Total Pageviews

Bebop Spoken There

Tony Fisher: In the heyday of that scene [the1960s] there were about 120 musicians in London who did everything and of course, if you made a mistake you were never called again." - (Jazz Journal online, 19 September 2019).

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COFID- 19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Tuesday, October 10, 2017

The Julian Costello Quartet @ The Globe: October 7

Julian Costello (ten, sop saxes); Maciek Pysz (guitar); Michele Tacchi (bass guitar);  Adam Teixeira (drums).
(Review by Ann Alex/Photo courtesy of Dave Parker)
I didn’t know what to expect, as the sax player and guitarist had taken an excellent workshop at the Sage in the afternoon, mostly based on Miles Davis’s Flamenco Sketches, with us doing melodies based on modes, heady stuff. What we got in the evening is what I’d describe as ‘International Jazz’.
Tunes with influences from Poland, the East, martial drum beats, J S Bach-like guitar melodies, and titles such as Panettone, Walking Through The Jungle, Halloumi (Julian is addicted to this, or so he said).This was all thoroughly enjoyable, played to an appreciative audience, and I can’t wait for the band’s next visit.
The first set consisted of one long composite tune(s) and a shorter number - Walking Through The Jungle. It all began with a blast on the tenor, ambient sounds from the others, mallets on drums, electronics from the 7 small different coloured boxes lying beside the guitar, then a tune arose from the sound, a Latin beat, a groove, tenor solo, quick change to soprano, a drone from somewhere, then behold!, we were led in clapping the rhythm by the band. I’ve maybe made it all sound chaotic, but it all hung together beautifully. So readers will have gathered that this was no ‘play the head, solos all round, head again to finish’ job, but an interesting performance with quite a bit of humour as well, such as when the drummer blew up a balloon, Julian danced enthusiastically on the spot whilst playing, and Maciek and Julian had a mock fight, pretending to hit each other. There were many false endings to keep the audience guessing, such fun. The second tune sounded a bit more conventional, although it featured the drums especially, solos all round, and a rather sudden ending to contrast with the false endings that we were getting used to.

The second set comprised five tunes, and the first was a totally unspellable Polish tune, tenor led, drumsticks on cymbals, and the two guitars complementing each other, with hints of J S Bach. Indeed I think Bach would have enjoyed the whole gig. Panettone included martial drums, and Julian told us how another band member, who comes from Moscow, had complained about Putin. Putin had his revenge for that story as there was crackling on the guitar during the tune. Fruity was lively, boppy, with elements of rock music. Halloumi sounded Spanish, then became Eastern, as if the sax was charming snakes.  The final tune, The Cost Of Living, was cooler, calmer, a tune far lovelier than the title would seem to indicate.
What a satisfying evening of Jazz!
Ann Alex

No comments :

Blog Archive