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Bebop Spoken There

Greg Abate: "So many sounds are ugly now. There are no harmonics, no chords. What do people hear these days? Why do things have to change from that good music?" (JazzTimes June/July 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! -- Holly Cooper:"Lance writes pull quotes like no one else!"

Postage

14378 (and counting) posts since we started blogging 14 years ago. 597 of them this year alone and, so far, 2 this month (July 2).

From This Moment On ...

July

Mon 04: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Wed 06: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 06: Michael Bublé @ Durham County Cricket Club, Chester le Street. Doors: 5:00pm.
Wed 06: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 06: 4B @ The Exchange, North Shields. 7:00pm.
Wed 06: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 07: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 07: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 07: Lara Jones + Echo Juliet @ Cobalt Studios, Newcastle. 7:00pm.
Thu 07: Thursday Night Prayer Meeting @ The Globe, Newcastle. 8:00pm. Free admission (donations).
Thu 07: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 07: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

Fri 08: Alex Clarke Quartet @ Bishop Auckland Town Hall. 1:00pm. £7.00.
Fri 08: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 08: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 08: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.

Sat 09: Jazz Stage @ Mouth of the Tyne Festival: Zoë Gilby Duo (12 noon); Vieux Carré Jazzmen (1:35pm); Harmony Brass (3:10pm); Ruth Lambert Quartet (4:40pm). Outdoor stage adjacent to Tynemouth Priory.

Sun 10: Tusk X Yeah You @ Live Theatre, Newcastle. 12 noon. £10.00. All day event, line-up inc. Pat Thomas.
Sun 10: Jazz Stage @ Mouth of the Tyne Festival: Rendezvous Jazz (12 noon); River City Jazzmen (1:35pm); House of the Black Gardenia (3:10pm); Classic Swing (4:40pm). Outdoor stage adjacent to Tynemouth Priory.
Sun 10 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 10: Tees Valley Jazzmen @ Hammer & Pincers, Preston le Skerne. 1:00pm.
Sun 10: Shunyata Improvisation Group @ Saltwell Park, Gateshead NE9 5AX. 1:00pm.
Sun 10: Am Jam @ The Globe, Newcastle. 3:00pm. Free.
Sun 10: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 10: Anth Purdy @ Blues & Bourbon, Newcastle. 4:00pm.
Sun 10: Jazzframe @ The Globe, Newcastle. 8:00pm.

Sunday, October 15, 2017

Geoff Eales @ The Maltings Jazz Weekend - October 14

Geoff Eales (piano)
(Review by Russell)
Lunchtime Saturday, the rain just about holding off on the second day of the inaugural Maltings’ ‘Jazz Weekend’. Berwick upon Tweed bustled as tourists mingled with locals out shopping, bed and breakfasts advertising ‘no vacancies’, the YHA on Dewar’s Lane doing good business.  
At two o’clock a near capacity Henry Travers Studio audience set off on a whirlwind tour of jazz piano from A to Z through one hundred years and more of the recorded history of the music. An almost impossible task, but if anyone could do it, Geoff Eales was the man. Billed simply as ‘The History of Jazz Piano’ Eales adopted the maxim ‘If it ain’t broke, don’t fix it’. From Scott Joplin to Geoff Eales, and several superstar pianists in between, the chronology was laid out before us.
Ragtime Scott Joplin – Maple Leaf Rag, The Entertainer – played by Geoff Eales at the Maltings’ Steinway piano – not a bad way to spend a Saturday afternoon! Eales introduced each piece to, one suspects, an audience more than familiar with both pianists and tunes performed. Jelly Roll Morton (Eales) playing Maple Leaf Rag demonstrated the new thing – ‘swing’. It was clear to all that Eales had the history of jazz piano literally at his fingertips.
A Fats Waller medley – Ain’t Misbehavin’ and Honeysuckle Rose – received rapturous applause, likewise Art Tatum and Tea for Two replete with quotes. Eales said: He was like god. A narrative was developing…Oscar Peterson. On hearing Tatum the great Canadian decided to stop playing,   said Eales. Sometime later OP returned to his practice and the rest is (jazz piano) history. Eales headed straight down the historical track on Night Train calling at Bebop Central to take a look at Bud Powell’s Bouncing with Bud and Thelonious Monk’s ’Round Midnight and Well, You Needn’t.
The house lights went up as Eales closed the first set with Errol Garner’s Misty.

As the second set opened, Fred Thelonius Baker was in the house to listen to his old pal Eales in the ‘locked-hands’ style of George Shearing. From Lullaby of Birdland to Bill Evans. Eales took a moment to fondly recall a tour he had undertaken in 2005 playing the music of Evans, adding the itinerary on that occasion sadly didn’t take him as far north as Berwick. Waltz for Debby provided some compensation, and, perhaps, the Welshman will one day return to play a Bill Evans’ concert. Eales made the observation that Evans, Horace Silver and Cecil Taylor were born within a twelve month period (1928-29), yet each went on to forge his own distinctive style…the impressionism of Evans, Silver’s contrasting Blue Note bluesy bop style and the freeform idiom pioneered by Taylor.

Geoff Eales rounded off his entertaining presentation with compositions by a stellar triumvirate of contemporary jazz pianists. McCoy Tyner’s Passion Dance – in an aside Eales suggesting those present with an understanding of such matters would know that Trane’s one-time sparring partner often incorporates fourths rather than thirds in his playing – and ECM mainstay Keith Jarrett’s My Song leading into Chick Corea’s up tempo Armando’s Rhumba.

Eales’ matinee performance comprised a plethora of styles and to think all were expertly executed by one man…Geoff Eales! By way of farewell, Eales played Eales. The Maltings’ Jazz Weekend is in its infancy. On this evidence, it could develop into a fully-fledged Berwick Jazz Festival.                     
Russell                                    

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