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Bebop Spoken There

Julian Lage: "Charlie Christian's the greatest ever, in my opinion." - (DownBeat, February 2023)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15103 (and counting) posts since we started blogging 15 years ago. 122 of them this year alone and, so far, 20 this month (Feb. 6).

From This Moment On ...

February

Tue 07: Jam session @ Black Swan, Newcastle Arts Centre. 7:30pm. House trio: Alan Law (piano); Paul Grainger (double bass); Rob Walker (drums). Jam session reverts to a first & third Tuesday in the month schedule.

Wed 08: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 08: Jam session @ Prohibition Bar, Newcastle. 1:00pm. Free. TBC.
Wed 08: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 08: 4B @ The Exchange, North Shields. 7:00pm.
Wed 08: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 09: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 4:00pm (this week only). Free.
Thu 09: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm. £5.00.
Thu 09: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm. Guest band: Just Friends: Ian Bosworth (guitar); Richie Emmerson (sax); Dave Archbold (keys); Ron Smith (bass); Mark Hawkins (drums).

Fri 10: Alan Barnes w Dean Stockdale Trio @ Bishop Auckland Town Hall. 1:00pm. £7.00. SOLD OUT!
Fri 10: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 10: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 10: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 10: Alan Barnes w Dean Stockdale Trio @ Traveller's Rest, Darlington. 8:00pm. £12.00.

Sat 11: Slowlight Quartet @ The Rooms @ Immediate Audio, Unit 24, Morley's Yard South, Albion Row, Byker, Newcastle NE6 1PQ. 2:30pm. Tickets: www.wegottickets.com.
First gig of four (1/4). The Slowlights feat. YVA.
Sat 11: New Century Ragtime Orchestra @ King's Hall, Newcastle University. 7:00pm. £15.00. on the door.
Sat 11: Slowlight Quartet @ The Rooms @ Immediate Audio, Unit 24, Morley's Yard South, Albion Row, Byker, Newcastle NE6 1PQ. 7:30pm. Tickets: www.wegottickets.com. Second gig of four (2/4). The Slowlights feat. YVA. SOLD OUT!
Sat 11: Vermont Big Band & the Coast Connection @ The Seahorse, Whitley Bay FC. 7:30pm. £10.00. (inc. hot buffet), raffle. SOLD OUT!
Sat 11: The Rebelators @ Prohibition Bar, Newcastle. 8:00pm.

Sun 12: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. LAST SESSION!
Sun 12: Slowlight Quartet @ The Rooms @ Immediate Audio, Unit 24, Morley's Yard South, Albion Row, Byker, Newcastle NE6 1PQ. 2:30pm. Tickets: www.wegottickets.com. Third gig of four (3/4). The Slowlights feat. YVA.
Sun 12: Am Jam @ Prohibition Bar, Newcastle. 3:00pm. Free. Jam session, all welcome.
Sun 12: Jive Aces @ Queen's Hall, Hexham. 7:30pm.
Sun 12: Slowlight Quartet @ The Rooms @ Immediate Audio, Unit 24, Morley's Yard South, Albion Row, Byker, Newcastle NE6 1PQ. 7:30pm. Tickets: www.wegottickets.com. Fourth gig of four (4/4). The Slowlights feat. YVA. SOLD OUT!
Sun 12: Sylvain Darrifourcq-Manuel Hermia-Valentin Ceccaldi @ The Globe, Newcastle. 8:00pm. JNE promotion (upstairs).

Mon 13: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 13: Central Bar Quintet @ Central Bar, Gateshead. 7:30pm. £5.00. First set: The Central Bar Quintet plays Horace Silver's The Tokyo Blues (featuring Pete Tanton). Second set: standards & more (no jam session).

Tue 14: ???

Tuesday, October 31, 2017

CD Reviews: Latest ECM Releases

Pelagos:  Stefano Battaglia (piano, prepared piano).
Provenance: Bjorn Meyer (6 string electric and acoustic bass guitars).
Blue Maqams: Anouar Brahem (oud) with Dave Holland (double bass), Jack DeJohnette (drums) and Django Bates (piano).
(Review by Steve T)
When our leader told me he was going to send the latest ECM releases, I told him there was no need and I'd just send the reviews. I was joking but not entirely. Occasionally an ECM comes through and I can't believe how amazing it is, but generally, it's like listening to paint dry, and it's normally black and white between the two positions, with very little shade or nuance.
Unfortunately, there's very little here for the Jazz enthusiast, and I suspect two of them, and maybe all three will appeal only to ECM completists. In fact, I wish they would do them on a special price vinyl record only to reduce the vinyl mountain.
I generally try to play albums three times before I review them, but when I realised that Pelagos is a double album, I didn't even play the second CD (though I will). It's solo piano and I certainly couldn't describe it as Jazz, so I'm putting it under classical by default. There's 'tunes' in there and I've no doubt a listener would get to know them if they played them sufficient times, but I'm not sure who might want to do this and think it's just an exercise in self-indulgence.
Provenance is a single album so I managed to get all the way through it. In fact, I played it twice, but the second time was because I couldn't quite believe it the first time.
It's difficult to go into detail about either album (or much of the third) since it's so easy to lose any semblance of concentration and forget that you're even listening to music. 
Blue Maqams held out more promise with four musicians, two of whom are amongst the finest Jazz musicians on the planet.
The first five tracks all sound like they're about to burst into something, but never do. Couple of minutes into track six and it all seems to happen and is maintained for the rest of the set. It isn't brilliant, but it's fine and worth checking out for anyone who tends to like ECM releases, guitar type instruments, Holland and/or DeJohnette.
Quite by accident, I noticed the first two tracks total seventeen minutes, three, four and five make twenty-one minutes, six and seven total seventeen minutes and eight and nine, twenty minutes. It also turned out that Pelagos makes a tidy triple album, and Zappa he ain't. Provenance is actually too long for a single vinyl/ cassette album but not long enough to be a double, but it seems ECM are tailoring albums for the revitalised vinyl record market, so a compelling argument for my suggestion.
There's a popular idea in pop music that most double vinyl albums should have been single albums and, while I think they should have been singles ie 45s, there's some truth to it.
Blue Maqams would make a perfectly good single album, not essential but the last four tracks are fine, while the first four are pointless. The other two albums are just pointless.
Steve T

1 comment :

Steve T said...

Half way through second CD of Pelagos and it seems better than the first, but it's likely more to do with anticipation and expectation rather than anything else.

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