(Review by Russell)
A Friday night in mid-October sees all and sundry heading to the Traveller’s Rest in Cockerton. What’s the occasion? The annual visit of Vasilis Xenopoulos, that’s what! As they queued down the stairs, drinks in hand, a voice said: It’s a tenner tonight. Another replied: I’d pay thirty quid tonight. Such is Vasilis Xenopoulos’ reputation that an increase in the usual admission price didn’t deter the faithful.
An added attraction at this Darlington Opus 4 Jazz Club gig took the form of the brilliant guitarist Mr Nigel Price. Add in the best piano trio around – Messrs Paul Edis, Paul Susans and Russ Morgan – and it had all the makings of a memorable occasion. XPQ are Vasilis Xenopoulos, Nigel Price and, on this gig, the aforementioned A-list rhythm section.
On June 21st Xenopoulos and Price went into the studio to record material associated with several of the great saxophone/guitar partnerships in jazz history. The album Sidekicks (review to follow) is the result of their endeavours, and here at Opus 4 not only was the physical product (CD) available to buy hot off the press, the evening’s two sets featured cuts from it!
The London-based headliners had some of the jazz greats listening in on the gig (see photo) as the quintet opened with Vincent Youmans’ Without a Song (Sonny Rollins-Jim Hall, 1962). Nigel Price (NP) took the first solo. Gargantuan it was, simple as. Vasilis Xenopoulos (VX) replied, big style! This52nd Street Darlington pub, hard to believe, but true. And this established the pattern for the evening.
The London-based headliners had some of the jazz greats listening in on the gig (see photo) as the quintet opened with Vincent Youmans’ Without a Song (Sonny Rollins-Jim Hall, 1962). Nigel Price (NP) took the first solo. Gargantuan it was, simple as. Vasilis Xenopoulos (VX) replied, big style! This
The Right Time (Geoff Simkins-Dave Cliff, comp. Dave Cliff) heard VX in swinging, bluesy mode. A strange thing happened…more cheering! O Pato (Stan Getz-Charlie Byrd), an Edis solo feature on When Joanna Loved Me (Paul Desmond-Jim Hall) reminded all present that this was an A-list five-piece outfit…cue cheering. A searing tempo on Ready and Able (Ronnie Cuber-George Benson) is something else to listen to, what must it be like to play it? The cookin’ rhythm section – Edis, Paul Susans and Russ Morgan – more than matched VX and NP. More cheering.
The interval – phew! A refill (Theakston’s Black Bull – more on this later). The unanimous view was it had been an unbelievable first set. Seasoned musicians in the audience were fulsome in praising XPQ.
John Coltrane-Kenny Burrell to resume. Lyresto started where we left off with more cheering as the A-list rhythm section took a few bars as an imperious piano trio. Uh Huh fuelled greater excitement as VX booted, honked and swung his way through the Grant Green-Hank Mobley showstopper. NP had his say with shuffle-rhythm accompaniment before ceding to a Paul Edis piano solo which VX offered enthusiastic encouragement urging his friend from their days working together in London
Nigel Price revealed that at one time Wes Montgomery was his mobile ringtone! Full House tore it up with solos all round. From Johnny Griffin-Wes Montgomery to more homegrown jazz talent with a hear-felt tribute to a now well again Jim Mullen. Price said: This goes out to Jim Mullen, adding and he’s back with a vengeance! From one guitarist to another, Price led XPQ on Mal Waldron’s Soul Eyes (Dick Morrissey-Jim Mullen). Shirley Scott’s Ladyfingers trained the spotlight on Stanley Turrentine-Kenny Burrell. Solos all round, Paul Susans excelling. It was almost time to go. Vasilis Xenopoulos suggested one for the road. Sonny Rollins’ If Ever I Would Leave You from What’s New? is where we came in – Sonny Rollins-Jim Hall. Yet more astounding solos (VX briefly quoting St Thomas
XPQ at Opus 4 Jazz Club is currently top of your reviewer’s Gig of the Year list. And you’re thinking Damn! I missed it! Well, my earlier mention of Theakston’s Black Bull serves as a reminder. Tomorrow night (Sunday 22) they’re going to do it all over again at the Black Bull on Bridge Street
Russell
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