Total Pageviews

Bebop Spoken There

Poncho Sanchez: "When I perform it's my life story." - (DownBeat October 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Thursday September 19

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Alexito & Loco Machine - Revoluçion de Cuba, Cloth Market, Newcastle NE1 1EE. Tel: 0191 917 7076. 6:00pm. Free.

Jeremy McMurray & the Pocket Jazz Orchestra - Arc, Dovecot St., Stockton on Tees TS18 1LL. Tel: 01642 525199. 7:00pm. £12.00. + £0.10. bf. ‘Jazz & Tapas’ (booking essential). Guest: Alice Grace.

Bradley Johnston Quartet - St James' & St Basil's Church, Fenham Hall Drive, Fenham, Newcastle NE4 9EJ. 7:30pm. £8.00. (£4.00. student).

Sudden Jazz Quintet - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. Free (donations).

Eclectic - Tees Hot Club, Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 9:00pm. Free. Rick Laughlin (keys); Alan Thompson, Dan Johnson, Sue Ferris, Josh Bentham (saxes); Ian Halford (drums).

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NA. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

Blues/Soul/Funk

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, October 04, 2017

Three by Three a Feast of Trios @ The Bridge Hotel October 1

(Review by Steve H/Photos courtesy of Ken Drew). 
The final concert of the inaugural Newcastle Festival of Jazz and Improvisation was yet another sell out and by that I mean the ‘house full’ signs could be put out rather than that the musical integrity of the festival had been compromised. What a great weekend it had been an A to Z (Archipelago – to Zoe Rahman) of artists be they local, national or international. Great credit must be given to all involved but an extra special tribute should be paid to programme director Wesley Stephenson who not only dreamt up the whole idea but was actually able to deliver the project with such unprecedented success.  
The three trios played, to a great or lesser extent, something I would call chamber jazz and reminded me at times of the wonderful Bartok String Quartets.
The first trio up Musson, Kjaer & Marshall played in a fairly minimalist style and improvised around one another seamlessly. The music demanded 100% attention and the packed audience remained respectfully silent throughout which, given its size, was most impressive. A great start to the evening
After a short break Jurd, Kjaer & ‘Leafcutter’ John took to the stage. The ‘Leafcutter’ performed on an instrument which looked like it belonged more on the bridge of the Starship Enterprise rather than on the upstairs floor of The Bridge Hotel Newcastle. To the naked eye it appeared that that in each hand a crystal orb was being held and by moving the two orbs towards and away from a computer of some sort a marvellous concoction of sounds was conjured up with the added bonus of an impromptu light show to boot. I guess you could call it an optical Theremin. Not to be technologically outdone, Jurd used various objects as mutes including a half pint beer glass and an empty crisp packet. Hopefully Kjaer wasn’t feeling too left out and at least she was able to alternate between alto and flute. A very entertaining set indeed.

To complete not only this event but also the entire festival, Barrel stepped up to the plate. My first thoughts were that they appeared to be a classical string quartet minus a violin. However, aside from this obvious difference, the improvisation and the abundant sense of humour the trio displayed emphasised why I find this kind of music so much more enjoyable than straight forward classical chamber music. Every so often Kallin would yelp or chat to his fellow band members in a most humorous fashion yet rather than undermine the performance it seemed to enhance the proceedings adding a light touch to what can be a very intense form of music. A cracking end to an amazing weekend I can’t wait till next year’s festival!
Musson, Kjaer & Marshall: Rachel Musson (tenor sax), Julie Kjaer (alto sax); Hannah Marshall (cello).

Jurd, Kjaer & ‘Leafcutter’ John: Laura Jurd (trumpet); Julie Kjaer (alto sax,flute); ‘Leafcutter’ John (electronics).

Barrel: Alison Blunt (violin); Ivor Kallin (viola); Hannah Marshall (cello).

No comments :

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance