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Bebop Spoken There

Rickie Lee Jones: "There's lots of music and not so much celebrity. I guess I'll stay here [New Orleans] for a while if it doesn't get washed away in the flood." - (The Observer 18.04.21)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,107 (and counting) posts since we started blogging 13 years ago. 526 of them this year alone and, so far, 81 this month (April 16).

Bar Manager Required

The Jazz Co-op are looking for an experienced bar manager who can be available to start when The Globe reopens in May.

Preference will be given to a suitably qualified person who lives relatively near to The Globe, 11 Railway St., Newcastle NE4 7AD.

Interested parties please follow this link.

Coming soon ...

April 29: Vieux Carré Jazzmen are back at The Holystone.

May 20 Maine Street Jazzmen are back at Sunniside Social Club.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 2: Vieux Carré Jazzmen are back at Cullercoats Crescent Club.
June 7: Jazz in the Afternoon are back at Cullercoats Crescent Club.

Thursday, October 26, 2017

CD Review: Courtney Pine - Black Notes From The Deep

Courtney Pine (tenor/bass flute/EWI); Omar (vocal); Robert Mitchell (piano ); Alec Dankworth (bass); Rod Youngs (drums) + Ed Bentley (organ - 1 tk); Chris Cobbson (guitar - 1 tk); Charleen Hamilton (backing vocals),
(Review by Lance).
Kill the fattened calf, the prodigal son has returned! Yes, after ten years in the wilderness squandering his talents on soprano saxophones and bass clarinets, Courtney has returned to his first love, the tenor saxophone. Let jazz fans rejoice and spread the word across the land - Courtney's back and blowing better than ever. Perhaps the bass clarinet years were a form of sabbatical where he sought to rediscover his inner soul before coming to the conclusion that it was time to not just get back into the race, but to win it.
Soulful tenor, tender at times, full of emotion but, when the going gets tough, he's as tough as any tenor ever. Tremendous playing - a bass clarinet just can't handle this much heat even though CP coped with it better than most. Bass flute is more to my ears and, On a Change is Sure to Come, it fits the mood to perfection.
You'll gather that I'm impressed! However, don't go away thinking this is all about the tenor saxophone. No sir! Four tracks feature vocals by Omar. At the recent Sage Gateshead concert Russell, like Stevie Wonder before him, was particularly impressed by the soul singer - You and Stevie Wonder, Russell - On the strength of this album, me too!
Robert Mitchell has never made a bad record in his life (if he has then I haven't heard it) and I doubt if Courtney could have found anyone more compatible. Dankworth and Youngs do what's asked as they always do. Special mention also for Cobbson's guitar solo on The Morning After the Night Before.
I initially viewed the album with some trepidation which, by this time, you'll have gathered turned out to be totally unfounded. So much so, I can't wait to play it again even though I've got a double CD by Cécile McLorin Salvant waiting in the wings!
Lance.

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