital download era.  In his exploration he had come across a piece of anonymous Italian baroque music – very effectively presented by the band as Italian Rant and featuring recorder, tambourine, mandolin, ukelele and violin with the rhythm section in support.  
At this stage an audience member asked for the bass amplification to be turned down, as it was masking the rest of the band. This request was a first for the band, but no offence was meant, or taken by, bassist Karl.  Donning suitable headgear (additional to the gardenia) Ann gave a rousing rendition of I Wish I Was a Single Girl Again, complete with that Country twang. 
The bandleader announced some Paganini. He corrected himself - he was looking at page nine!  We were however treated to a short a cappella (+ recorder) rendition of a canzonetta by Monteverdi; this segued into My Funny Valentine, with beautiful vocal rendition from Josie McDonough, (demonstrating skills acquired in former years as the Decca-signed singer Truly Smith) and subtle brushwork from George Snaith. 
Cooking Breakfast For The One I Love (Lucy – vocals) was followed by Hoagy Carmichael's One Night in Havana, apparently composed when he had some well-known jazz mates round to his pad.  Band members have an interest in film music with several examples during the evening, including Man of Constant Sorrow, vocals by Karl, with unsolicited accompaniment by an audience member's whistling hearing aid! 
Two renditions of local folksongs: Bonny at Morn and, Keel Row, were separated by GASbook favourite, Paper Moon.  The band nervously donned Tommy Cooper-style fez’s for Istanbul, but relaxed when there were no allegations of cultural appropriation.  More atmospheric guitar work from Mike and classy vocals from Josie finished off the first set with Shenandoah.

After an interval, during which the room had warmed up a bit, the second set commenced with a Bluegrass feel in Jerusalem Ridge.  Audience participation in Fever helped to make it finger clickin' good!  Jazz standard, Caravan and Love is the Sweetest Thing preceded the hardest (to play) number on the set list and the nearest to jazz (according to bandleader Horace, sorry, Mike) – George Shearing's Lullaby of Birdland.  More audience participation ensued in (brrrp, brrrp, brrrp) Busy Line.  When “we do it because we can” guitarists are in guitar shops they apparently like to test out a possible purchase (or not) with Paul Simon's Scarborough Fair, featuring (in this case) Lucy Falkenau on recorder.  A newly acquired, full wooden alto recorder was capably demonstrated on the Rolling Stones' Ruby Tuesday – first heard by Master Ridley at the age of 15 on the B side of Let's Spend the Night Together, a 45 rpm record broken (literally) in disgust by Mike's headteacher father!  You are My Sunshine and Ray Charles' Hallelujah I Love Her So were followed by I'm Coming Home Baby and The Beatles' The Word. 
Some fine clarinet by Mike Ridley on Sway brought us to the penultimate number for the evening,  Anyone Who Had a Heart.  The Klezmer tune Dem Trisker Rebns Khosid then transformed seamlessly into the final Those Were the Days.  Enthusiastic applause and calls for “more!” were rewarded with Summertime and Walkin' My Baby Back Home.
So what is this review doing on a jazz blog?  The gig was listed on BSH and there was certainly enough jazz content to keep the Jazz Police at bay.  The items chosen all admirably demonstrated the versatility and expertise of this diverse group of musicians.  All in all we were treated to more than two hours of music, enjoyed by the musicians themselves as much as the audience.  At the very reasonable price of £7.50 this amounts to 23 and one half pence for each musical item – cheaper than a download and a bargain, given the live environment!
Hugh C

1 comment :

Ray said...

we've seen Mike & the band numerous times now ....difficult to "pidgeonhole" their music, but always thoroughly entertaining & well worth a few quid for a great night out. Don't hesitate to go if you see them listed ...

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