For the past seventeen years we've been updating the world about jazz in the north east of England and updating the north east of England about jazz in the world. WINNER of the Jazz Media Category in the 2018 All Party Parliamentary Jazz Awards. Contact lanceliddle@gmail.com
April 2025.
Tue 08: ???
Wed 09: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 09: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 09: Tannery jam session @ The Tannery, Hexham. 7:00pm.
Wed 09: Anatole Muster Trio @ Cluny 2, Newcastle. 7:30pm (doors). £17.50., £12.50. concs.
Wed 09: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free. CANCELLED?
Thu 10: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm. £5.00.CANCELLED!
Thu 10: Magpies of Swing @ The Globe, Newcastle. 8:00pm. £12.00., £10.00., £7.00. A Globe fundraiser (all proceeds to the venue).
Thu 10: Exhaust: Camila Nebbia/Kit Downes/Andrew Lisle @ Jesmond URC, Newcastle. 8:00pm (7:30pm doors). £13.20., £11.00. JNE.
Thu 10: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. Feat. guests Ray Dales & Jackie Summers.
Fri 11: Zoë Gilby Quartet @ Auckland Castle, Bishop Auckland. 1:00pm. £8.00.
Fri 11: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 11: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 11: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 11: John Rowland Trio: The Music of Ben Webster @ Jesmond Library, Newcastle. 1:00pm. £5.00. Rowland (tenor sax); Alan Law (piano); Paul Grainger (double bass).
Fri 11: Imelda May @ The Fire Station, Sunderland. 7:30pm. SOLD OUT!
Fri 11: Shunyata Improvisation Group @ Cullercoats Watch House. 7:30-9:00pm. Free (donations).
Sat 12: Jason Isaacs @ STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 12: Rob Heron & the Tea Pad Orchestra + House of the Black Gardenia + King Bees @ Cluny 2, Newcastle. 6:30pm (doors). £18.00.
Sat 12: Bright Street Big Band @ Washington Arts Centre. 6:30pm. £12.00. Event includes swing dance taster session, DJ dance session. Bright Street Big Band on stage 7:30-8:15pm & 8:45-9:30pm. SOLD OUT!
Sat 12: Milne Glendinning Band @ The Vault, Darlington. 7:00pm. Free.
Sat 12: Imelda May @ The Glasshouse, Gateshead. 7:30pm. £42.20. SOLD OUT!
Sat 12: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 13: Daniel John Martin with Swing Manouche @ Central Bar, Gateshead. 2:00pm. £10.00.
Sun 13: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 13: Hejira: A Celebration of Joni Mitchell @ Wylam Brewery, Newcastle. 8:00pm (7:00pm doors). £22.50.
Sun 13: Wilkinson/Edwards/Noble + Chojnacki @ The Globe, Newcastle. 8:00pm. £13.20., £11.00. JNE.
Mon 14: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 14: Zoë Gilby Quintet @ The Black Bull, Blaydon. 8:00pm. £10.00.
7 comments :
Try Kenny G then! By the way, this has been said before - but the comment was made about MOZART. "The famous complaint of Emperor Joseph II about The Marriage of Figaro - "too many notes, Mozart" - is generally perceived to be a gaffe by a blockhead. In fact, Joseph was echoing what nearly everybody, including his admirers, said about Mozart: he was so imaginative that he couldn't turn it off, and that made his music at times intense, even demonic. Hence Mozart's bad, or cautionary, reviews: "too strongly spiced"; "impenetrable labyrinths"; "bizarre flights of the soul"; "overloaded and overstuffed".
Still, in the end, the reputation of Mozart in his own time was about what it is today: he was considered an incomparable master."
Yawn...yawn...yawn....heard it all before!
Jazz = freedom of expression = play as you want to play. As far as I know, there is no magic number of notes that comprise a good jazz solo, but if any anoraks...sorry, fans...out there know how many there SHOULD be, I'd be grateful if they'd put the answer on a postcard and....
Louis once stated: "It's not the notes you play that are importand, it's the ones you don't play"
I rest my case!
Really? If you don't like 'lots of notes' sax solos, avoid gigs where the repertoire or style is post 1930.
Listening to jazz is subjective, like any of the arts, everyone brings their own experiences and expectations and inevitably hears the same music differently. Some might not understand what's happening at a musical or technical level but still engage with the performance and the broader sound and energy, it's up to you if you're willing to invest in what you hear or just have something familiar and unchallenging that you can dip in and out of.
There's lots I don't care to hear in jazz, but usually it's down to undeveloped musicality or overly developed technique at the expense of the music. Why not spend a bit of time with some more 'modern' records, see if you can get to a place where you can relate to what you are hearing.
There's really no case to answer. Miles played some very emotive solos using relatively few notes as did Chet Baker. Dizzy did the same using a lot of notes. Who's to say one is greater than the other. A musicians uses the tools at his disposal. If that player has practised hard and long enough to attain greater technical command of his instrument he's going to use that technique otherwise he may as well have swapped the woodshed for the pub.
I did swap the woodshed for the pub, Lance (hic!)...........
The inference that Miles played fewer notes due to a limited technique is mistaken, he had the ability to burn through changes (check out the live albums Four And More/My Funny Valentine), the sparse playing was a conscious, stylistic choice.
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