(Review/photos courtesy of Ken Drew)
Maja Bugge is a Norwegian cellist and composer based in Lancaster. She is currently a Northern Line artist for Jazz North where she performs music inspired by the simultaneously beautiful and brutal landscapes of the north of Norway, where she was born and brought up. Maja’s unique sound explores stillness and repetition, harmony and dissonance. Her music balances melody and rhythm with external ambiance, acoustics and atmosphere. So says the info preceding this concert, and it is spot on! Tonight we heard beautiful, meditative soundscapes blending everyday sounds, melody and improvisation, coupled with the expressive sounds of a lone 'cello sounding out the natural ambiance and acoustics of the performance space which for tonight was the Bridge Hotel (where many musicians enjoy and comment on the acoustics of the room). But her background is more wide-ranging than this…..

Then Echoes, a piece Bugge performed in a huge oil container where I guess the ambient reverberation made quite an impact to the piece. It was not so easy to imagine the sound within a huge cavernous oil drum, but an echo effects machine would certainly have killed the moment. Finally, Shelter (I think). Back to the sea again, producing the sounds of waves lapping up against the sandy beaches around the Lofoten Islands. The sounds of rippling waves were very distinct and effective. Included bowing the strings very close to the bridge to alter the tonality, just as you hear as you walk along a beach with overlapping waves racing to greet the shore.
One personal observation I made was that whilst the cello has an easily recognised soft-toned sound, it seemed to me that Bugge produced sounds not only as expected – soft and soothing, but also with a strong hint of viola, if not Hardanger Fiddle, but more ‘raspy’ and raw, with very little bass resonance. Along with the impromptu percussion effects, this made for an interesting range of sonorities on which to construct these soundscapes.
More info: As a Northern Line artist, Bugge is currently touring and there is a short descriptive video on their website (including photos of the oil tank performance)
Also, for those intrigued by (or, in my case simply couldn’t get to) the Maja Bugge performance in Standedge Tunnel as part of this year’s Marsden Jazz Festival, there is a photo gallery in the Huddersfield Daily Examiner here:
Lilli Unwin
Lilli Unwin (vocals) Corrie Dick (drums) Loz Garratt (Bass) Matt Robinson (Keys)

Starting with a lively bossa/samba based song which included quite a bit of scat vocalese. Overall, a typical jazz café feel to it, and a good opener. Followed by Lucky to be Me then Stay Close - a first outing for this new tune by Unwin, and likely to appear on the next album. Quite lively and full of personal meaning, with a pleasant and varied melody. Icarus then preceded a Rodgers & Hart tune Falling in Love with Love. Initially, with vocals and bass only, keys and drums then joining in to swell the sound and pick up the pace. Some interesting discordant ‘close notes’ were carefully placed for good effect, plus a little bit more scat which worked well to provide a distinctive take on this standard. Worked well.
Then finally, City of Love – self-penned by Unwin - a lively, bouncy tune with a skipping feeling, playful & joyful, bringing a much appreciated final song to the evening ….. until cries of “MORE!!”

Overall, two distinctly different performances, but as Wes said in his introduction, this was programmed to provide a wind-down following the fireworks of the varied performances we saw at last week’s Festival. It certainly did that, with quality and style.

Ken
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