Total Pageviews

Bebop Spoken There

Raymond Chandler: “ I was walking the floor and listening to Khatchaturian working in a tractor factory. He called it a violin concerto. I called it a loose fan belt and the hell with it ". The Long Goodbye, Penguin 1959.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16350 (and counting) posts since we started blogging 16 years ago. 230 of them this year alone and, so far, 27 this month (April 11).

From This Moment On ...

April

Fri 12: Pete Tanton’s Chet Set @ The Old Library, Auckland Castle. 1:00pm. £8.00.
Fri 12: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 12: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 12: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 12: Katrina Miller Trio @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sat 13: Giles Strong Quartet @ Claypath Deli, Durham. 7:00-9:00pm. £10.00.
Sat 13: Phantom Bagman + Forgetmenots @ Prohibition Bar, Newcastle. 7:30pm.£5.00. + bf. Upstairs.
Sat 13: Rockin’ Turner Brothers @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Downstairs.

Sun 14: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 14: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 14: Alan Law, Jude Murphy & Tim Johnston @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 14: JazzMain @ The Globe, Newcastle. 8:00pm.

Mon 15: Dave Newton @ Yamaha Music School, Seaforth St., Blyth NE24 1AY. 1:00 - 1:45pm. £8.00. + bf. Newton, solo piano.
Mon 15: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 15: Hideout @ Cluny 2, Newcastle. 7:00pm. £7.50 + £1.33 bf. Feat. Sleep Suppressor + Flat Moon.
Mon 15: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £8.00.

Tue 16: The Horne Section’s Hit Show @ Middlesbrough Town Hall. 7:30pm.
Tue 16: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Bradley Johnston, Paul Grainger, Bailey Rudd.

Wed 17: Bailey Rudd (Minor Recital) @ The Music Studios, Haymarket Lane, Newcastle University. 11:40am. Bailey Rudd (drums). Open to the public.
Wed 17: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 17: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 17: The Horne Section’s Hit Show @ The Gala, Durham. 7:30pm. SOLD OUT!
Wed 17: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 18: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 18: NONUNONU @ Elder Beer Café, Chillingham Road, Newcastle. 7:30pm.
Thu 18: Knats @ Hoochie Coochie, Newcastle. 8:00pm (doors 7:30pm). £8.00. + bf. Support act TBC.
Thu 18: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Ragtime piano.
Thu 18: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guest band night with Just Friends: Ian Bosworth (guitar); Donna Hewitt (sax); Dave Archbold (keys); Ron Smith (bass); Mark Hawkins (drums).

Wednesday, October 11, 2017

Maja Bugge + Lilli Unwin Band @ The Bridge Hotel, Newcastle - October 8

Maja Bugge  (cello)
(Review/photos courtesy of Ken Drew)
Maja Bugge is a Norwegian cellist and composer based in Lancaster. She is currently a Northern Line artist for Jazz North where she performs music inspired by the simultaneously beautiful and brutal landscapes of the north of Norway, where she was born and brought up. Maja’s unique sound explores stillness and repetition, harmony and dissonance. Her music balances melody and rhythm with external ambiance, acoustics and atmosphere.  So says the info preceding this concert, and it is spot on!  Tonight we heard beautiful, meditative soundscapes blending everyday sounds, melody and improvisation, coupled with the expressive sounds of a lone 'cello sounding out the natural ambiance and acoustics of the performance space which for tonight was the Bridge Hotel (where many musicians enjoy and comment on the acoustics of the room). But her background is more wide-ranging than this…..
First tune - an image of the Lofoten Islands featuring the sounds of gulls diving into the sea. Having been there, and seen gulls (terns) in action, diving for food, it was quite an evocative piece nicely depicting that atmosphere.   Then an excerpt from a piece played the day before in the Standedge Tunnel (as part of the Marsden Jazz Festival) - recreating the various sounds heard from a travelling barge. These included slapping the cello and scraping/sliding hands over it to simulate the sounds of a barge being ‘walked’ through a canal tunnel, plus the sounds of dripping water.   Next, Meditation depicting peace and chaos. We were invited to close our eyes and enjoy, if not fall asleep, to these gentle sounds.  Quite slow, soulful, almost poignant sounds, sometimes wailing too, but overall, meditative and calming.  This was followed by a ‘local piece’ where the audience were invited to suggest themes for Bugge to depict. So ‘trains’, ‘river’ and ’hen parties’ were suggested.  A rather brief piece not quite capturing the ambiance of Newcastle we were expecting, but a brave attempt.  I think an immersive experience is called for!

Then Echoes, a piece Bugge performed in a huge oil container where I guess the ambient reverberation made quite an impact to the piece. It was not so easy to imagine the sound within a huge cavernous oil drum, but an echo effects machine would certainly have killed the moment.  Finally, Shelter (I think).  Back to the sea again, producing the sounds of waves lapping up against the sandy beaches around the Lofoten Islands.   The sounds of rippling waves were very distinct and effective.  Included bowing the strings very close to the bridge to alter the tonality, just as you hear as you walk along a beach with overlapping waves racing to greet the shore.

One personal observation I made was that whilst the cello has an easily recognised soft-toned sound, it seemed to me that Bugge produced sounds not only as expected – soft and soothing, but also with a strong hint of viola, if not  Hardanger Fiddle, but more ‘raspy’ and raw, with very little bass resonance.  Along with the impromptu percussion effects, this made for an interesting range of sonorities on which to construct these soundscapes.

More info:    As a Northern Line artist, Bugge is currently touring and there is a short descriptive video on their website (including photos of the oil tank performance)

Also, for those intrigued by (or, in my case simply couldn’t get to) the Maja Bugge performance in Standedge Tunnel as part of this year’s Marsden Jazz Festival, there is a photo gallery in the Huddersfield Daily Examiner here:

Lilli Unwin
Lilli Unwin (vocals)   Corrie Dick  (drums)   Loz Garratt  (Bass)   Matt Robinson (Keys)
Twenty-four-year old Lilli Unwin is an enchanting and soulful young singer, composer and arranger with an authentic sound and a penchant for intelligent, thought-provoking lyrics, blending subtle grooves and story-telling into an engaging jazz performance.

Starting with a lively bossa/samba based song which included quite a bit of scat vocalese.  Overall, a typical jazz café feel to it, and a good opener. Followed by Lucky to be Me then Stay Close - a first outing for this new tune by Unwin, and likely to appear on the next album. Quite lively and full of personal meaning, with a pleasant and varied melody.  Icarus then preceded a Rodgers & Hart tune Falling in Love with Love. Initially, with vocals and bass only, keys and drums then joining in to swell the sound and pick up the pace. Some interesting discordant ‘close notes’ were carefully placed for good effect, plus a little bit more scat which worked well to provide a distinctive take on this standard.  Worked well.
Then finally, City of Love – self-penned by Unwin  - a lively, bouncy tune with a skipping feeling, playful & joyful,  bringing a much appreciated final song to the evening …..  until cries of “MORE!!”
For an encore, Unwin chose Bess You Is My Woman – her very own take on this wonderful tune, and certainly made it her own, with nice dynamics and lots of feeling.  Good ending!! 

Overall, two distinctly different performances, but as Wes said in his introduction, this was programmed to provide a wind-down following the fireworks of the varied performances we saw at last week’s Festival.  It certainly did that, with quality and style.
https://ssl.gstatic.com/ui/v1/icons/mail/images/cleardot.gif
Photos.
Ken

No comments :

Blog Archive