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Bebop Spoken There

Ed Palermo: "[Frank] Zappa's humor was very rarely self-deprecating, and mine is almost always self-deprecating. The beauty of it is that no one gets hurt." - (DownBeat February, 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,191 (and counting) posts since we started blogging 13 years ago. 610 of them this year alone and, so far, 18 this month (May 4).

2021 APPJAG (All Party Parliamentary Jazz Appreciation Group)

Coming soon ...



May 6: Vieux Carré Jazzmen at The Holystone. (CANCELLED!).

May 13: Vieux Carré Jazzmen at The Holystone (weather permitting).
May 20 Maine Street Jazzmen are back at Sunniside Social Club.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 21: Jazz in the Afternoon are back at Cullercoats Crescent Club. (Revised date).
June 23: Vieux Carré Jazzmen are back at Cullercoats Crescent Club. (Revised date).

Tuesday, April 30, 2013

Album Review: Ian Chalk/Dan Clarkson - The Nearness of Two.

Ian Chalk (tpt); Dan Clarkson (pno).
(Review by Lance.)
A digital delight, an album that is awesome in it's simplicity!
Simple because of an unbeatable formula.
One fine trumpet +  one talented pianist + a choice selection of tunes = The Real X Factor.
Those of you can remember such classics as Louis Armstrong/Earl Hines Weatherbird or the Ruby Braff/Ellis Larkins duo recordings on Vanguard may like to think of this as the latest in the line of trumpet/piano classics.
Chalk, perhaps best known for his work with the Kate Peters Septet and other Leeds based outfits blows with a pure, clean sound that is never sugary sweet but cool and compelling. His improvisations are melodic and logical extensions of the tunes.
Clarkson accompanies but doesn't just comp. His own lines flow in and around Chalk's, ducking and diving - bass and drums would be superfluous here!
And the songs - ah man just listen to Nancy With the Laughing Face. If Sinatra had played trumpet he couldn't have got any more emotion from it than Chalk does.
Clarkson's solo on What's New may be compact and concise but it's also quite beautiful.
I don't normally do digital but I'm glad I made an exception here!
Lance.

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