Total Pageviews

Bebop Spoken There

Davina Lozier: "So many people never settle into who they really are. They just do what they want to do because they want to be Oscar Peterson or Muddy Waters or Britney Spears. But I am what I am: a chubby, 40-year-old woman who's still doing it." - (DownBeat, December 2019).

Archive

Today Tuesday November 12

Afternoon

Jazz

Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. 0191 251 3677. 1:00pm - 3:00pm. Free.

Miles Davis: Birth of the Cool - Tyneside Cinema, Pilgrim Street, Newcastle NE1 6QG. Tel: 0191 227 5500. 1:15pm. Stanley Nelson's 2019 documentary film.

Evening

Jazz

Not Now Charlie - Fox Inn, West End Terrace, Hexham NE46 3DB.Tel: 01434 603681. 8:30pm. Free (donations).

Blues

Sugaray Rayford - Cluny, Lime St., Newcastle NE1 2PQ. Tel 0191 230 4474. 8:00pm. £15.00.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, October 22, 2017

CD Review: Michael Messer’s Mitra - Call of the Blues

Michael Messer (guitar & vocals), Manish Pingle (Mohan veena) & Gurdain Rayatt (tabla) + Richard Causon (piano & organ)
(Review by Russell)
British bluesman Michael Messer has played in numerous line-ups during a thirty plus year career.   
In 2013 Messer was invited to perform at a festival in Mumbai. It was during his visit he met Manish Pingle. They jammed together and Messer resolved that one day they would perform together on a stage in front of an audience. Messer recruited London-based Gurdain Rayatt and, in September of that year, the trio played a gig at the Troubadour Club in London. Mitra was born.
Call of the Blues opens with the first of two songs written by Mississippi Fred McDowell. You Got to Move will be familiar to blues fans and, on first hearing, suggests the CD’s ten tracks will more than likely be comprised of readily identifiable American country blues. And, to a degree, this is the case with Michael Messer’s slide and lap steel guitars prominent in the mix. Delta bluesmen, South Side  Chicago blues, Americana – they’re all present on this album recorded in April 2015. The thing that sets this album apart is Messer’s dream project of working with classical Hindustani musicians.

Manish Pingle plays the Mohan veena, an Indian string instrument similar to Messer’s slide guitars, and Gurdain Rayatt is regarded as one of his generation’s foremost tabla players. Call of the Blues seeks to integrate Eastern and Western musical cultures. The extent to which this aim succeeds is, perhaps, down to the ears of the listener. Two Muddy Waters’ classics – Rollin’ and Tumblin’ and I Cant’ be Satisfied are inescapably the blues. Pingle and Rayatt were largely unfamiliar with Messer and his country blues repertoire and it is to their credit that they quickly assimilated the form prior to going into the recording studio. Bhupali Blues is listed as ‘Trad. Raga arranged by Messer, Pingle, Rayatt’. This is Messer gaining insight to the Eastern, Hindustani musical form – the tables turned!

JJ Cale’s Anyway the Wind Blows veers into Americana territory with the trio once again acquitting themselves – Cale’s laid back beat appears to be to the liking of all concerned. Sweetheart Darling closes the album (playing time a little over 53 minutes). Michael Messer’s Mitra is currently touring  and the itinerary includes an appearance this Friday (October 27) at Newcastle’s Jazz Café.               
Russell           
Call of the Blues by Michael Messer’s Mitra is available on Knife Edge Records (KER CD001). 

No comments :

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance