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Bebop Spoken There

Spasmo Brown: “Jazz is an ice cream sandwich! It's the Fourth of July! It's a girl with a waterbed!”. (Syncopated Times, July, 2024).

The Things They Say!

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The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

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Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17444 (and counting) posts since we started blogging 16 years ago. 718 of them this year alone and, so far, 100 this month (Oct. 10).

From This Moment On ...

October

Sat 12: Milne-Glendinning Band @ The Vault, Darlington. 7:00pm. Free.
Sat 12: Michael Woods @ Victoria Tunnel, Ouseburn, Newcastle. 7:00pm. £12.00. (£10.00. adv.). Country blues guitar & vocals.
Sat 12: Nauta @ Cobalt Studios, Newcastle. 7:00pm. £13.28, £11.16, £9.04. A two-track recording launch gig.
Sat 12: Stuart Turner @ Prohibition Bar, Newcastle. 8:00pm. Rockabilly, rhythm & blues etc. A ‘Jar on the Bar’ gig.
Sat 12: Lapwing Jazz Trio @ The Ship Inn, Low Newton. 8:00pm. Free. New trio: Paula Whitty, Richard Herdman, Jude Murphy.

Sun 13: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 13: Emma Wilson @ Tyne Bar, Newcastle. 4:00pm. Free. Blues.
Sun 13: Catfish Keith @ The Cluny. 7:00pm. Country blues.
Sun 13: Cath Stephens & Paul Grainger @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig. Stephens & Grainger, one third of a triple bill.
Sun 13: Dulcie May Moreno Quartet @ The Globe, Newcastle. 8:00pm.

Mon 14: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 14: Black is the Color of My Voice @ Hippodrome, Darlington. 7:30pm. Apphia Campbell’s one-woman show inspired by Nina Simone, performed by Nicholle Cherrie.

Tue 15: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano), Paul Grainger (double bass), Bailey Rudd (drums).

Wed 16: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 16: Cath Stephens’ improvisation workshop @ Prohibition Bar, Newcastle. 4:30-6:00pm. Collaborative group focusing on vocal improvisations.
Wed 16: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 16: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 17: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 17: Olivia Cuttill Quintet @ King’s Hall, Newcastle University. 1:15pm. Free.
Thu 17: Moonlight Serenade Orchestra UK: Glenn Miller & Big Band Spectacular @ Phoenix Theatre, Blyth. 7:30pm.
Thu 17: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 17: Niffi Osiyemi Trio @ The Harbour View, Sunderland. 8:00pm. Free.
Thu 17: Tees Hot Club @ Dorman’s Club, Middlesborough. Guests Jeremy McMurray (keys); Richie Emmerson (tenor sax); Mark Toomey (alto sax); Adrian Beadnell (bass). 8:30pm. Free.

Fri 18: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 18: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 18: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 18: Hot Club du Nord @ St Cuthbert’s, Crook. 7:30pm.
Fri 18: Chet Set @ Seventeen Nineteen, Hendon, Sunderland. 7:30pm. Pete Tanton & co.
Fri 18: Michael Woods @ Prohibition Bar, Newcastle. Doors 7:30pm (upstairs). A Hoodoo Blues dance & social event. £10.00. class & social (£10.00., £7.50., £5.00. social only). Michael Woods (country blues guitar) on stage 9:00pm.
Fri 18: East Coast Swing Band @ Hexham Abbey. 7:30pm. £9.00.
Fri 18: Ben Crosland Quartet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.
Fri 18: Durham University Jazz Society’s ‘High Standards’ @ Music Dept. Music Room, Divinity House, Palace Green, Durham University DH1 3RS. 8:009:30pm. Tel: 0191 334 1419. £7.00., £5.00.
Fri 18: Ray Stubbs R&B All Stars @ Blues Underground, Nelson St., Newcastle. 9:00pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Tuesday, October 10, 2017

The Julian Costello Quartet @ The Globe: October 7

Julian Costello (ten, sop saxes); Maciek Pysz (guitar); Michele Tacchi (bass guitar);  Adam Teixeira (drums).
(Review by Ann Alex/Photo courtesy of Dave Parker)
I didn’t know what to expect, as the sax player and guitarist had taken an excellent workshop at the Sage in the afternoon, mostly based on Miles Davis’s Flamenco Sketches, with us doing melodies based on modes, heady stuff. What we got in the evening is what I’d describe as ‘International Jazz’.
Tunes with influences from Poland, the East, martial drum beats, J S Bach-like guitar melodies, and titles such as Panettone, Walking Through The Jungle, Halloumi (Julian is addicted to this, or so he said).This was all thoroughly enjoyable, played to an appreciative audience, and I can’t wait for the band’s next visit.
The first set consisted of one long composite tune(s) and a shorter number - Walking Through The Jungle. It all began with a blast on the tenor, ambient sounds from the others, mallets on drums, electronics from the 7 small different coloured boxes lying beside the guitar, then a tune arose from the sound, a Latin beat, a groove, tenor solo, quick change to soprano, a drone from somewhere, then behold!, we were led in clapping the rhythm by the band. I’ve maybe made it all sound chaotic, but it all hung together beautifully. So readers will have gathered that this was no ‘play the head, solos all round, head again to finish’ job, but an interesting performance with quite a bit of humour as well, such as when the drummer blew up a balloon, Julian danced enthusiastically on the spot whilst playing, and Maciek and Julian had a mock fight, pretending to hit each other. There were many false endings to keep the audience guessing, such fun. The second tune sounded a bit more conventional, although it featured the drums especially, solos all round, and a rather sudden ending to contrast with the false endings that we were getting used to.

The second set comprised five tunes, and the first was a totally unspellable Polish tune, tenor led, drumsticks on cymbals, and the two guitars complementing each other, with hints of J S Bach. Indeed I think Bach would have enjoyed the whole gig. Panettone included martial drums, and Julian told us how another band member, who comes from Moscow, had complained about Putin. Putin had his revenge for that story as there was crackling on the guitar during the tune. Fruity was lively, boppy, with elements of rock music. Halloumi sounded Spanish, then became Eastern, as if the sax was charming snakes.  The final tune, The Cost Of Living, was cooler, calmer, a tune far lovelier than the title would seem to indicate.
What a satisfying evening of Jazz!
Ann Alex

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