Bebop Spoken There

Gary Bartz: ''Music is nature's gift to man. It's the only religion. We're living in a terrible era, but what a beautiful thing music is. Look how it brings us together like religion is supposed to; and with no language barriers.'' (Jazzwise September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18918 (and counting) posts since we started blogging 18 years ago. 782 of them this year alone and, so far this month (Sept. 18.) 61.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

September.

Sun 20: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 20: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 20: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 20: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.

Mon 21: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 21: Lewis Watson Quartet @ The Black Bull, Blaydon. 8:00pm. Coltrane centenary.

Tue 22: ???

Wed 23: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 23: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 23: Lewis Watson Quartet @ The Lit & Phil, Newcastle. 7:30pm. A John Coltrane Centenary Concert (b. 23. 09. 1926). SOLD OUT!
Wed 23: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 24: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 24: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 24: Arun Ghosh @ Gosforth Civic Theatre, Newcastle. 8:00pm (7:30pm doors). £21.05. (£22.00. on the door). A Newcastle Festival of Jazz & Improvised Music event.
Thu 24: Shalala @ The Globe, Newcastle. 8:00pm. £7.00.

Fri 25: Mark Williams Trio @ The Gala, Durham. 1:00pm. £9.00.
Fri 25: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 25: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 25: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 25: Get the Blessing + Dilettante @ The Cluny (Cluny 2), Newcastle. 7:30pm (doors). £18.00. + bf. A Newcastle Festival of Jazz & Improvised Music event.
Fri 25: Jazz Sabbath @ The Glasshouse, Gateshead. 8:00pm.

Sat 26: Adam Fairhall & Johnny Hunter: Play Mary Lou Williams @ The Cumberland Arms, Byker, Newcastle. 6:00pm. Free. A Newcastle Festival of Jazz & Improvised Music event.
Sat 26: John Pope Quintet + Urvashi @ The Cumberland Arms, Byker, Newcastle. 8:00pm. £15.40. A Newcastle Festival of Jazz & Improvised Music event.

Thursday, February 26, 2015

CD Review: Carsten Dahl - Bach Goldberg Variations

Carsten Dahl (prepared piano).
(Review by Lance).
"What?" I hear you ask, "Is a 'prepared piano'?). To quote from the blurb:“Bach Goldberg Variations“ was recorded on a prepared piano, giving it its unique sound. Carsten Dahl placed snare wires on the piano wires to create a distorted sound that’s like a cross between a harpsichord, a sitar, a classical piano, an upright piano, a guitar and a banjo.
Carsten also has this to say: “The reason I flung myself into Bach’s work is partly because it’s the ultimate test of “manhood” for a pianist and partly because I wanted to bring out a side of Bach that you don’t often hear. In my opinion, Bach isn’t music for the posh, it’s music for the masses. So my interpretation grates on the ear and stinks of smelly feet when you hear it. I pull Bach down to the people, rather than letting him waft about on some highbrow cloud."
The album, which was Denmark's top selling classical album of 2014 also charted in the top 30 pop albums.
What do I think? An interesting experiment, although personally I'd sooner hear it played on a piano that didn't have snare wires across the strings!
Dahl is a fine pianist both classical and jazz although there's none of the latter genre here unless you class the snare wires as a form of improvisation.
The album is available on vinyl for a fiver or on CD for 3GBP from your nearest Tiger store which where I live is probably Edinburgh or the Faroe Islands it can also be downloaded from www.tiger-music.com/carstendahl.com.
Lance.

6 comments :

Patti D. said...

Hmmm - as you say Lance, an interesting experiment ..... Bach's music is so often interpreted in different styles. I can remember liking the Jacques Loussier Play Bach albums when I was an impressionable 15 year old .....

Lance said...

Yes Patti, I almost started smoking cigars after Loussier's version of Air on a G String was used in the Hamlet advert!

Anonymous said...

Well, Carsten Dahls version of Goldberg is a fake! He simply picked up the midi files from Open Goldberg - and he never would be able to survive playing even one of the variations...check the michinegun thrills...actually one of the biggest not yet discovered classical music recording scandals i modern time!

Lance said...

I wish you'd been more open rather than using the anonymous button. More credibility with a name. If you care to email me privately, and confidentially, I'd be interested to hear from you.

Anonymous said...

Here is Carsten Dahl. That is some acusement Mr. Anonymous pukes on the floor. I actually recorded them normally on a straight Hindsberg grandpiano before doing the prepared one. I DID NOT use open Goldberg but used to technical options. One is recording the voices in layers - another was moving the tempo here and there. Its today possible to use the studio advanteges since we live in new modern times. I could send you the piano version if you like. Since I was a drummer before playing the piano - I am very stricked and precise with the thrills and maybe my savant autism also plays a part in the Interpretation. Since you are an anonymous chicken - its not possible to answer you with more depth. You can e mail me : carstendahlmusic@gmail.com. Carsten.

Anonymous said...

Om kritikken af mine Goldberg Variationer et sted på nettet, hvor en narrøv anklager mig for at bruge midifiler - ja, så ved jeg lige præcis hvem det er. Ikke engang hans navn bør nævnes. Så ligegyldig en pianist er han. En svigermors drøm med pomadehår. En stikker under krigen. En glat og nybarberet duksedreng som lusker rundt i musiklivet med en klud om halsen. Ja. Jeg ved hvem du er og jeg forstår din jalousi. Det bør ikke være muligt at jeg findes - men det gør jeg. Gå tilbage til din støvede ligegyldige verden og lad genierne gøre arbejdet. Narrøv !

Carsten Dahl 2016

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