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Bebop Spoken There

Raymond Chandler: “ I was walking the floor and listening to Khatchaturian working in a tractor factory. He called it a violin concerto. I called it a loose fan belt and the hell with it ". The Long Goodbye, Penguin 1959.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16350 (and counting) posts since we started blogging 16 years ago. 230 of them this year alone and, so far, 27 this month (April 11).

From This Moment On ...

April

Sat 13: Giles Strong Quartet @ Claypath Deli, Durham. 7:00-9:00pm. £10.00.
Sat 13: Phantom Bagman + Forgetmenots @ Prohibition Bar, Newcastle. 7:30pm.£5.00. + bf. Upstairs.
Sat 13: Rockin’ Turner Brothers @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Downstairs.

Sun 14: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 14: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 14: Alan Law, Jude Murphy & Tim Johnston @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 14: JazzMain @ The Globe, Newcastle. 8:00pm.

Mon 15: Dave Newton @ Yamaha Music School, Seaforth St., Blyth NE24 1AY. 1:00 - 1:45pm. £8.00. + bf. Newton, solo piano.
Mon 15: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 15: Hideout @ Cluny 2, Newcastle. 7:00pm. £7.50 + £1.33 bf. Feat. Sleep Suppressor + Flat Moon.
Mon 15: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £8.00.

Tue 16: The Horne Section’s Hit Show @ Middlesbrough Town Hall. 7:30pm.
Tue 16: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Bradley Johnston, Paul Grainger, Bailey Rudd.

Wed 17: Bailey Rudd (Minor Recital) @ The Music Studios, Haymarket Lane, Newcastle University. 11:40am. Bailey Rudd (drums). Open to the public.
Wed 17: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 17: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 17: The Horne Section’s Hit Show @ The Gala, Durham. 7:30pm. SOLD OUT!
Wed 17: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 18: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 18: NONUNONU @ Elder Beer Café, Chillingham Road, Newcastle. 7:30pm.
Thu 18: Knats @ Hoochie Coochie, Newcastle. 8:00pm (doors 7:30pm). £8.00. + bf. Support act TBC.
Thu 18: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Ragtime piano.
Thu 18: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guest band night with Just Friends: Ian Bosworth (guitar); Donna Hewitt (sax); Dave Archbold (keys); Ron Smith (bass); Mark Hawkins (drums).

Fri 19: Cia Tomasso @ The Lit & Phil, Newcastle. 1:00pm. ‘Cia Tomasso sings Billie Holiday’. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 19: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Lindsay Hannon: Tom Waits for No Man @ Seventeen Nineteen, Hendon, Sunderland. 7:30pm.
Fri 19: Levitation Orchestra + Nauta @ Cluny 2, Newcastle. 7:30pm (doors). £11.00.
Fri 19: Strictly Smokin’ Big Band @ The Witham, Barnard Castle. 8:00pm. ‘Ella & Ellington’.

Thursday, February 26, 2015

CD Review: Carsten Dahl - Bach Goldberg Variations

Carsten Dahl (prepared piano).
(Review by Lance).
"What?" I hear you ask, "Is a 'prepared piano'?). To quote from the blurb:“Bach Goldberg Variations“ was recorded on a prepared piano, giving it its unique sound. Carsten Dahl placed snare wires on the piano wires to create a distorted sound that’s like a cross between a harpsichord, a sitar, a classical piano, an upright piano, a guitar and a banjo.
Carsten also has this to say: “The reason I flung myself into Bach’s work is partly because it’s the ultimate test of “manhood” for a pianist and partly because I wanted to bring out a side of Bach that you don’t often hear. In my opinion, Bach isn’t music for the posh, it’s music for the masses. So my interpretation grates on the ear and stinks of smelly feet when you hear it. I pull Bach down to the people, rather than letting him waft about on some highbrow cloud."
The album, which was Denmark's top selling classical album of 2014 also charted in the top 30 pop albums.
What do I think? An interesting experiment, although personally I'd sooner hear it played on a piano that didn't have snare wires across the strings!
Dahl is a fine pianist both classical and jazz although there's none of the latter genre here unless you class the snare wires as a form of improvisation.
The album is available on vinyl for a fiver or on CD for 3GBP from your nearest Tiger store which where I live is probably Edinburgh or the Faroe Islands it can also be downloaded from www.tiger-music.com/carstendahl.com.
Lance.

4 comments :

Patti D. said...

Hmmm - as you say Lance, an interesting experiment ..... Bach's music is so often interpreted in different styles. I can remember liking the Jacques Loussier Play Bach albums when I was an impressionable 15 year old .....

Lance said...

Yes Patti, I almost started smoking cigars after Loussier's version of Air on a G String was used in the Hamlet advert!

Anonymous said...

Well, Carsten Dahls version of Goldberg is a fake! He simply picked up the midi files from Open Goldberg - and he never would be able to survive playing even one of the variations...check the michinegun thrills...actually one of the biggest not yet discovered classical music recording scandals i modern time!

Lance said...

I wish you'd been more open rather than using the anonymous button. More credibility with a name. If you care to email me privately, and confidentially, I'd be interested to hear from you.

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