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Bebop Spoken There

Terri Lyne Carrington: "... a long time ago, only privileged people could study and work in the arts." - (Jazziz, Winter 2020).
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The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

Today Saturday February 22

Afternoon

Jazz

Electric Guitar Masterclass – The Music of Robben Ford - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. 10:00am. £15.00. Jamie Mackay conducts a masterclass looking at the work of former Miles Davis’ sideman Robben Ford.

Evening

Daniel John Martin w Swing Manouche - Core Music, 14a/b Gilesgate, Hexham NE46 3NJ. Tel: 01434 601993. 8:00pm. Donations (suggested donation £10.00.). DJM w Mick Shoulder (guitar); Giles Strong (guitar); Ian Paterson (double bass).

Blues/Funk/Soul

Half Hand Hoodoo Band - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Boys of Brass - Brandling Villa, Haddricks Mill Road, South Gosforth, Newcastle NE3 1QL. Tel: 0191 284 0490. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, October 02, 2017

Zoe Rahman @ The Lit & Phil September 29

(Review by Steve H/Photo courtesy of Ken Drew).
This concert had sold out weeks ago as the Lit and Phil regular concert attendees were joined by the many Zoe Rahman admirers. Unusually for a jazz gig, we were given a programme with various biographical details of the artist and also the list of songs that would be performed.
After the first medley of tunes had been played, she asked for a programme so she could see what was she was meant to have played; not surprisingly for a great improviser, this bore little resemblance to the advertised list.
I have seen Zoe Rahman several times over the years and I can honestly say I have never heard her play better. Zoe Rahman is a really engaging performer who connects with her audience immediately. The music just flowed and flowed from one style to another: classical, contemporary, free, Bengali and swing all dovetailed perfectly to enthral the impeccably quiet audience who only made their presence felt when they burst into loud applause at each break in proceedings.
After one hour the music had to stop, although we were treated to a single encore before the piano lid was finally closed. I could have happily rewound to the start and heard the whole thing again.
Steve H.

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