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Bebop Spoken There

Ed Palermo: "[Frank] Zappa's humor was very rarely self-deprecating, and mine is almost always self-deprecating. The beauty of it is that no one gets hurt." - (DownBeat February, 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,191 (and counting) posts since we started blogging 13 years ago. 610 of them this year alone and, so far, 18 this month (May 4).

2021 APPJAG (All Party Parliamentary Jazz Appreciation Group)

Coming soon ...



May 6: Vieux Carré Jazzmen at The Holystone. (CANCELLED!).

May 13: Vieux Carré Jazzmen at The Holystone (weather permitting).
May 20 Maine Street Jazzmen are back at Sunniside Social Club.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 21: Jazz in the Afternoon are back at Cullercoats Crescent Club. (Revised date).
June 23: Vieux Carré Jazzmen are back at Cullercoats Crescent Club. (Revised date).

Tuesday, April 09, 2013

GIJF Day 3: Way in to the Way Out

(Review by Russell)
Why do musicians do what they do? Why do some musicians take the hard road? The life of an improvising musician, particularly those on the free scene, is hardly the road to riches. As someone once said: No turn left unstoned. Pianist Alexander Hawkins and Corey Mwamba (vibes) are two such musicians; youthful, spirited, keen students of the history of the music.
A keen crowd gathered in the Music Education Centre in the bowels of the Sage to listen to the duo talk about their formative influences, first gigs and the attraction of being On the Outside. Hawkins spoke of his love of Fletcher Henderson, his interest in stride piano and the socio-political aspects of jazz in America focusing on the migration north of black musicians from New Orleans, to Chicago and on to New York seeking freedom from the discrimination prevalent in the Deep South.
Mwamba talked about his first gigging experiences playing in New Orleans/Dixieland and swing bands. He borrowed recordings from his local library, he discovered Lionel Hampton and Red Norvo and admitted to something of a blind spot with regard to Bird. He certainly knows his instrument, not just musically but in terms of the history of the design and build mechanics of the vibraphone. Tracing developments in the jazz lineage through bebop to hard bop to the free pioneers (Ornette, Dolphy and Joe Harriott) Hawkins and Mwamba condensed a big subject into ninety entertaining minutes.    
Russell.                     

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