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Bebop Spoken There

Willie Jones lll: "I often wondered what it would be like to play with Clifford Brown or Lee Morgan. For me, Roy Hargrove was the closest thing to that." - (JazzTimes, November 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

14757 (and counting) posts since we started blogging 13 years ago. 1376 of them this year alone and, so far, 92 this month (Nov. 29).

From This Moment On ...

December

Thu 02: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £22.00. Xmas lunch. Tel: 0191 691 7090.
Thu 02: Jools Holland’s R & B Orchestra @ Newcastle City Hall. Doors: 6:30pm. 2nd night.
Thu 02: Jeremy McMurray & the Pocket Orchestra @ Billingham Catholic Club. 7:30pm. Fundraiser for SVP. Tickets: £5.00. from 07757 062798.
Thu 02: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 02: Tees Hot Club, Dorman’s Club, Middlesbrough. 9:00pm.

Fri 03: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £22.00. Xmas lunch. Tel: 0191 691 7090.
Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 03: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 03: Classic Swing @ Saltburn Community Theatre. 7:30pm.

Sat 04: Play Jazz! Workshop @ The Globe, Newcastle. 1:30pm. Tutor: Clark Tracey. £25.00., book at: www.jazz.coop. .
Sat 04: Hot Club du Nord @ St Cuthbert’s, Hebron, nr. Morpeth. 7:30pm. Festive Special! SOLD OUT!.
Sat 04: Tyne Valley Big Band @ Greenside Community Centre, Ryton. 7:30pm. £5.00..
Sat 04: Clark Tracey Quartet @ The Globe, Newcastle. 8:00pm. £15.00. .
Sat 04: Rendezvous Jazz @ The Red Lion, Earsdon, North Tyneside. 8:00pm. £3.00. Xmas party.

Sun 05 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 05: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm.
Sun 05: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 05: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 05: Glenn Miller Orchestra UK @ Stockton Globe. 3:00pm. Ray McVay & co.
Sun 05: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 7:00pm.
Sun 05: Knats @ The Globe, Newcastle. 8:00pm.

Mon 06: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.
Mon 06: Northern Monkey Brass Band @ o/s The People’s Kitchen, Bath Lane, Newcastle 7:00-7:30pm.

Tue 07: Classic Swing @ The Ship Inn, Monkseaton. 1:00pm.
Tue 07: Customs House Big Band @ All Saints Church Hall, Cleadon. 7:00pm.
Tue 07: Dilutey Juice @ Little Buildings, Ouseburn, Newcastle. 7:00pm.
Tue 07: Jam session @ Black Swan, Newcastle Arts Centre. 7:30pm. House trio: Dean Stockdale; Paul Grainger; Tim Johnston. NOTE EARLIER START!

Wed 08: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 08: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 8:00pm. Concert performance. Free admission.
Wed 08: Four @ The Exchange, North Shields. 7:00-9:30pm. In the bar.
Wed 08: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 09: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £22.00. Xmas lunch. Tel: 0191 691 7090.
Thu 09: Hot Club du Nord, Lubetkin Theatre, East Durham College, Peterlee. 7:00pm (doors). £10.00. + bf.
Thu 09: Tenderlonius + Knats @ Cobalt Studios, Newcastle. 7:00pm. £7.00. (£10.00. inc food).
Thu 09: Indigo Jazz Voices @ The Globe, Newcastle. 7:30pm.
Thu 09: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 09: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Wednesday, May 31, 2017

CD Review: Tomoko Omura - Post Bop Gypsies

Tomoko Omura (5 string violin); Alex Goodman (guitar); George Delancey (bass).
(Review by Lance).
I've always had an affinity with jazz violin, perhaps it was because my first efforts at making music were on a cut price Strad or, more likely, it was when I first heard Stephane Grappelli (or Grappelly as he called himself then). To this day I love the gypsy jazz sound as personified by local exponent Emma Fisk. However, I also love more modern sounds and, somehow, Jean-Luc Ponty never quite cut it for me.
Enter Tomoko Omura, Berklee graduate, the first violinist to receive the prestigious Roy Haynes Award and, now, with two previous albums to her name, this latest release.
Using a 5 stringed instrument, the additional C string enables the instrument to drop down into viola territory making it a very versatile instrument indeed.
The album's an attempt (successful) to combine gypsy jazz and bebop.
Parker's Relaxin' at Camarillo and Monk's Four in One take us down 52nd St. and it's more than a nostalgia trip - the flattened fifth lives!
Smile, written by no less a person than Charlie Chaplin, is given a fairly straight interpretation.
JR - nothing to do with Dallas - inspired by the lively sounds you hear in Japanese railway stations. This one is even boppier than the earlier bop anthems and makes me wish the Metro, or even the Orient Express had a branch line to Tokyo! An Omura original.
Another original by the violinist is The Boy From Boylston, dedicated to her husband Glenn Zaleski.
The music of Warne Marsh doesn't, regrettably, turn up very often these days which is a shame. Marsh was very much underrated both as a player and as an individual influence. Post-bop but not hard bop; cool but neither east coast nor west coast cool.
He was, simply, Warne Marsh.
That Omura should choose Marsh’s Background Music for her album says much for her perception and much for his music’s longevity.
We move into heavier waters for Villa-Lobos’ Bachianas Brasileiras No. 5 Aria. Still compelling music. Maybe even more so as, much as we enjoyed the previous, here we were into a more intense area, a different land. That additional C string came well into play at the end.
Arabesque by Debussy kept us in a classical vein. Goodman, playing one of his many fine solos, may have given the late composer a twitch as he reposed in Paris’ Cimetiere de Montrouge but not enough for him to turn over. Claude may have even mouthed tres bon.
From Debussy to a jazz romantic – Lionel Hampton. Hampton may not have always been a balladeer but when he was there were few better. Midnight Sun enables Omura to build on those qualities.
Back to bebop for the final track – Wee by Denzil Best (was it also known as Allen’s Alley?)
And a great finale. Omura is a fine player and, in Goodman and Delancey, she couldn’t have had better support.
Lance
Available July 7 via usual outlets.

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