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Bebop Spoken There

Sean Jones: "There were like three people in church who couldn't sing or play an instrument. We thought there was something wrong with them." (DownBeat July 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! -- Holly Cooper:"Lance writes pull quotes like no one else!"

Postage

14375 (and counting) posts since we started blogging 14 years ago. 594 of them this year alone and, so far, 94 this month (June 26).

From This Moment On ...

June

Thu 30: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 30: 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 30: Lights Out By Nine @ Hoochie Coochie, Newcastle. 8:30pm. Free.
Thu 30: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 30: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

July

Fri 01: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 01: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 01: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 01: Swing Manouche @ The Vault, Hexham. 7:30pm (doors). £20.00.
Fri 01: 1920s Speakeasy w live jazz @ The Exchange, North Shields. 8:00pm. A Blues, Jazz & Swing Festival event.
Fri 01: Struggle Buggy @ Prohibition Bar, Newcastle. Blind Pig Blues Club. 8:00pm.

Sat 02: Hot Fingers @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00.
Sat 02: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor Steve Glendinning: Latin jazz. £25.00. Enrol at: www.jazz.coop.
Sat 02: Talk: Storytelling & jazz as an expression of urban life @ The Exchange, North Shields. 1:45pm. A Blues, Jazz & Swing Festival event.
Sat 02: The Commandments + On Parole @ The Exchange, North Shields. 2:30pm. A Blues, Jazz & Swing Festival event. Rhythm & blues.
Sat 02: Geordie Jazz Man @ The Exchange, North Shields. 5:30pm. A Blues, Jazz & Swing Festival event. Screening of Abi Lewis’ documentary film about Keith Crombie & the Jazz Café.
Sat 02: The Delta Prophets Trio @ The Exchange, North Shields. 6:30pm. A Blues, Jazz & Swing Festival event. Rhythm & blues.
Sat 02: Swing Manouche @ Claypath Deli, Durham. 7:00pm.
Sat 02: Swung Eight & King Bees @ The Exchange, North Shields. 7:30pm. A Blues, Jazz & Swing Festival event. Swing dance + ace Chicago blues band.
Sat 02: Tyne Valley Big Band @ Greenside Community Centre, Ryton. 7:30pm.
Sat 02: Patrick Cromb @ Prohibition Bar, Newcastle. 8:00pm.

Sun 03 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 03: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm.
Sun 03: Ruth Lambert & Martin Craggs. @ The Exchange, North Shields. 2:00pm. A Blues, Jazz & Swing Festival event.
Sun 03: Abbie Finn Trio @ The Exchange, North Shields. 3:00pm. A Blues, Jazz & Swing Festival event.
Sun 03: Wild Women of Wylam @ The Exchange, North Shields. 4:30pm. A Blues, Jazz & Swing Festival event.
Sun 03: 4B @ The Exchange, North Shields. 5:30pm. A Blues, Jazz & Swing Festival event.
Sun 03: Jazz Jam @ The Exchange, North Shields. 6:30pm. A Blues, Jazz & Swing Festival event.
Sun 03: Jeffrey Hewer Quartet @ The Globe, Newcastle. 8:00pm.

Mon 04: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Wed 06: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 06: Michael Bublé @ Durham County Cricket Club, Chester le Street. Doors: 5:00pm.
Wed 06: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 06: Four @ The Exchange, North Shields. 7:00pm.
Wed 06: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Tuesday, October 24, 2017

Mark Williams Trio @ The Empty Shop, Durham - October 19

Mark Williams (guitar), Paul Susans (bass guitar), Russ Morgan (drums).
(Review by Steve T)
No doubt, to the disappointment of our fearless editor, my visit to Empty Shop was accompanied by a severe bout of freshers/man flu (which kept me away the previous night), so my review is slight, but I didn't want the occasion to go unmarked.
No doubt he'll be thrilled that I've still found a few words to target a couple of things currently causing such enormous harm to music.
A slow start by Empty Shop standards but by the interval the chairs were pretty much occupied with almost thirty, including a large group of newbies (no doubt responsible for my ailment), who didn't know the protocol of clapping for each and every solo, and no bad thing either.
Taken entirely from his two albums, and mostly from his most recent, a mix of jazz, rock, sounds, some loops, and I really need a new metaphor for all the pedals, beyond our editor’s second favourite pastime. It was mostly all in splendid extended form, with convincing segues between pieces.
Last time I saw Mark I apologised for missing the album launch at the Caff because of a Soul Night in Crook (watch this space), but he cordially conceded that I'm well familiar with his playing.
Nevertheless, whatever the setting, he's always a riveting listen and tonight I noticed for the first time, some overt references to Black Sabbath which Francis attributed to Megadeth, which for anyone who knows their heavy metal, and I know Mark does, makes total sense. 
Incidentally, the reader should not mistake Dave Mustaine for some heavy metal fool; he's always tried to equip his band with accomplished jazz musicians.
And of course, Marks' rhythm section are fairly sh!t h0t too.
So, to the gripe. During the set he announced he had CDs for sale if we are to keep this thing called music going. I know another oldie bought both but I don't think any of the youngsters did. No doubt they'll either download/stream/whatever their 'favourite songs', or the record companies and media, none of whom have any interest in music, will convince them to spend twice as much (actually up to eleven times as much) on an old pop record which was never intended as a complete work (as the two main songwriters admitted), but is simply two or three singles with a load of fillers which, if you play them often enough with enough goodwill, will make as much sense as the hits. Meanwhile, real albums don't get a 180gm reissue and the CDs disappear into oblivion.
Steve T.

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