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Bebop Spoken There

Xhosa Cole: ''Monk was unapologetically himself". (Jazzwise, February 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17744 (and counting) posts since we started blogging 17 years ago. 64 of them this year alone and, so far, 64 this month (Jan. 26).

From This Moment On ...

January 2025

Thu 30: Matters Unknown (aka Jonathan Enser, Nubiyan Twist) + support TBA @ Cobalt Studios, Newcastle. 8:00pm (7:00pm doors). £12.22 (gig & food); £9:04 (gig only).
Thu 30: Soznak @ The Mill Tavern, Hebburn. 8:00pm. Free.
Thu 30: Struggle Buggy @ Harbour View, Roker, Sunderland. 8:00pm. Free. Rhythm & blues.

Fri 31: Alan Barnes Quartet @ The Old Library, Auckland Castle, Bishop Auckland. 12 noon-2:00pm (two sets). £12.00. admission (card or cash at the door). Barnes (alto sax, baritone sax, clarinet); Alan Law (piano); Mick Shoulder (double bass); Tim Johnston (drums). Note change of venue, no longer at Mrs M’s as advertised, the concert will be in the Old Library (Bishop Auckland Jazz’s regular venue). Important! It’s a ‘BYOB’ arrangement - ie bring your own booze (and/or tea, coffee, soft drinks).
Fri 31: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 31: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 31: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 31: Café Orkestar @ Café Under the Spire, Gateshead. 6:00pm. ‘Klezmer, Gypsy Jazz, Balkan & More!’.
Fri 31: Nothing in Rambling @ Prohibition Bar, Newcastle. 7:00pm. £10.00. + bf. Country blues duo.
Fri 31 Zoë Gilby Quartet @ Wylam Institute. 7:30pm (7:00pm doors). £15.00. + £1.50. bf.
Fri 31: Creakin’ Bones & the Sunday Dinners @ White Room, Stanley. 7:45pm. £10.00 + bf. Jazz, blues , jump jive, rock ‘n’ roll.
Fri 31: Alan Barnes Quartet @ The Traveller’s Rest, Darlington. 8:00pm. £15.00 Barnes (alto sax, baritone sax, clarinet); Alan Law (piano); Mick Shoulder (double bass); Tim Johnston (drums).
Fri 31: SwanNek + Rivkala @ Pilgrim, Newcastle. 8:00pm. SwanNek’s new single launch gig. Pilgrim, formerly Hoochie Coochie.
Fri 31: King Bees @ Blues Underground; Nelson St., Newcastle. 9:00pm. Free. Superb Chicago blues band.

February 2025

Sat 01: Alan Barnes & John Hallam with the Tom Kincaid Trio @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00.
Sat 01: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £25.00. Tutor: Steve Glendinning - Cy Coleman’s Witchcraft. Enrol at: learning@jazz.coop.
Sat 01: Darling Dollies @ St George’s Church, Jesmond, Newcastle. 3:00pm. £10.00. Vocal trio.
Sat 01: Jason Isaacs @ STACK, Exchange Sq., Middlesbrough. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 01: Jeff Hewer Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 01: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. £3.00.
Sat 01: Rockin’ Turner Brothers @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Western swing etc.

Sun 02: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £7.50.
Sun 02: Lewis Watson Quartet @ Central Bar, Gateshead. 2:00pm. £10.00.
Sun 02: Sax Choir @ The Globe, Newcastle. 2:00pm. Free (donations).
Sun 02: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 02: Spilt Milk @ St. James’ STACK, Newcastle. 5:15-7:00pm. Free. Nolan Brothers (vocal harmonies).
Sun 02: Jive Aces @ The Fire Station, Sunderland. 7:00pm. Sun 02: John Pope + Andy Champion + Ian Paterson @ The Globe, Newcastle. 8:00pm. ‘Subterranean Explorations 1’. Three (half hour) solo bass sets.
Sun 02: Jazz Jam @ Fabio’s, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society promotion. All welcome.

Mon 03: Andy Watt & Dan Rogers @ Yamaha Music School, Blyth. 1:00pm. £9.00. at the door; £8.20. (inc £0.20 bf) online, in advance. Jazz, blues, folk etc.
Mon 03: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 04: Customs House Big Band @ The Masonic Hall, North St., Ferryhill DL17 8HX. 7:00pm. Free.
Tue 04: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Ben Phillips, Paul Grainger, Bailey Rudd.
Tue 04: Dilutey Juice + Life Aquatics Band @ The Glasshouse, Gateshead. 8:00pm.

Wed 05: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 05: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 05: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, February 26, 2015

CD Review: Carsten Dahl - Bach Goldberg Variations

Carsten Dahl (prepared piano).
(Review by Lance).
"What?" I hear you ask, "Is a 'prepared piano'?). To quote from the blurb:“Bach Goldberg Variations“ was recorded on a prepared piano, giving it its unique sound. Carsten Dahl placed snare wires on the piano wires to create a distorted sound that’s like a cross between a harpsichord, a sitar, a classical piano, an upright piano, a guitar and a banjo.
Carsten also has this to say: “The reason I flung myself into Bach’s work is partly because it’s the ultimate test of “manhood” for a pianist and partly because I wanted to bring out a side of Bach that you don’t often hear. In my opinion, Bach isn’t music for the posh, it’s music for the masses. So my interpretation grates on the ear and stinks of smelly feet when you hear it. I pull Bach down to the people, rather than letting him waft about on some highbrow cloud."
The album, which was Denmark's top selling classical album of 2014 also charted in the top 30 pop albums.
What do I think? An interesting experiment, although personally I'd sooner hear it played on a piano that didn't have snare wires across the strings!
Dahl is a fine pianist both classical and jazz although there's none of the latter genre here unless you class the snare wires as a form of improvisation.
The album is available on vinyl for a fiver or on CD for 3GBP from your nearest Tiger store which where I live is probably Edinburgh or the Faroe Islands it can also be downloaded from www.tiger-music.com/carstendahl.com.
Lance.

5 comments :

Patti D. said...

Hmmm - as you say Lance, an interesting experiment ..... Bach's music is so often interpreted in different styles. I can remember liking the Jacques Loussier Play Bach albums when I was an impressionable 15 year old .....

Lance said...

Yes Patti, I almost started smoking cigars after Loussier's version of Air on a G String was used in the Hamlet advert!

Anonymous said...

Well, Carsten Dahls version of Goldberg is a fake! He simply picked up the midi files from Open Goldberg - and he never would be able to survive playing even one of the variations...check the michinegun thrills...actually one of the biggest not yet discovered classical music recording scandals i modern time!

Lance said...

I wish you'd been more open rather than using the anonymous button. More credibility with a name. If you care to email me privately, and confidentially, I'd be interested to hear from you.

Anonymous said...

Here is Carsten Dahl. That is some acusement Mr. Anonymous pukes on the floor. I actually recorded them normally on a straight Hindsberg grandpiano before doing the prepared one. I DID NOT use open Goldberg but used to technical options. One is recording the voices in layers - another was moving the tempo here and there. Its today possible to use the studio advanteges since we live in new modern times. I could send you the piano version if you like. Since I was a drummer before playing the piano - I am very stricked and precise with the thrills and maybe my savant autism also plays a part in the Interpretation. Since you are an anonymous chicken - its not possible to answer you with more depth. You can e mail me : carstendahlmusic@gmail.com. Carsten.

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