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Bebop Spoken There

Belá Fleck: "...he [Chick Corea] brought out the best in musicians. Not only would you get to play with him, but you'd get to play with the best version of yourself." - (DownBeat April 2021).

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,073 (and counting) posts since we started blogging 13 years ago. 492 of them this year alone and, so far, 47 this month (April 9).

Bar Manager Required

The Jazz Co-op are looking for an experienced bar manager who can be available to start when The Globe reopens in May.

Preference will be given to a suitably qualified person who lives relatively near to The Globe, 11 Railway St., Newcastle NE4 7AD.

Interested parties please follow this link.

Coming soon ...

April 29: Vieux Carré Jazzmen are back at The Holystone.

May 20 Maine Street Jazzmen are back at Sunniside Social Club.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 2: Vieux Carré Jazzmen are back at Cullercoats Crescent Club.
June 7: Jazz in the Afternoon are back at Cullercoats Crescent Club.

Sunday, October 29, 2017

CD Review: (An evening with) Delfeayo Marsalis - Kalamazoo

Delfeayo Marsalis (trombone); Ellis Marsalis Jr. (piano); Reginald Veal (bass); Ralph Peterson (drums) + Christian O'Neill Diaz (vocal); Madison George (drums).
(Review by Lance).
We don't get many trombone-led quartet CDs for review so when one does come along it's a cause for celebration - particularly when it's as masterly a performance as this.
But after all, why shouldn't it be? It involves two members of the Marsalis clan - Ellis Marsalis Junior on piano and one of his younger sons on trombone.
Delfeayo incorporates the many facets of his instrument's capabilities. Dirty, down-home blues, growling glissandos and smears interspersed with an almost Dorsey-like smoothness as well as the occasional rapid-fire salvo so beloved of more contemporary players. Delfeayo isn't one to be pigeonholed, he's a man for all seasons - he swings no matter what the tempo.
His Dad is no mean swinger either. Ellis has a solo feature on If I Were a Bell  - no old-timer he! If I were to mount a small criticism it's his tendency to overdo the quotes. However, he does it so tastefully and live audiences do like a quote, particularly if their neighbour doesn't recognise it as such! It allows them a superior smirk and to whisper out of the side of their mouth "Rose of Washington Square".
From time to time, Veal pops up from the 'bassment' whilst Peterson justifies the prefix in the blurb as 'Mighty'. 
The show was seemingly over after It Don't Mean a Thing if it Ain't Got That Swing but of course it wasn't. Delfeayo invited any musicians from West Michigan University present to come up and jam. Only two picked up the invitation - Christian O'Neill Diaz and Madison George. Diaz scatted an ad-lib blues they called Blue Kalamazoo with Delfeayo doing a bit of paint-stripping whilst George thumped the tubs and spurred them on in this 12/8 blues.
To see it out, the quartet signed off with Do You Know What it Means to Miss New Orleans? - I do now although I've never been there!
Lance.

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