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Bebop Spoken There

Steve Fishwick: “I can’t get behind the attitude that new is always somehow better than old”. (Jazz Journal, April 15, 2019).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16542 (and counting) posts since we started blogging 16 years ago. 422 of them this year alone and, so far, 29 this month (June 17).

From This Moment On ...

June

Thu 20: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 20 Gateshead Jazz Appreciation Society @ Brunswick Methodist Church, Newcastle. 2:00pm. £4.00. Note new venue!
Thu 20: Karine Polwart & Dave Milligan @ The Fire Station, Sunderland. 7:30pm. £29.00., £23.00. Folk/jazz duo.
Thu 20: Richard Herdman & Ray Burns @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 20: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Josh Bentham (tenor sax); Donna Hewitt (alto sax); Dave Archbold (keys); Dave Harrison (trumpet); Ron Smith (bass).

Fri 21: Alan Barnes with Dean Stockdale Trio @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 21: Joe Steels’ Borealis @ The Gala, Durham. 1:00pm. £8.00.
Fri 21: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 21: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 21: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 21: Soznak @ The Bike Garden, Nunsmoor, Newcastle NE4 5NU. 5:00-9:00pm. Free.
Fri 21: Errol Linton + Michael Littlefield & Scott Taylor (King Bees) @ Gosforth Civic Theatre, Newcastle. 7:30pm. £20.00. Blues double bill.
Fri 21: Alan Barnes with the Dean Stockdale Trio @ Seventeen Nineteen, Sunderland. 7:30pm.
Fri 21: Strictly Smokin’ Big Band @ Alnwick Playhouse. 8:00pm. ‘Ella & Ellington’.
Fri 21: Mark Toomey Quartet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.

Sat 22: Jason Isaacs @ Stack, Seaburn SR6 8AA. 12:30-2:30pm. Free.
Sat 22: Abbie Finn Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 22: Hejira: Celebrating Joni Mitchell @ The Cluny, Newcastle. 7:30pm (doors). £22.50.
Sat 22: Rockin’ Turner Bros. @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 23: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm.
Sun 23: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 23: Matt Carmichael @ St Mary’s Church, Wooler. 3:00pm. Carmichael (saxophone), Fergus McCreadie (piano), Charlie Stewart (fiddle). ‘Scottish jazz, folk-roots & landscape’ Wooler Arts: Summer Concerts.
Sun 23: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 23: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 23: Bede Trio @ The Globe, Newcastle. 8:00pm.
Sun 23: Leeway @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 23: Jazz Jam @ Fabio’s Bar, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society event. All welcome.

Mon 24: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 24: Remy CB @ The Hoppings, Newcastle Town Moor NE2 3NH. 5:00-7:00pm.

Tue 25: Louise Dodds & Elchin Shirinov @ The Black Swan, Newcastle. 8:00pm.

Wed 26: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Saturday, October 14, 2017

CD Review: Lauren Kinhan - A Sleepin’ Bee

Lauren Kinhan (vocal); Andy Ezrin (piano); Matt Penman (bass); Jared Schonig (drums) + Ingrid Jensen (trumpet 3 tracks).
(Review by Dave Brownlow).
Lauren Kinhan, a talented singer, songwriter and arranger, has created an album of classic and lesser-known standards as a tribute to Nancy Wilson, drawing particularly from her early ‘60s  collaborations with Cannonball Adderley and George Shearing. Lauren has enjoyed a varied career as a long-time member of vocal “supergroup” New York Voices, as co-founder of groups Moss and JaLaLa and as a solo singer in her own right with several releases to her name.
A warm expressive voice allied with a tremendous vocal technique enables her to move effortlessly through various genres – hollerin’ in bluesy/gospel style one minute, melancholy or slapstick the next. Accompanied by pianist and co-arranger Andy Ezrin, a brilliant and thoughtful accompanist in the musicianly style of Hank Jones, the more-than-competent Matt Penman and Jared Schonig and, on three tracks, the outstanding, idiosyncratic, trumpeter Ingrid Jensen.

A swinging Lets Live Again by Shearing and Milt Raskin gets the album off to a bright start including a horn-like chorus from the singer and a fleet-fingered solo from the pianist. Guess Who I Saw Today was Wilson’s debut single and Kinhan makes the song her own in its tale of infidelity with an ironic delivery of the lyrics complemented by a wry piano chorus which so aptly sustains the mood.
A Sleepin’ Bee (Arlen and Capote) is a tribute to Adderley and Shearing. There is a ‘jazzy’ delivery of the lyrics, an appropriate piano-led interlude and an arrangement with more-than-a glance at the original ‘60s recording. (You Don’t know) How Glad I Am is powerfully sung with gospel-style inflections where piano and bass provide a soulful background to a strong track.
Frank Loesser’s Never Will I Marry has Lauren in ‘Diva’ mode as she stretches, manipulates and torments the melody and lyrics in a version which would astonish the composer! Ingrid Jensen makes her first contribution on trumpet which decidedly ups-the-ante. Darting phrases and musical comments in her fluent, cool-yet-hot, contemporary style. A wholly arresting performance.
Buddy Johnson’s Save Your Love For Me has a wistful, vulnerable take from Lauren in an emotional version of the song which she had previously performed with and for Nancy Wilson herself when the latter was inducted as a National Endowment for the Arts Jazz Master in 2004.
Nat Adderley’s The Old Country segues seamlessly with Billy Strayhorn’s Passion Flower in an extended track of 9 min. 04 sec. In the latter song, Ingrid Jensen makes an enigmatic contribution with a fine obbligato behind and beside the vocal which is again full of atmosphere and élan. Ms Kinhan gives an ‘earthy’ twist to Mel Tormé’s Born To Be Blue where she scats jazzy ‘fours’ with pianist Ezrin.
The mood is continued into Raye and DePaul’s melancholic You Don’t Know What Love Is where imaginative support from the accompanying trio gives this track the perfect ambiance. The final item, an up-tempo version of Rogers and Hammerstein’s Happy Talk, starts in a satirical, off-beat way and quickly morphs into a no-holds-barred swinger with all participants well into the mix. Again, Jensen stands out with a Navarro-style fluency throughout the whole range of the horn, both in her soloing and her duetting with the leader. A fine closer to an intriguing album.

The CD is on Lauren Kinhan’s own label “Dotted i Records” 2017-1 available now from Lauren Kinhan.com
Dave Brownlow.

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