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Bebop Spoken There

Kurt Elling: ''There's something to learn from every musician you play with''. (DownBeat, December 2024).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17655 (and counting) posts since we started blogging 17 years ago. 929 of them this year alone and, so far, 74 this month (Dec. 31).

From This Moment On ...

January 2025

Thu 02: ???

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: Jason Isaacs @ St James’ STACK, Newcastle. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.
Fri 03: John Gregory @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar.

Sat 04: Jason Isaacs @ STACK, Exchange Square, Middlesbrough. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 04: Rivkala @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 04: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. £5.00. Xmas party (rescheduled from early December).

Sun 05: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £7.50.
Sun 05: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 05: Salty Dog @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig. Americana, jazz & blues.
Sun 05: Papa G’s Troves @ The Globe, Newcastle. 8:00pm. Free (donations).

Mon 06: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 07: Customs House Big Band @ The Masonic Hall, North St., Ferryhill DL17 8HX. 7:00pm. Free.

Wed 08: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 08: The Tannery Jam Session @ The Tannery, Gilesgate, Hexham. 7:00-9:00pm. Free.
Wed 08: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 08: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, May 21, 2017

Johnny Hunter Quartet @ the Jazz Café - May 19

Mark Hanslip (tenor sax); Graham South (trumpet); Seth Bennett (bass); Johnny Hunter (drums).
(Review/photos courtesy of Ken Drew). 
Friday night at the Caff with a co-promotion by Jazz North East & the Jazz Cafe - what to expect? Playing all original material by master percussionist Johnny Hunter was something to look forward to, particularly following the reviews from last year’s Manchester Jazz Festival.  Although some regular faces were absent the audience numbers were swelled by many new ones – great to see!  
All tunes felt quite accessible through their interesting compositions and delivery by the band. What a tight band (when needed), interspersed with much free playing, yet always collectively in sync. Most tunes had extended solos from 2 or 3 of the band each time, giving the opportunity to freely develop some space around each tune. I was surprised but pleased to see an extended drum solo in the second piece which provided a perfectly formed segue into the third. There were many fine solos yet no immediate applause for them.  Thankfully the applause at the end of each set showed the true measure of the audience's appreciation, bringing smiles of delight to the band.
The second set started off and finished at a brisk pace, and in between there was a good mix of rhythms and musical styles, good solos and even a section of free improv.  Were the audience ready for this? It was quite a contrast from the pieces in the first set.  After quite a while with no breaks or announcements it became clear it was all one piece with cleverly constructed parts which flowed well, taking the attentive audience with them every step of the way. Eventually, the piece concluded with a rapid-fire drum solo then quickly wrapped up by all to a sudden end.  What a surprise this whole piece was, what an exhilarating journey - particularly as it carried the audience along with it throughout. All enjoyed the performance, judging by the audience's quiet concentration during the two sets and from comments picked up on the way out.  Overall, an excellent performance by the quartet, and well received by the Friday night audience. Ken D
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