October.
Sat 17: SunOrbitUs @ Culture House, Sunderland. 11:00am - 5:00pm. Closing event in a year-long piece of music. 11:00am-1:00pm Improvisation workshop w. Faye MacCalman; 2:00-5:00pm Collective Improvised Performance by Sunderland residents. SOLD OUT!
Sat 17: Tees Bay Swing Band @ Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal.
Sat 17: Martin Taylor @ Bowes Museum, Barnard Castle. 7:30pm. £48.72; £43.37. Solo guitar. SOLD OUT!
Sun 18: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 18: Creakin’ Bones & the Sunday Dinners @ Tyne Bar, Newcastle. 4:00pm. Free. Jump jive.
Sun 18: Guisborough Big Band @ Redcar Rugby Club. 5:00-8:00pm. ‘Charity Big Band Birthday Bash’ in aid of Parkinson’s UK & Young Sounds UK. Free (donations on the door).
Sun 18: Martin Taylor @ The Glasshouse, Gateshead. 8:00pm. £23.30. Solo guitar.
Sun 18: Ben Crosland Quartet with Steve Waterman @ The Globe, Newcastle. 8:00pm.
Mon 19: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 19: Sue Ferris Quintet @ The Black Bull, Blaydon. 8:00pm. £10.00.
Tue 20: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Pete Tanton (trumpet, flugelhorn).
Tue 20: Graham Hardy’s Eclectic Quartet @ Queen’s Head, Rothbury. 7:30pm. £11.00. Tickets from Tully’s, Rothbury. Coquetdale Jazz. Note change of venue.
Tue 20: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger, Scotty Adair.
Wed 21: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 21: FILM: Blue Moon @ Washington Arts Centre. 1:00pm. £4.50 (inc. bf). Biopic of lyricist Lorenz Hart.
Wed 21: De'Sean Jones’ Urban Art Orchestra @ The Cluny, Newcastle. 7:30pm (doors). £10.00.; £5.00. student, unwaged; free to Mercury Awards ticket holders. De'Sean Jones (tenor sax, EWI); Tjoe Man Cheung (guitar); Mikele Montolli (double bass) + others TBA.
Wed 21: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 21: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 21: Roby Glod-Steve Sewell Quartet @ Central Bar, Gateshead. 8:00pm.
Thu 22: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 22: Mercury Prize @ Utility Arena Newcastle. 8:00pm. £60.25.; £48.75. Line-up inc. Knats.
Thu 22: Dean Stockdale Trio @ Bandstand!, Exhibition Park, Newcastle. 7:30pm. Tickets: £10.20 (inc. bf) via Instagram. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Thu 22: Olly Styles Trio @ The Globe, Newcastle. 8:00pm. £7.75.
Fri 23: Sara Oschlag w. Arnie Somogyi Trio @ The Lit & Phil. 1:00pm. Sara Oschlag (vocals); Ben Lawrence (piano); Arnie Somogyi (double bass); John Hirst (drums). SOLD OUT!
Fri 23: Emma Fisk’s Hot Club du Nord @ Gala Theatre, Durham. 1:00pm. Durham Jazz Festival. SOLD OUT!
Fri 23: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 23: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 23: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 23: Maja Bugge & Dave Evans @ Claypath Deli, Durham. 7:00pm. Durham Jazz Festival.
Fri 23: Knats @ King Street Social Club, North Shields. 7:00pm. £17.00., £14.70., £11.30., £5.50. SOLD OUT!
Fri 23: King Bees @ Billy Bootleggers, Newcastle. 7:00pm. Free. Superb Chicago blues band.
Fri 23: Sara Oschlag & Arnie Somogyi w. Ben Lawrence @ Ship Isis, Sunderland. 7:30pm. Sara Oschlag (vocals); Ben Lawrence (keyboards); Arnie Somogyi (double bass).
Fri 23: Ronnie Scott’s Soho Songbook @ Redhills, Durham. 8:00pm. James Pearson (piano); Sam Burgess (double bass); Chris Higginbottom (drums); Alex Garnett (sax); Polly Gibbons (vocals). Durham Jazz Festival. SOLD OUT!
Fri 23: SwanNek + Jacob Egglestone @ Fabio’s Bar, Durham. 9:00pm. Durham Jazz Festival.
4 comments :
My favourite, among all the gems, is the 1928 duet with Earl Hines 'Weather Bird'. Other favourites - Savoy Blues 1927 with the great Lonnie Johnson. 1947 All Stars with Teagarden 'Stars Fell on Alabama' possibly one of the most moving tracks in all of jazz?
Hi Lance yes I heard it, it was great, as for favourites where do I start he never made a bad record.
Hotter Than That - Hot Five with Lonnie Johnson.
Jack Armstrong Blues - All Stars with Jack Teagarden.
When You're Smiling - Autobiography LP. (Reserved for my funeral.)
Stars Fell On Alabama - Ella & Louis.
What A Wonderful World - Even as an old man still turning dross into gold.
Hi Lance, now this is a hard one so much good stuff out there.
1) Cornet Chop Suey (Rec 1926) (The Hot Five)
This is a recording that any young aspiring jazz trumpet player should listen and learn from, it's all there, and Louis way ahead of his time, no one else was playing like this at that time.
2) When Your Smiling (Rec 1929) (His Orchestra)
Once again Louis playing things here, that no one else was doing, that last chorus out, where he is playing those fat top E's and holding the melody up an octave, is difficult to sustain to this day.
3) Back O'Town Blues (Rec 1947) (The All Stars)
From the town hall concerts, with Jack Teagarden, this recording reminds me so much of some of the things I have to deal with at Ned Kelly's, just listen to how Louis put's the heckler in his place, (Shut Up "Boy") absolute magic, plus a great vocal from Louis, wonderful atmosphere and fun.
4) Ella & Louis (Rec 1956)
This is a wonderful album, and sounds as fresh today, as if it was recorded just recently, two of the top entertainers of their time, and a great rhythm section with Oscar Peterson.
5) For this Lance I agree with you,for his output in the 1960's, I would have to go with Give Me A Kiss to Build A Dream On, this and What A Wonderful World are still very popular in Hong Kong with many young people, and every night we get requests for both, but for me it is A Kiss To Build A Dream On.
Colin Aitchison
Bandleader
Ned Kelly's Last Stand
Hong Kong.
Hi Lance,
It is very difficult to make a choice but probably my favourite solo is the two twelve bar choruses in Savoy Blues recorded late at night after presumably a long night playing a gig.
Also do not overlook his early efforts with Fletcher Henderson he plays a wonderful solo on Why Couldn't It Be Poor little Me.
From the 193O's his huge out put makes it almost impossible to select but I always loved the relaxed playing on Song Of The Islands.
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