Total Pageviews

Bebop Spoken There

Ed Palermo: "[Frank] Zappa's humor was very rarely self-deprecating, and mine is almost always self-deprecating. The beauty of it is that no one gets hurt." - (DownBeat February, 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,191 (and counting) posts since we started blogging 13 years ago. 610 of them this year alone and, so far, 18 this month (May 4).

2021 APPJAG (All Party Parliamentary Jazz Appreciation Group)

Coming soon ...



May 6: Vieux Carré Jazzmen at The Holystone. (CANCELLED!).

May 13: Vieux Carré Jazzmen at The Holystone (weather permitting).
May 20 Maine Street Jazzmen are back at Sunniside Social Club.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 21: Jazz in the Afternoon are back at Cullercoats Crescent Club. (Revised date).
June 23: Vieux Carré Jazzmen are back at Cullercoats Crescent Club. (Revised date).

Saturday, April 06, 2013

GIJF Day 1 - Soweto Kinch & The Legend of Mike Smith. April 5.

Soweto Kinch (alto & tenor saxophones), Nick Jurd (double bass & electric bass) & Shaney Forbes (drums)
(Review by Russell)
Soweto Kinch arrived at the Gateshead International Jazz Festival with a story to tell - the Legend of Mike Smith. Our eponymous hero is an aspiring MC and on his journey to wherever (Dante’s Inferno perhaps) he encounters/experiences the Seven Deadly Sins.
Kinch played alto sax  to die for, tenor too and entertained hugely with his observational, politically incisive rap lyrics. Drummer Shaney Forbes was the perfect fit for the bandleader’s musical vision; of the generation, complete musical vocabulary, immense left hand snare (a blur!). Bassist Nick Jurd had it down on five string electric and double bass. How did one so young know? Kinch took full advantage of the trio format to improvise a lyric - political, knowing, humourous. Tunes were drawn from the new CD The Legend of Mike Smith. A rap number alternated  with an instrumental, the narrative thread focused the attention, the audience followed willingly this Pied Piper of contemporary jazz. Highlights were many, to choose one or two - Kinch’s party piece rapping freestyle with audience participation (amazing instant composition!), a brilliant swing section and a blistering Traffic Lights had everything. The finale had to be The Healing. A wonderful start to the festival.           
Russell.

No comments :

Blog archive