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Bebop Spoken There

Tineke Postma: “ I had a huge crush on him [Sting] when I was a teenager ". Jazzwise, June 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16476 (and counting) posts since we started blogging 16 years ago. 356 of them this year alone and, so far, 68 this month (May 24).

From This Moment On ...

May

Thu 30: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 30: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 30: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests Josh Bentham (sax); Neil Brodie (trumpet); Garry Hadfield (keys); Adrian Beadnell (bass);

Fri 31: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 31: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 31: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 31: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Fri 31: Borealis @ The Witham, Barnard Castle. 7:30pm. CANCELLED!
Fri 31: Redwell @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

June

Sat 01: Enrico Tomasso’s Swing Company @ St Augustine's Parish Centre, Darlington. 12:30pm. Darlington New Orleans Jazz Club.
Sat 01: Play More Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: Steve Glendinning.
Sat 01: Hop, Skiffle & Jump: The Story of Skiffle @ 1719, Hendon, Sunderland. 6:00-9:00pm.
Sat 01: Edison Herbert Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 01: Lindsay Hannon’s Tom Waits for No Man @ Dry Water Arts, Amble. 7:00pm. £15.00.
Sat 01: John Garner & John Pope @ Victoria Tunnel, Ouseburn, Newcastle. 7:00pm.
Sat 01: Milne-Glendinning Band @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 02: Musicians Unlimited @ West Hartlepool RFC, Hartlepool. 12 noon. Two sets (12 noon-1:00pm & 2:00-3:00pm). ‘Sunday Big Band Blast meets WHRFC’s Classic Car Show’.
Sun 02: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £7.50.
Sun 02: Mark Williams Trio @ Central Bar, Gateshead. 2:00pm. £10.00.
Sun 02: Sax Choir @ The Globe, Newcastle. 2:00pm.
Sun 02: New Century Ragtime Orchestra @ Prohibition Bar, Newcastle. 2:30pm. Free. A 'Jar on the Bar' gig. A 'pint sized' NCRO gig/rehearsal session feat. Dave Hignett, Jim McBriarty, Gavin Lee, Keith Stephen, Phil Rutherford with special guest drummer Nick Ward.
Sun 02: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 02: Anth Purdy @ The Quakerhouse, Darlington. 6:30pm. Free. ‘Swing Jazz Guitar’.
Sun 02: MSK @ The Globe, Newcastle. 8:00pm.

Mon 03: John Garner & John Pope @ Yamaha Music School, Blyth. 1:00pm. £8.00.
Mon 03: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 04: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Ben Phillips, Paul Grainger, Abbie Finn.

Wed 05: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 05: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 05: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Tuesday, October 10, 2017

The Julian Costello Quartet @ The Globe: October 7

Julian Costello (ten, sop saxes); Maciek Pysz (guitar); Michele Tacchi (bass guitar);  Adam Teixeira (drums).
(Review by Ann Alex/Photo courtesy of Dave Parker)
I didn’t know what to expect, as the sax player and guitarist had taken an excellent workshop at the Sage in the afternoon, mostly based on Miles Davis’s Flamenco Sketches, with us doing melodies based on modes, heady stuff. What we got in the evening is what I’d describe as ‘International Jazz’.
Tunes with influences from Poland, the East, martial drum beats, J S Bach-like guitar melodies, and titles such as Panettone, Walking Through The Jungle, Halloumi (Julian is addicted to this, or so he said).This was all thoroughly enjoyable, played to an appreciative audience, and I can’t wait for the band’s next visit.
The first set consisted of one long composite tune(s) and a shorter number - Walking Through The Jungle. It all began with a blast on the tenor, ambient sounds from the others, mallets on drums, electronics from the 7 small different coloured boxes lying beside the guitar, then a tune arose from the sound, a Latin beat, a groove, tenor solo, quick change to soprano, a drone from somewhere, then behold!, we were led in clapping the rhythm by the band. I’ve maybe made it all sound chaotic, but it all hung together beautifully. So readers will have gathered that this was no ‘play the head, solos all round, head again to finish’ job, but an interesting performance with quite a bit of humour as well, such as when the drummer blew up a balloon, Julian danced enthusiastically on the spot whilst playing, and Maciek and Julian had a mock fight, pretending to hit each other. There were many false endings to keep the audience guessing, such fun. The second tune sounded a bit more conventional, although it featured the drums especially, solos all round, and a rather sudden ending to contrast with the false endings that we were getting used to.

The second set comprised five tunes, and the first was a totally unspellable Polish tune, tenor led, drumsticks on cymbals, and the two guitars complementing each other, with hints of J S Bach. Indeed I think Bach would have enjoyed the whole gig. Panettone included martial drums, and Julian told us how another band member, who comes from Moscow, had complained about Putin. Putin had his revenge for that story as there was crackling on the guitar during the tune. Fruity was lively, boppy, with elements of rock music. Halloumi sounded Spanish, then became Eastern, as if the sax was charming snakes.  The final tune, The Cost Of Living, was cooler, calmer, a tune far lovelier than the title would seem to indicate.
What a satisfying evening of Jazz!
Ann Alex

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