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Bebop Spoken There

Alan Barnes: "Normally you can cobble a set together with five guys on the back of an envelope over the first pint and it's just fine. Livestreaming isn't like that." - (Jazzwise July 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,381 (and counting) posts since we started blogging 13 years ago. 799 of them this year alone and, so far, 73 this month (June 20).

From This Moment On

JUNE

Thu 24: Vieux Carré Jazzmen @ The Holystone, North Tyneside 1:00pm).

Thu 24: Maine Street Jazzmen @ Sunniside Social Club, Gateshead (8:30pm).

Fri 25: Hot Club du Nord @ St Mary's Parish Hall, Barnard Castle. 7:00pm. Tickets: £15.00. + bf. A Barnard Castle Rotary Club event. POSTPONED!

Fri 25: Archipelago + Faith Brackenbury @ Gosforth Civic Theatre, Newcastle (8:00pm). £10.00. & £8.00. Echoes to the Sky album launch. A GCT Jazz Club-Jazz North East co-promotion.

Fri 25 Alter Ego @ Traveller's Rest, Cockerton, Darlington (8:00pm). POSTPONED!

Sat 26: Tyne Valley Big Band @ The Sele, Hexham (3:45pm).

Sun 27: Vieux Carré Hot Four @ Spanish City, Whitley Bay (12 noon).

Sun 27: Noel Dennis Trio @ The Globe, Newcastle (8:00pm). £10.00. Advance booking essential: . A Jazz Co-op-Jazz North East co-promotion.

Tue 29: Dean Stockdale Trio @ The Lubetkin Theatre, East Durham College, Peterlee (£1:00pm). Tickets £6.00. + bf from: www.ticketsource.co.uk

Tuesday, October 24, 2017

Mark Williams Trio @ The Empty Shop, Durham - October 19

Mark Williams (guitar), Paul Susans (bass guitar), Russ Morgan (drums).
(Review by Steve T)
No doubt, to the disappointment of our fearless editor, my visit to Empty Shop was accompanied by a severe bout of freshers/man flu (which kept me away the previous night), so my review is slight, but I didn't want the occasion to go unmarked.
No doubt he'll be thrilled that I've still found a few words to target a couple of things currently causing such enormous harm to music.
A slow start by Empty Shop standards but by the interval the chairs were pretty much occupied with almost thirty, including a large group of newbies (no doubt responsible for my ailment), who didn't know the protocol of clapping for each and every solo, and no bad thing either.
Taken entirely from his two albums, and mostly from his most recent, a mix of jazz, rock, sounds, some loops, and I really need a new metaphor for all the pedals, beyond our editor’s second favourite pastime. It was mostly all in splendid extended form, with convincing segues between pieces.
Last time I saw Mark I apologised for missing the album launch at the Caff because of a Soul Night in Crook (watch this space), but he cordially conceded that I'm well familiar with his playing.
Nevertheless, whatever the setting, he's always a riveting listen and tonight I noticed for the first time, some overt references to Black Sabbath which Francis attributed to Megadeth, which for anyone who knows their heavy metal, and I know Mark does, makes total sense. 
Incidentally, the reader should not mistake Dave Mustaine for some heavy metal fool; he's always tried to equip his band with accomplished jazz musicians.
And of course, Marks' rhythm section are fairly sh!t h0t too.
So, to the gripe. During the set he announced he had CDs for sale if we are to keep this thing called music going. I know another oldie bought both but I don't think any of the youngsters did. No doubt they'll either download/stream/whatever their 'favourite songs', or the record companies and media, none of whom have any interest in music, will convince them to spend twice as much (actually up to eleven times as much) on an old pop record which was never intended as a complete work (as the two main songwriters admitted), but is simply two or three singles with a load of fillers which, if you play them often enough with enough goodwill, will make as much sense as the hits. Meanwhile, real albums don't get a 180gm reissue and the CDs disappear into oblivion.
Steve T.

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