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Bebop Spoken There

Maurice J. Summerfield: "Over dinner one night Barney [Kessel] told me about his seminar The Effective Guitarist, and in 1972 my company presented the first of twelve annual UK seminars in Newcastle upon Tyne." - (Just Jazz Guitar, September 1997)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15087 (and counting) posts since we started blogging 15 years ago. 106 of them this year alone and, so far, 4 this month (Feb. 1).

From This Moment On ...

February

Sat 04: Alligator Gumbo @ St Augustine's Parish Centre, Darlington. 12:30pm.
Sat 04: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: John Pope - Up Your Rhythm Game. £25.00. Enrol at: www.jazz.coop.
Sat 04: King Bees @ Grainger Market, Newcastle. 6:30pm (doors). Live music, comedy, DJs, food stalls. £10.00. advance, £15.00. on the door. Blues band King Bees on stage 9:45-11:15pm. A Great Market Caper event.
Sat 04: Jives Aces @ The Witham, Barnard Castle. 7:30pm.
Sat 04: Renegade Brass Band @ The Cluny, Newcastle. 7:30pm (doors).
Sat 04: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. £3.00.

Sun 05 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 05: Rivkala @ Cumberland Arms, Newcastle. 6:00pm.
Sun 05: Jive Aces @ Fire Station, Sunderland. 7:30pm.
Sun 05: Dale Storr @ The Globe, Newcastle. 8:00pm.

Sun 05: Jam No.13 @ Fabio's, Saddler St., Durham. Free. Durham University Jazz Society jam session. All welcome (students & non-students alike).

Mon 06: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.

Tue 07: Jam session @ Black Swan, Newcastle Arts Centre. 7:30pm. House trio: Alan Law (piano); Paul Grainger (double bass); Rob Walker (drums). Jam session reverts to a first & third Tuesday in the month schedule.

Wed 08: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 08: Jam session @ Prohibition Bar, Newcastle. 1:00pm. Free. TBC.
Wed 08: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 08: 4B @ The Exchange, North Shields. 7:00pm.
Wed 08: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 09: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 4:00pm (this week only). Free.
Thu 09: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm. £5.00.
Thu 09: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 10: Alan Barnes w Dean Stockdale Trio @ Bishop Auckland Town Hall. 1:00pm. £7.00. SOLD OUT!
Fri 10: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 10: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 10: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 10: Alan Barnes w Dean Stockdale Trio @ Traveller's Rest, Darlington. 8:00pm. £12.00.

Saturday, October 28, 2017

CD Review: Gilad Atzmon and the Orient House Ensemble - The Spirit of Trane

Gilad Atzmon (tenor, soprano, clarinet, bass clarinet, flute); Frank Harrison (piano); Yaron Stavi (bass); Enzo Zirilli (drums) + Sigamos String Quartet.
(Review by Steve T)  
Lots of tributes to the great man during this, the fiftieth anniversary year of his death. But there are constant tributes to him, and when you consider how pervasive his influence has been on the Jazz of the last fifty years and more, perhaps they're just playing Jazz.
After all, we don't think of everything that happened after bebop as a tribute to Bird.
The secret is to do something which enhances or adds to his oeuvre, like the Denys Baptiste album, which focused on the largely neglected late period but risked excluding critics of Late Trane, which is most people.
So does this album achieve any of that? Well, yes and no. 
In a Sentimental Mood opens things up, as you would expect, and it immediately reminded me of Vignette, a comparison I've never spotted before so I must search out the original. A lineage from Duke through Trane to Paul Edis!
It's actually very beautiful but the problem, which runs through the album, emerges very soon. Like our other Steve [H], I love what Bartok (and even Beethoven [sic- Lance]) achieved with a string quartet, which filtered down to Basquiat Strings, Laura Jurd’s first album and presumably lots of other things. But to these ears, the string quartet here functions more like an easy listening ensemble from childhood memories of a seaside spa somewhere near you.
Track two really settles in to the MOR/easy listening/ smooth vibe before Minor Thing brings some much-needed b^II$, at least initially.
Track four is more of whatever it is before Blue Trane picks things up with a quite jarring effect of lone tenor playing the iconic head.
Many great versions of Naima, not least by Denys Baptiste (not from Late Trane), and this one is quite lovely, until you get the strings.
I found Giant Steps almost unrecognisable but I know this particular piece is a much bigger deal to musicians than the rest of us. The album ends with a nice enough ballad, if it wasn't for those pesky strings.
He would have got away with it too, and I have come across successful uses of strings in Jazz, so I'm not one who automatically hates the very idea of it, though I concede it's generally problematic, but this one is not for me. Best played quietly.
Steve T.

1 comment :

Steve T said...

I know Lord Paul is a big Beethoven man, but I don't accept the assertion that Beethoven was intrinsically 'better' than Bartok.
In fact, I have almost no interest in Classical Music before Schoenberg and the Beethoven string quartets are something of an anomaly for me.

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