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Bebop Spoken There

Buddy Rich: "You either swing a band or you don't swing a band - (Metronome April 1956).

Sinclair Traill: “Well I don't think he (Chet Baker) can sing either.” – (Jazz Journal August 1956).

Fred Rowe Funeral Arrangements

The funeral of well-respected and much-loved trumpet player Fred Rowe will take place on Wednesday, December 13 at 14:00 hrs: Lytham Crematorium (Regent Ave, Lytham Saint Annes FY8 4AB). Afterwards - All warmly welcome for refreshments at 2 Chapel Close, Wesham, Preston PR4 3HB.
No flowers by request donations to Parkinson's UK. Should you wish to donate to Parkinson’s research, please contact the Funeral Directors (J & A Porter Funeral Services, Windsor Court, Windsor Road, Ansdell, Lytham St Annes, Lancashire FY8 1AH. Tel: 01253735423) or place in a collection box that will be provided at the end of the service.
"Please do come along, we would love to see as many of Fred’s friends as possible" - Joan Rowe and family.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

Today Tuesday December 12

Afternoon
Classic Swing - The Ship, Front St., Monkseaton NE25 8DP. 1pm. Free. New weekly mainstream session. 2 mins from Monkseaton metro.

Interim Recitals (Final Year Music Students) - Band Room, Music Studios, Assembly Lane, Newcastle University NE1 7RU. Inc. Charlie Philp (guitar) 3:55pm. Free.

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Evening

Ian Bosworth - Dormans, Oxford Rd., Middlesbrough TS5 5DT. 01642 832813. 9pm. Free.

Charles Gordon - Vermont Hotel, Castle Garth, Newcastle NE1 1RQ. 0191 233 1010. 10:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, October 10, 2017

The Julian Costello Quartet @ The Globe: October 7

Julian Costello (ten, sop saxes); Maciek Pysz (guitar); Michele Tacchi (bass guitar);  Adam Teixeira (drums).
(Review by Ann Alex/Photo courtesy of Dave Parker)
I didn’t know what to expect, as the sax player and guitarist had taken an excellent workshop at the Sage in the afternoon, mostly based on Miles Davis’s Flamenco Sketches, with us doing melodies based on modes, heady stuff. What we got in the evening is what I’d describe as ‘International Jazz’.
Tunes with influences from Poland, the East, martial drum beats, J S Bach-like guitar melodies, and titles such as Panettone, Walking Through The Jungle, Halloumi (Julian is addicted to this, or so he said).This was all thoroughly enjoyable, played to an appreciative audience, and I can’t wait for the band’s next visit.
The first set consisted of one long composite tune(s) and a shorter number - Walking Through The Jungle. It all began with a blast on the tenor, ambient sounds from the others, mallets on drums, electronics from the 7 small different coloured boxes lying beside the guitar, then a tune arose from the sound, a Latin beat, a groove, tenor solo, quick change to soprano, a drone from somewhere, then behold!, we were led in clapping the rhythm by the band. I’ve maybe made it all sound chaotic, but it all hung together beautifully. So readers will have gathered that this was no ‘play the head, solos all round, head again to finish’ job, but an interesting performance with quite a bit of humour as well, such as when the drummer blew up a balloon, Julian danced enthusiastically on the spot whilst playing, and Maciek and Julian had a mock fight, pretending to hit each other. There were many false endings to keep the audience guessing, such fun. The second tune sounded a bit more conventional, although it featured the drums especially, solos all round, and a rather sudden ending to contrast with the false endings that we were getting used to.

The second set comprised five tunes, and the first was a totally unspellable Polish tune, tenor led, drumsticks on cymbals, and the two guitars complementing each other, with hints of J S Bach. Indeed I think Bach would have enjoyed the whole gig. Panettone included martial drums, and Julian told us how another band member, who comes from Moscow, had complained about Putin. Putin had his revenge for that story as there was crackling on the guitar during the tune. Fruity was lively, boppy, with elements of rock music. Halloumi sounded Spanish, then became Eastern, as if the sax was charming snakes.  The final tune, The Cost Of Living, was cooler, calmer, a tune far lovelier than the title would seem to indicate.
What a satisfying evening of Jazz!
Ann Alex

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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