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Bebop Spoken There

JD Allen: "...art in itself is now a luxury that you need a lot of finances to do." - (DownBeat October 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,822 (and counting) posts since we started blogging 13 years ago. 1239 of them this year alone and, so far, 66 this month (Oct. 18).

From This Moment On ...

October

Wed 20: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 20: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 20: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 20: Jeremy McMurray & the Jazz Pocket Orchestra @ Middlesbrough Town Hall. 8:00pm.

Thu 21: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 21: NUJO Jazz Jam @ Bar Loco, Newcastle. 7:00pm. Newcastle University Jazz Orchestra.
Thu 21: Alter Ego @ St James' & St Basil's Church, Newcastle 7:30pm.
Thu 21: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 21: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 22: Mick Shoulder Quartet @ Lit & Phil, Newcastle. 1:00pm. Quartet featuring Alex Clarke (BBC Young Jazz Musician of the Year finalist).
Fri 22: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 22: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 22: Paul Edis Trio w Ruth Lambert @ St Cuthbert's Centre, Crook. 7:30pm.
Fri 22: Michael Feinstein @ Sage Gateshead. 8:00pm.
Fri 22: Peter Morgan Trio @ Prohibition Bar, Newcastle. 8:00pm.

Sat 23: Mary Coughlan @ Gosforth Civic Theatre, Newcastle. 8:00pm.
Sat 23: Têtes de Pois @ The Globe, Newcastle. 8:00pm.

Sun 24 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 24: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 24: Voices of Virtue Gospel Choir @ The Globe, Newcastle. 4:00pm.
Sun 24: Milne Glendinning Band @ The Globe, Newcastle. 8:00pm.

Mon 25: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 26: Classic Swing @ Ship inn, Monkseaton. 1:00pm. The post-lockdown resumption of the band’s weekly residency will be fortnightly until further notice.
Tue 26: Jam session @ Black Swan, Newcastle Arts Centre. 8:00pm. The post-lockdown resumption of the Black Swan’s fortnightly jam session.

Saturday, October 28, 2017

CD Review: Gilad Atzmon and the Orient House Ensemble - The Spirit of Trane

Gilad Atzmon (tenor, soprano, clarinet, bass clarinet, flute); Frank Harrison (piano); Yaron Stavi (bass); Enzo Zirilli (drums) + Sigamos String Quartet.
(Review by Steve T)  
Lots of tributes to the great man during this, the fiftieth anniversary year of his death. But there are constant tributes to him, and when you consider how pervasive his influence has been on the Jazz of the last fifty years and more, perhaps they're just playing Jazz.
After all, we don't think of everything that happened after bebop as a tribute to Bird.
The secret is to do something which enhances or adds to his oeuvre, like the Denys Baptiste album, which focused on the largely neglected late period but risked excluding critics of Late Trane, which is most people.
So does this album achieve any of that? Well, yes and no. 
In a Sentimental Mood opens things up, as you would expect, and it immediately reminded me of Vignette, a comparison I've never spotted before so I must search out the original. A lineage from Duke through Trane to Paul Edis!
It's actually very beautiful but the problem, which runs through the album, emerges very soon. Like our other Steve [H], I love what Bartok (and even Beethoven [sic- Lance]) achieved with a string quartet, which filtered down to Basquiat Strings, Laura Jurd’s first album and presumably lots of other things. But to these ears, the string quartet here functions more like an easy listening ensemble from childhood memories of a seaside spa somewhere near you.
Track two really settles in to the MOR/easy listening/ smooth vibe before Minor Thing brings some much-needed b^II$, at least initially.
Track four is more of whatever it is before Blue Trane picks things up with a quite jarring effect of lone tenor playing the iconic head.
Many great versions of Naima, not least by Denys Baptiste (not from Late Trane), and this one is quite lovely, until you get the strings.
I found Giant Steps almost unrecognisable but I know this particular piece is a much bigger deal to musicians than the rest of us. The album ends with a nice enough ballad, if it wasn't for those pesky strings.
He would have got away with it too, and I have come across successful uses of strings in Jazz, so I'm not one who automatically hates the very idea of it, though I concede it's generally problematic, but this one is not for me. Best played quietly.
Steve T.

1 comment :

Steve T said...

I know Lord Paul is a big Beethoven man, but I don't accept the assertion that Beethoven was intrinsically 'better' than Bartok.
In fact, I have almost no interest in Classical Music before Schoenberg and the Beethoven string quartets are something of an anomaly for me.

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