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Bebop Spoken There

Jeremy Pelt: "In my experience, the hottest player on the scene is almost always the most annoying motherfucker on the scene because they know that they're hot." - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Sunday May 19

Afternoon

Jazz

Anth Purdy: Swing Jazz Guitar - Blyth Battery, The Links, Blyth NE24 3PQ. 10:00am-4:00pm. Free. 'Blyth Battery Goes to War Weekend'.

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Free.

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 1:00pm (doors 12 noon). Free.

Alice Grace & Ben Helm - Bonbar, Fenkle St., Newcastle NE1 5XU. Tel: 0191 232 8695. 1:30pm.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free. Jam session with house trio (James Harrison, piano).

Blues

Memphis Cruisers - Billy Bootleggers, Nelson St., Newcastle NE1 5AN. 3:00pm. Free.

Archie Brown & the Young Bucks - The Schooner, South Shore Road, Gateshead NE8 3AF. 5:00pm. Free.

Evening

Jazz

Sue Ferris Quintet - Black Bull, Bridge St., Blaydon NE21 4JJ. Tel: 0191 414 2846. 7:30pm. £7.00. Blaydon Jazz Club.

Philip Clouts Quartet - The Globe, Railway St., Newcastle NE4 7AD. 7:30pm. £10.00 (£7.00 student).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, October 21, 2017

CD Review: Sherri Roberts - Anybody's Spring

Sherri Roberts (vocal); David Udolf (piano); Harvie S (bass); Akira Tana (drums); Sheryl Bailey (guitar).
(Review by Lance).
The seasons have provided fertile material for songwriters, often to the point of overkill with: Winter Wonderland, Autumn Leaves and Summertime being typical examples of good songs that have been flogged to death unlike Winter in Madrid (Ann Richards w. Kenton), Autumn Serenade and The Things We Did Last Summer which are all worthy of more exposure.
Spring, however, is a different kettle of fish - possibly because there are more of them [songs] - but, since Shakespeare's It Was a Lover and His Lass, Spring, like love, has ever been in the air and the airs on this album are 12 of the best sung by a lady who moved from theatre to song when she recognized that exploring the rich emotional life of a character through story can be done far more economically in a four-minute song than a two-hour play; that a well-written song is like a drama in miniature, distilled to its musical essence; and that singing, like acting, offers the means to externalize the deeper, internal self. She walked away from theatre and onto the bandstand, and hasn’t looked back since.
And I'm rather glad about that!
Initially, I missed the boat on this one. It was scheduled for release in March just after the vernal equinox but maybe I, or the mailman, was hibernating and so I never got to hear it until now. The theme is Spring - now a distant memory - but, such is the choice of songs, that indeed It Might as Well (still) be Spring.
A delightful choice of songs: It's Anybody's Spring; Spring Sprang Sprung; They Say It's Spring; It Might as Well be Spring; Joy Spring; Double Rainbow; Now at Last; One Morning in May; Lady Bird; While We're Young; Spring Isn't Everything.
Roberts is a class act, I've noticed how singers with a theatrical background know how to project a lyric and Sherri does just that albeit not as the great diva, more the ingénue who steals the show. Chet Baker or Shirley Horn spring to mind.
A stellar supporting cast keeps the momentum flowing. Solos by Udolf and Bailey impress as does Harvie S along with Tana's brushwork on One Morning in May or One Mornin' in May as Roberts tells it. Bass and drums also boot Lady Bird along prior to solos from guitar, piano, voice and drums. 
Four bars of Robbins' Nest sung by Roberts sees the track safely home.
I'm always saying that there are too many female singers rolling off the conveyor belts but, when they're of this calibre all I can say is, 'Keep them conveyor belts rolling'.
Lance.

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