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Bebop Spoken There

Barry Harris (in 1981): "There is not one place in the world that you can find more jazz musicians from than Detroit." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Saturday August 17

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Newcastle Jazz Festival - Tyne Bank Brewery, Walker Road, Newcastle NE6 2AB. Tel: 0191 265 2828. £15.00. All day event, line-up:

Zoë Gilby & Andy Champion (1:30pm)

Alan Law Trio (2:40pm)

Mark Williams Trio (3:50pm)

Emma Fisk & James Birkett (5:00pm)

(Evening)

Alexander Bone (6:15pm)

Strictly Smokin’ Big Band (7:45pm).

Blues/Funk/Soul

King Snake - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, October 12, 2017

CD Review: Brandon Allen - The Gene Ammons Project.


Brandon Allen (tenor); Ross Stanley (piano/Rhodes/Hammond); Arnie Somogi (elec/acc. bass); Matt Home (drums).
(Review by Lance).
As someone who first heard Gene Ammons blowing Seven-Eleven alongside Sonny Stitt on a still treasured Esquire 78 that was later followed up by a 10" LP on the same label,  I viewed this CD by Brandon Allen with a mixture of anticipation - and fear!
Fantastic that one of today's leading UK tenor men saw fit to delve into Ammon's legacy but there was also the worry of whether or not he could he cut it.
I needn't have worried!
Allen does Ammons proud. Not the fawning, lipservice, cloning that some of the Lester Youngsters did but a genuine grasp of what the man was all about. The tone is there, the ideas too but they're Allen's ideas even though we know where they're coming from.
I'd call this straight down the middle tenor playing. The blues, the funk and the soul are in there but so is the tenderness - listen to I Sold My Heart to the Junkman. Poignant!
The album covers two parts of Ammons career the 1950s to the early 1960s (Ammons was off the scene for most of the sixties) and the 1969-1972 period where his inspiration was derived as much from the r & b/soul scene as it was from what was happening in jazz at the time.
Allen absorbed all these elements to produce an album that, I'm sure, 'Jug' himself would have been proud of.
Of course, it goes without saying that with Stanley, Somogi and Home in the engine room, it would  have been impossible for Allen not to be firing on all cylinders!
Tracks: (brackets indicate the year of the original recordings by Gene Ammons).
Please Baby, Won't You Please Say Yes? (51); The Breeze and I (61); Gerr-ru (69); You're Not the Kind (51); I Sold My Heart to the Junkman (61); Piece to Keep Away Evil Spirits (70); Ben (72); The Black Cat (70); Lucille (72); Son of a Preacher Man (69).
Over the years, I've played a lot of Gene Ammons and, in the years to come (looks towards heaven), I'll be playing a lot of Brandon Allen.
Lance
Sample/buy.

1 comment :

Peter Fairman (on F/b). said...

It's a great Album. Look forward to more releases in the near future.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance